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Richard III – Almeida

Richard III
By William Shakespeare

Ralph-Fiennes-photographed-by-Miles-Aldridge-700x455

Directed by Rupert Goold
Set by Hildegard Bechtler
Costume by Jon Morrell
Composition & Sound by Adam Cork

Almeida Theatre, Islington, London

Thursday 30th June 2016, 7 pm

Almeida

CAST

Ralph Fiennes – Richard Duke of Gloucester, later King Richard III
Scott Handy- George, Duke of Clarence
Joanna Vanderham – Lady Anne
Vanessa Redgrave – Queen Margaret
Susan Engel – Duchess of York
Aislin McGuckin – Queen Elizabeth
James Garnon – Lord Hastings
Finbarr Lynch – Duke of Buckingham
Joseph Mydell – Lord Stanley
Joshua Riley – Marquess of Dorset
Joseph Arkley- Earl Rivers
Tom Canton – Sir Robert Brackenbury / Earl of Richmond
Daniel Cerqueira – Catesby
Simon Coats – Bishop of Ely
Mark Hadfield – Ratcliffe / Mayor
David Annen – King Edward IV / James Tyrell / Sir James Blunt
Lukas Rolfe / Baxter Westby – Prince Edward
Benedict Barker / Oliver Whitehouse – Richard, Duke of York

Rupert Goold’s The Merchant of Venice, set in Las Vegas was one of the most inventive re-locations of Shakespeare I have ever seen. Richard III is a more straightforward affair, as 20th / 21st century costume is the default position for the play. It was strange to see it in the Wars of The Roses trilogy at Kingston last year with clanking armour and swords.

I sometimes type the cast list and check the links to my other reviews here in advance of seeing the production. That’s when I realized that the list of actors I’ve reviewed before is probably the longest one on the blog. James Garnon (Lord Hastings) has the most entries, but this really is some of the cream of recent British theatre. It took so long to do the links, a recent introduction here, that I might skip this feature in future.

WJK_1250

Richard (Ralph Fiennes)

Richard III is the ultimate play for Brexit week. It was even more apposite on June 30th, with Michael Gove stabbing Boris Johnson in the back, the Labour party in turmoil, everyone trying to create alliances and bring down enemies. I was casting it in my mind last weekend with politicians. Rupert Murdoch would be directing the whole thing, with Paul Dacre of the Daily Mail as choreographer, Richmond Desmond of the Daily Express as Assistant Director. I had thought Boris Johnston as the scheming, lying backstabbing Richard with Michael Gove as Buckingham, but now Gove gets Richard instead, and Johnson had best be a Lancastrian. We could have a portrait of David Cameron as the weak, ineffectual (and dead) Henry VI. Or if you prefer, the dying Edward IV.  Angela Eagle as Lady Anne … though she’ll need a word about voice projection and charisma.  Teresa May as Queen Elizabeth. Oh, and Nigel Farage as third spear carrier and buffoon, always marching out of step, doubling with Clarence. Perhaps the audience can be invited up to help push his head under the surface of the barrel of wine, though in Islington there might be a dangerous rush to join in. I couldn’t find a part for Islington’s local MP Jeremy Corbyn, as I feared he wouldn’t turn up, and if he did, give too half-hearted delivery.

This production is inspired by the discovery of Richard III’s body in a Leicester car park in 2012. You enter the theatre to see two men working on a grave, putting bone fragments into plastic bags and labelling. More join them, and a crowd (most of the cast in other modern clothes) gathers slowly to watch over ten minutes before the play starts with the radio announcement of the discovery of the body, at which point first a skull, then a twisted spine are lifted from the grave. Lights down. Then up to reveal Richard at the back… I thought a great start.

The grave is covered by sliding glass, and stays on view throughout. A huge crown is suspended over the whole set, as I read, but in fact from the front of the circle, we couldn’t see it was a crown, and I thought it a metal circular lighting device. From our position, there was one really bad lighting moment from the glass (or perspex) stage, in the scene where Richard pretends to be shocked at the invitation to be king. That had different lighting to the rest of the play, and the spots reflected directly off the glass over the grave onto the auditorium left circle and we had to try and mask the reflections with our hands to see, as did everyone around us. The set has been described as austere. It is unadorned, but the omnipresent grave, sometimes covered, sometimes open with dirt around is the major focus. A kind of net separates the back area, and the other feature is that after each killing, a new lighted skull appears on the back wall. I was unsure about that … it is a video game score reference.

While it’s modern dress, they unashamedly don armour for the battle. It works, because we’ve played with time scales as we went from 2012 in a Leicester car park, into the play (and it will end with the archaeologist bringing on the working light again, with Richard in the grave). One of the key successes of Richard III and why it’s my favourite history play, is that Shakespeare created a compacted time scale which seems to run as a story without any awareness of the real time intruding or any jagged jumps … it begins after the Battle of Tewkesbury in 1471, with Prince Edward’s corpse, goes past the Duke of Clarence’s death in 1478, and Edward IV’s death five years later in 1483 and ends at Bosworth Field in 1485. You feel it’s all happened in a few weeks.

Richard III is inevitably a vehicle for the central character, so we will ever think of this as the Ralph Fiennes’ Richard. I read the reviews. Both Michael Billington and Domenic Cavendish gave the play three stars, and reviews are somewhat grudging in their admiration for Fiennes’ interpretation. It is cold, cruel, deeply misogynist. He spits out he word “woman.” He shows a furious (and very funny) double take when Buckingham describes his pretended reluctance to take the crown as effeminate. In the Lady Anne first scene, he thrusts his hand between her legs viciously. In an innovation for the play, he rapes Queen Elizabeth on stage while demanding her daughter (his young niece) in marriage. The critical point is that he less of a wily trickster, makes less of an attempt to win us over than in some other productions. In the Kevin Spacey Old Vic version, which is my benchmark, Richard is vainly trying to keep a lid on displaying his violent streak early on and it gradually becomes more and more explicit as he gains power. Fienne’s Richard is obviously nasty from the outset. But then that’s true of versions where it’s in a Wars of The Roses trilogy, because we’ve seen him wading in blood in Henry VI – Part 3. However, both of us thought his interpretation valid, and brilliantly performed. His phrasing and pausing genuinely threw new light through old windows. His delivery was measured,and crystal clear, wringing sense from every word. Above all he has a terrifying basilisk stare. His physical action again was great, though he didn’t do himself up in callipers, he did have his right arm tied up throughout. His shirt had the twisted spine on view through the cloth, and even when he donned armour, there was a lump in the backplate to contain it.

In production terms, the “persuading Richard to accept” scene was low-key compared to recent productions which go for lots of shouting from the auditorium, video feeds, microphones … all of which can be done in modern dress. The hallmark of this production is letting the acting and text tell the story, and even though low key, it was effective.

The reviews praise Vanessa Redgrave’s Queen Margaret, wife of Henry VI, whose husband and son were slaughtered by Richard. Instead of the aged soothsayer, she is played as demented geriatric, clutching a battered doll which she feeds with whisky. The picture shows a powerful moment when Richard twists its rubber face.

Richard-III-600x374

Queen Margaret (Vanessa Redgrave) and Richard (Ralph Fiennes)

Vanessa Redgrave adds to the plays austere ambience, in that she understates her lines with flashes of geriatric venom. It is an odd interpretation, and indeed, it’s a privilege to see her playing a major role like this at 79. We were both somewhat unconvinced though. A couple of reviews praise the older women, Queen Margaret and the Duchess of York as outstanding. We thought they had a tendency to pick up Fienne’s measured pace, which worked brilliantly for him, but slowed their scenes too much. I felt the Duchess of York’s curse … Edward IV, Clarence and Richard are her sons … lacked a pace and build, though the best I ever saw the Duchess of York was when she was done as Margaret Thatcher. I was also in two minds about Lady Anne. She was convincing, standing doll like through Richard’s coronation, then trembling as he told them to announce that she was sick and like to die. In the major early scene, where he woos her next to her husband’s corpse, it sounded very different to my expectations. I’d have to see the live to cinemas broadcast to decide.

richard-iil-almeida-ralph-fiennes-1000x600

Lady Anne (Joanna Vanderham) and Richard of Gloucester (Ralph Fiennes)

The outstanding female role in the play is Queen Elizabeth, mother to the princes in the tower. Earl Rivers is her brother, the Marquis of Dorset is her son by her first marriage, before she wedded Edward IV. The power is on the page, with the scene where Richard demands her daughter signalling his total descent into evil. Aislin McGuckin’s interpretation is powerful, the rape scene truly horrifying, with Fiennes’ foul grunts and her screaming before limping away.

image

Queen Elizabeth (Aislin McGuckin)

Rupert Goold has assembled as good a cast as you can find in 2016. Everyone a winner. Buckingham is always the second-best male role, and Finbarr Lynch looks like a political party advisor, and there are enough of those around. There are not many Richard III ‘s where the Mayor of London is an outstanding part, but Mark Hadfield does the best and funniest Mayor of London I’ve ever seen as well as Ratcliffe, the assistant reluctant murderer of Clarence.

Richard-lll-Almeida-104-700x455

Lord Hastings (James Garnon) and Richard III (Ralph Fiennes)

James Garnon is the Lord Chamberlain, Lord Hastings. He receives news by text, his mobile phone is always at hand. Again, the best Lord Hastings I’ve seen. His speech before having his head chopped off … a chopping block is put on his office table … was perfect for the very day when Game of Thrones (as descended from Richard III) hit the Houses of Parliament:

Lord Hastings Miserable England! I prophesy the fearful’st time to thee, that ever wretched age hath looked upon!

All around us, we could hear people going “Mmm!”  We were.

2016-06-20-1466418983-5576500-EMBARGOEDTIL11pm16JuneJpeg13.DavidAnnenKingEdwardIVandthecompanyofRichardIII_creditMarcBrenner

Death of Edward IV. L to R: Buckingham (Finbar Lynch), Hastings (James Garnon), Ely (Simon Coates), Edward IV (David Annen), Queen Elizabeth (Aislin McGucklin), Dorset (Joshua Riley), Rivers (Joseph Arkley)

Joseph Arkley’s Earl Rivers was very good indeed, and his death scene was one of the strong theatrical moments, kneeling at the grave, a firing squad behind him, blood exploding from his chest as he plunged head first into the grave. Then Joseph Mydell’s stately Lord Stanley, was the permanent observer, and in the end the guy who saves the day by switching his troops to Richmond. Having worked with him years ago on educational videos, it’s fascinating to hear not a trace of his natural American accent. He is always a joy to watch. Catesby (Daniel Cerqueria) was a vicious  piece of work, filling an oil drum with water from a carefully unfurled hose before drowning Clarence … Scott Handy took that long Clarence speech beautifully. There was not a weak spot.

image

The murder of the Duke of Clarence. Catesby (Daniel Cerqueria) and Ratcliffe (Mark Hadfield)

Length is mentioned. It is cut of course, but less than some, and I’d guess that the measured pace adds to length as much as simply doing more of the lines. It runs at three hours 15 minutes, including interval. With knees pressed tight against the balcony and flat seats that can feel very long indeed, but it didn’t at all. A sign of its gripping nature.

The music is by Adam Cork, and used to great effect. Sometimes it’s a loud drone or hum, sometimes a full on piece of music. There was a great musical clang as they drew their swords. Spot on timing.

We booked this late. Because of other appointments, we couldn’t stay overnight, and we had little choice of days. It took us three and a half hours to drive to Islington in awful traffic. It took us three hours to drive home with the inevitable nightime closures on both the M3 and M4 meaning long diversions … it took us 125 miles with diversions to cover 100 miles. We got home at 1.30, exhausted. And it was worth every minute of it to see this production. Ralph Fiennes was a significant and memorable Richard III. OK, I still rate Kevin Spacey as the best ever (sorry, Sir Laurence and Sir Ian), but this was an unmissable one.

* * * *

PROGRAMME

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Marquis of Dorset , Queen Elizabeth and Lord Rivers … the programme makes it clear who is who.

£5 is over the going rate (£3.50 to £4), but it includes an excellent Plantagenet family tree, colour coded York / Lancaster and with characters who appear in Richard III in bold. I knew Richard and Anne must be related, as they all were, but I hadn’t realised she was his first cousin’s daughter. Still, for Richard, a second cousin was remote. I knew, and probably Shakespeare didn’t, that Anne and Richard were brought up together in the same castle.The inserted cast list is exactly what I keep asking theatres to do:

Lady Anne
Wife to the murdered Lancastrian Prince Edward, son of Henry VI and Queen Margaret.
Marquis of Dorset
Son of Queen Elizabeth by her first marriage.

Excellent. We don’t all recall the exact history of every Shakespeare play. There are lots of colour photos of rehearsals, but I don’t really like colour photos of rehearsals. The title is not on the front, and lavender ink on grey paper for cast and creative bios and essays is a really dumb designer choice for something which people often leaf through in the dark auditorium waiting for the play to begin.

ISLINGTON … A RANT

Jeremy Corbyn is the local MP, and a local shop had Corbyn colouring books with the advice to “use mainly red.” The awful traffic getting to Islington reminded me of a debate a few years ago. You can drive to Islington right through London without entering the London Congestion Charge Zone, though you skirt along its side. Islington was famously the home of Labour Party grandees, like Tony Blair. People in West London and Southwark (where a spur of the charge zone reaches out around Waterloo station to catch motorists) complained bitterly that Islington was just as crowded, the route to it past Euston and Kings Cross stations being just about the worst permanent traffic jam of all,  far worse than Waterloo, yet strangely that road and Islington’s main street (which happens to be the start of the A1 road) escaped the congestion charge. Of course, the fact that the route is charge free greatly exacerbates the traffic problem. How odd!

COMING IN BROADCAST TO CINEMAS:

Richard3content-1-500x500

OTHER REVIEWS ON THIS BLOG

OTHER PRODUCTIONS OF RICHARD III
Richard III – Spacey, 2011 Old Vic Kevin Spacey as Richard III
Richard III – RSC 2012 Jonjo O’Neill as Richard III
Richard III – Apollo 2012 Mark Rylance as Richard III
Richard III – Freeman, Trafalgar Studio Martin Freeman as Richard III
Richard III – Wars of The Roses, Kingston, Robert Sheehan as Richard III
Richard III – RSC 2022, Arthur Hughes as Richard III

RUPERT GOOLD
The Merchant of Venice, Almeida
King Charles III by Mike Bartlett

RALPH FIENNES
Man & Superman, National Theatre
+
The Grand Budapest Hotel (film)
Cemetery Junction (film)
Hail Caesar! (film)

JAMES GARNON
The Winter’s Tale, Wanamaker (Autolycus)
As You Like It – Globe (Jacques)
‘Tis Pity She’s A Whore – Wanamaker (Bergetto, Cardinal)
Duchess of Malfi– Wanamaker (Cardinal)
Much Ado About Nothing – Old Vic (Don Pedro)
Richard III – Globe / Apollo (Duchess of York / Richmond)
Pericles – Wanamaker (Pericles)

SCOTT HANDY
Merchant of Venice, Almeida (Antonio)
Macbeth, RSC 2011 (Ross)

AISLIN McGUCKIN
Macbeth, RSC 2011 (Lady Macbeth)
King Lear, Bath Theatre Royal (Goneril)

VANESSA REDGRAVE
Much Ado About Nothing, Old Vic (Beatrice)

JOANNA VANDERHAM
Othello – RSC 2015 (Desdemona)
+
What Maisie Knew (film)

MARK HADFIELD
The Painkiller, Branagh Season 2016
Jeeves & Wooster  in Perfect Nonsense (original production, 2013)

SIMON COATES
King John, Globe (Philip of France)
Romeo & Juliet, Headlong (Friar Laurence)

JOSEPH ARKLEY
The Rehearsal, Chichester 2015 (Villebosse)

DAVID ANNEN
For Services Rendered, Chichester 2015
Ah, Wilderness! Young Vic 2015

DANIEL CERQUERIA
Fortune’s Fool, The Old Vic 2014

JOSEPH MYDELL
Comedy of Errors, National Theatre (Egeon)
Julius Caesar, Globe (Casca)
+
in our sadly out-of-print OUP videos:
Mystery Tour
& Grapevine III

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        • Chris Rea
        • Chuck Prophet & Stephanie Finch
        • Cliff Richard 2018
        • Crosby, Stills & Nash
        • Dave Kelly, Maggie Bell, BBQ
        • Don Henley – Hyde Park
        • Dr John
        • Eliza Carthy
        • Emma Swift
        • Emmylou Harris
        • Fay Hield 2013
        • Fay Hield 2014
        • Fay Hield 2016
        • Fleetwood Mac 2003
        • FLIT
        • Garth Hudson 1999
        • Garth Hudson 2007
        • Glen Campbell
        • Glenn Tilbrook
        • Gospel in West Helena
        • Grupo Lokito
        • Hal Wilner Leonard Cohen Project
        • Hall & Oates
        • Ian Felice 2018
        • James Taylor 2014
        • James Taylor, Hyde Park 2018
        • Jimmy Cliff
        • Joan Baez
        • John Cale Paris 1919
        • John Cale, Brighton 2011
        • John Lydon
        • Johnny Flynn, Hyde Park 2018
        • Jon Boden & The Remnant Kings
        • Jonathan Wilson
        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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