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This was a surprise discovery advertised prominently on Amazon Prime last night. Lindsay “If ….” Anderson’s THE WHITE BUS (follow link to review). It was filmed in 1965, released in 1967. It’s a mere 46 minutes. I’ve added it to my long film review series of 60s Retrospectives, a task which passed the time during Lockdown. There is a full list of the 60s reviews at the end.

Review of THE BOY WHO HARNESSED THE WIND (follow link) at the Royal Shakespeare Company’s Swan Theatre. This is a musical version of the true story of a 13 year old boy in Malawi who buily a wind turbine and saved his village from drought. First there was his autobiographical book, then the film. It makes a fine musical, full of exuberant dance and music. It’s going to London for the summer. One to see.

Follow the link to the review of HENRY V at the Royal Shakespeare Company (follow link). This is a major large cast production with Alfred Enoch as Henry V. It should be a play for our times. We saw it before reviews came in, and I might be right out on a limb with my opinions iof it. Which are strong. See the review.

Review of Terence Rattigan’s MAN AND BOY at the National Theatre’s Dorfman Theatre. This is late Rattigan and very different from his best known style. It was also just about fully booked. The powerful performance of Ben Daniels as the multi-millionaire swindling financier is outstanding. It is set in a financial crisus in 1934. The play is most known because the financier tries to pimp his own son toa gay business rival.

Review added of Thornton Wilder’s OUR TOWN (follow link), considered by some to be the masterpiece of 20th century American theatre. This is the first production of the new National Theatre of Wales, and stars its artistic director, Michael Sheen. It’s a triumph, as it is so full of movement, and handles the play;s shifts from comedy to tragedy. It’s at the Rose Theatre, Kingston-on-Thames, one of the UK’ds best theatrical spaces.

Review added of DEEP AZURE by Chadwick Boseman, (follow link). This is a contemporary American play performed in the last place tou’d expect, the candlelit Sam Wanamaker Playhouse at Shakespeare’s Globe. None of the online photos reveal the creativity and originality of the chorus. You gave to go and see it. Instant standing ovation too.

The Bridge Theatre production of Stephen Sondheim and James Lapine’s musical INTO THE WOODS (follow link) is reviewed. This is said to be the five star unmissable production of the early part of this year with stunning production, singing and performance. Five stars everywhere.I’m not sure why it didn’t get to us as strongly! Read the review.

Review of Spiers & Boden at Poole Lighthouse (follow link). John Spiers and Jon Boden were founder members of Bellowhead. We have seen them several times as a duo, and they perform an unmissable night of folk, and sound like a larger band than you can imagine from a duo. They’re still touring.

The National Theatre are streaming the Theatre Royal Haymarket OTHELLO to cinemas (follow link). It was an all star 2025-26 West Enfd production with David Harwood, Toby Jones and Caitlin Fitzgerald. Having read some somewhat sniffy reviews, we thought the filming with close ups of so much subtle acting probably enhances it. We thought David Harewood the best Othello we’ve seen but they are all great. It will eventually be added to NT At Home.

Picture: Iago (Toby Jones) watches Desdemona (Caitlin Fitzgerald) and Othello (David Harewood) with seething resentment.

Review of Irish singer-songwriter Lisa O’Neill at Poole Lighthouse added. Follow the link. She has a very unusual instrumental line up, and tends to preach to the audience at times. She is still on tour.