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The Tempest- Wanamaker

The Tempest

By William Shakespeare
Directed by Dominic Dromgoole
Music Composed by Stephen Warbeck

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Sam Wanamaker Playhouse,
Shakespeare’s Globe, Southwark, London

Saturday 20th February 2016. 14.30

CAST

Fisayo Akinade – Caliban
Trevor Fox – Stephano
Darren Kupan – Boatswain / Adrian
Christopher Logan – Sebastian
Joseph Marcell – Gonzalo
Tim McMullan – Prospero
Pippa Nixon – Ariel
Dominic Rowan – Trinculo
Brendan O’Hea – Antonio
Dharmesh Patel – Ferdinand
Tika Peucelle – Iris
Phoebe Pryce – Miranda
Paul Rider – Alonso
Sid Sagar – Shipmaster / Ceres / Francisco

This should be a major event. Dominic Dromgoole’s final play at The Globe, with two of our favourite actors, Pippa Nixon as Ariel and Christopher Logan as Sebastian. But …

The Tempest was among the first few Shakespeare plays I ever saw on stage. It was a sixth form production at the local girls’ convent school, and we knew several of the cast. A group of we sixth-form lads bought tickets to see it. We were seated at the back, and I’d swear a nun was assigned to watch us intently throughout. That was Prospero played by a 17 year old girl with a hook-on beard. In the 90s we sat through a small-cast touring production with a cast of five or six and no props.

The other end of the spectrum was the RSC production of The Tempest in their 2012 Shipwrecked Season. That had the cast wading through water, lots of flying, magical tableaux, a state-of-the-art magical lighting plot. That end of the spectrum has traditionally been occupied by The Tempest. An 1857 production had a stage crew of 140 and Ariel descending in fireballs.

So the major interest was what the play was like in the facsimile of a private 17th Jacobean theatre. Certainly the elaborate masques and pageants and tableaux of the era had major artists designing sets and costumes, yet we assume that the theatre troupes used the buildings mainly as they were. It’s probable that their aristocratic patrons passed on the odd costume, so not impossible that other paraphernalia … wooden trees or whatever … passed from pageants and masques to the companies. A “Hell’s Mouth” is listed among the props owned at the time. I have the feeling that this production wanted to show the “state of the art for 1610.” The inner stage was filled with a painted layered seascape and boat for the shipwreck, In the masque, as well as two gods descending from on high, they had a small backdrop painting of a building blocking off the inner stage. Ariel had several descents on wires, but one superb one with outstretched wings manipulated with poles from the balcony. They had a layered rock on wheels, which was put to good use stage centre. Two of the gods in the tableaux descended on wires, and a bearded Ceres in a dress (Sid Sagar) is a guaranteed laugh. Platforms were rolled forward from the inner stage with food-laden tables, or Miranda and Ferdinand playing chess. Goblins with skeleton dinosaurs, and nymphs and ghosts were all memorable strong points. I reckon they were right on how good 1610 could get it.

tempest2_0

Prospero with wand (Tim McMullan)

The beginning, with an incredibly dramatic musical score, followed by a well-choreographed dramatic but also funny shipwreck scene … all done by acting, no water or sails in sight …  promised great things.

I see they credit a costume supervisor and head of wardrobe, but not a “costume designer.” This is significant. The costumes were poor. It was “go to the stock cupboard and pull out the black Jacobean stuff with white ruffs … we have so many there that we can get a fit.” Prospero was in generic Jacobean. Nothing magical or entrancing about his costume at all. I wanted magician’s robes. Shakespeare, ever practical, had written in the justification for Prospero being cast away on an island, still in impressive magus gear after twelve years. When Gonzalo set the exiled Prospero and the three year old Miranda adrift in the ‘rotten barque’, he furnished them not only with Prospero’s books, but with “rich garments, linen, stuffs and necessaries.” Gonzalo’s foresight in providing dresses for a growing Miranda for the next twelve years was commendable. Actually, Miranda’s dress, cobbled together from fabrics of different lengths (from the linens and stuffs perhaps) was the best costume of the day.

5184

Pippa Nixon as Ariel, Paul Rider as Alonso

Ariel had a black top with gold hippy sun design. I’d guess that you can pick it up easily enough at the Glastonbury Festival or Camden Market. Caliban, usually a semi-bestial creation, was just a normal looking Afro-Caribbean guy with a very mild limp. It was traditional to cast a black actor as Caliban to reflect the colonial theme, but he’s also supposed to be extraordinary and bestial. Well-acted, but visually, it was the weakest Caliban we’ve seen.

The costumes afflicted the Neapolitan and Milanese nobility – Alonso, King of Naples, Antonio, the usurper Duke of Milan (Prospero’s brother)  and Sebastian, King Alonso’s brother, particularly. They all had the same boring black costume. I guess the aim was to emphasise them as a group. They were pretty much indistinguishable. I spent a few minutes trying to guess which was Alonso and which Antonio, and I know the play reasonably well. Antonio and Sebastian, two brothers, were played by Brendan O’Hea and Christopher Logan. Both are actors of comic genius. O’Hea’s Lucio in Measure for Measure was tears-down-the-face funny, as was his King Lewis of France in The Globe’s touring Henry VI. O’Hea was totally unrecognisable as Antonio – I hadn’t even realised it was him till I linked this review to Measure for Measure. It’s bizarre to employ actors of Logan and O’Hea’s proven comic ability and strand them in these roles, though I’d say exactly the same about their roles in Cymbeline.  They did have moments, such as when the nobles crossed over the inner stage, wandering lost around the island, but not enough. The nobles scenes dragged and fell flat for us … they were heavily cut, I think. None of them seemed like a bunch of evil plotters. Just blokes dressed in black, stranded somewhere.

The costumes came alive in the masque, with headdresses for the gods which do look like the elaborate masques of the day, but overall, costume was a whole area of the play that failed to engage.

3840

Tim McMullan as Prospero

Tim McMullan as Prospero has a fine, rich voice, definitely one for an audio version. He was often placed prologue like, facing front, declaiming. Prospero has some remarkable speeches and they were given full focus. He had good comic timing and finely-judged pauses on scenes with Miranda … but Prospero is supposed to be powerful, and yes, frightening, and he really wasn’t either, and in that he was hampered by the boring costume. We didn’t ever feel that Ariel and Caliban were enslaved in his power. He didn’t even break his magic staff at the end! And how do we know that 17th century England thought Milan was pronounced Mill (un)? And if so why did Prospero say Mill- AN at least twice? Also, whether 1610 thought Milan should be Mill(un) or not is irrelevant. Maybe it assists rhymes, I didn’t notice, but it sticks out like a sore thumb and irritates. If it’s a footnote on original pronunciation, it’s a merely pedantic point, and a skippable one.

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Pippa Nixon as Ariel

Pippa Nixon has given some of the best performances we’ve ever seen, and she flitted around nicely as Ariel. Ariel’s a spirit, and so works equally well as male or female. I don’t know how often she had to exit through the pits only to reappear on the balcony or on a wire seconds later. She must have spent the play racing between the positions. But for one of the best few actresses of her generation, it was a limited part because so much is positioning and reacting, though obviously she shone in it.

The best bits, not unexpectedly, were the comic duo, the jester Trinculo (Dominic Rowan) and the drunken ship’s butler Stephano (Trevor Fox). Rowan in particular defined the Shakespearean clown thing by improvising lines and stretching beyond the text, as for sure the comic specialists playing the roles in 1610 would have done. He played Vincentio in Dromgoole’s Measure for Measure in the summer of 2015, a production so good that I saw it twice, and this cast was something of a Measure for Measure reunion. Rowan’s relaxed ease with an audience is almost a trademark, and it was a delight to see it in an overtly comic role, though his work when Vincentio was dressed as a monk also got massive laughs last summer.  Fox had played Pompey the Tapster in the same production. They both worked audience interaction, and added interjections. The scene where they all end up beneath the “gabardine” covering the prone Caliban on stage was masterly comic direction. From there they formed a good visual (and comic) trio with Caliban, much shorter, in the middle.

tempest4

Fisayo Akinade as Caliban

In the end, we found it academically fascinating in seeing how much Shakespeare might have been able to do with the available resources,  but really The Tempest more than any other play demands a magical lighting plot, ethereal costumes, an island set, water. Watching The Winter’s Tale in the stripped down Wanamaker setting brought out new aspects of the play for me. The Tempest demonstrated how much better it can be done with a few electric lights, and magical costumes. A beautiful production in highlighting the language, but less so in other areas.

Half of the cast are playing  in Cymbeline at the same time.

The Wanamaker is always a venue which you feel privileged to visit, but with this play we really did feel the lack of modern theatrical production magic. We have seen nearly all the full plays there since it opened, so we no longer have the sense of wonder of simply being there in the intimacy and candlelight … we heard people going out who were there for the first time and were stunned by how wonderful it all was.

THE MUSIC

The music, composed by Stephen Warbeck was eerie and compelling. The MD, Sarah Homer, played “clarinets” as well as a bass drum for effects. The clarinet was huge, looking larger than a baritone saxophone. She was accompanied by Fiona Clifton-Welker on a full size harp, Nick Cooper on cello and Dario Rosetti-Bonell on guitars. It was an unusual combination. It’s the most important play for music, and Pippa Nixon had proven singing ability from As You Like It which must have been a further reason to cast her as Ariel.

Overall: ***

PROGRAMME

5 stars, of course

The Tempest 2016 prog

OTHR REVIEWS ON THIS BLOG:

THE TEMPEST

  • The Tempest RSC 2012
  • The Tempest, Wanamaker Playhouse, 2016
  • The Tempest, RSC 2016 (Simon Russell-Beale)
  • The Tempest, Bath Ustinov 2022

DOMINIC DROMGOOLE

Measure for Measure, Globe 2015
Romeo & Juliet – Globe
The Changeling – Sam Wanamaker Playhouse
Julius Caesar – Globe
Hamlet – Globe
Duchess of Malfi– Sam Wanamaker
A Midsummer Night’s Dream – Globe
Pericles, Wanamaker Playhouse, 2015

PIPPA NIXON

Therese Raquin, Bath, 2014
As You Like It RSC 2013 (Rosalind)
Hamlet RSC 2013 (Ophelia)
Richard III, RSC 2012 (Lady Anne)
A Midsummer Night’s Dream – RSC 2011  (Titania)
The City Madam, RSC 2012
Cardenio RSC  2012

CHRISTOPHER LOGAN
A Midsummer Night’s Dream, Headlong (Bottom, Pyramus)
A Midsummer Night’s Dream, Globe (Thisbe)
Julius Caesar, The Globe
The Way of The World, Chichester
Cymbeline, Wanamaker Playhouse 2015

TREVOR FOX
Measure for Measure, Globe (Pompey the Tapster)
Cymbeline, Wanamaker Playhouse 2015

DOMINIC ROWAN
Measure for Measure, Globe (Vincentio)
Ah! Wilderness, Young Vic 2015
Medea, NT Live

BRENDAN O’HEA
Measure for Measure, Globe 2015 (Lucio)
Cymbeline,
Henry VI, Part 1-3, Globe on Tour (King Lewis of France etc)

PAUL RIDER
Measure for Measure, Globe
Julius Caesar, Globe
Knight of The Burning Pestle, Globe.
The Duchess of Malfi, Wanamaker

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          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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