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THE MARQUISE is a rarely performed Noël Coward play from 1927 (follow link to the review). Rare? Barely even heard of. This is its first outing in 22 years. Noël Coward wrote it as an 18th century costume drama, and admitted it was really just a 1920s play with costumes added. This production sets it in the 1930s and removes the wigs and long skirts and does the underlying play it always was.

The critics said not a lot because they didn’t go to see it. It’s a constant complaint. They can shift themselves to a tiny theatre in London, like the Menier Chocolate Factory or the Donmar Warehouse, but they won’t come out to see a touring play that left large happy audiences in Windsor, Bath, Oxford, Guildford, and next week, Cambridge. This is real theatre at your local playhouse, at prices normal people can afford. They’re also theatres where you can get a seat without being a ‘friend’ and buying tickets six or nine months before. It’s not a lost masterpiece by any means, but it is good entertainment.

45 Years

Review of the play 45 YEARS at Chichester Minerva Theatre (follow link). Small cast of three, short (80 minutes). Geraldine James and Gabriel Byrne as the couple awaiting their 45th wedding anniversary are 90% of the play. Gillian Bevan is their old friend. It’s a play about age, sand a long suppressed secret.

Leo Jones

I’ve just added a page in memory of Leo Jones. Readers from ELT will know him as a great innovator. We knew him as a colleague and friend for 55 years, and I met Leo before I met Karen. These are my memories and some photos. RIP, Leo.

LINK TO THE PAGE FOR LEO JONES HERE

Follow the link to my review of the stage version of Ian McEwan’s ATONEMENT at Chichester Festival Theatre. The play is scripted by Christopher Hampton who scripted the film. It got mixed reviews inevitably when a novel is so treasured. I’m highly positive though.

The award winning 2013 production of THE AUDIENCE (follow link to review) starring Helen Mirren as the Queen is on NT At Home. Richard McCabe won an award for his portrayal of Harold Wilson. Haydn Gwynne is a terrifying Margaret Thatcher. I’m a great fan of NT At Home, and while they may have had this for years, it popped up as first pick on their site this week. Well worth it. Pictured are the stage versions of John Major, Winston Churchill, Harold Wilson, Margaret Thatcher.

A short review of DISCLOSURE DAY (follow link). Short because I don’t want to disclose too much. So it’s a Stephen Spielberg story, directed by Stephen Spielberg. John Williams did the music. Brits dominate the cast- Emily Blunt, Josh O’Connor, Colin Firth. It is as you’d expect, classic Spielberg. Go and see it!

Review of THE TEMPEST at the Royal Shakespeare Company (follow link), featuring Kenneth Branagh as Prospero. It’s sold out, not surprisingly, but it will count as a major production of the play. It’s Branagh’s return to the RSC after thirty years. It’s Richard Eye’s first RSC production at age 83. Have a look:

This is one you can see. It’s streaming to cinemas, so will soon be on NT At Home. J.M. Synge’s THE PLAYBOY OF THE WESTERN WORLD at the National, featuring Nicola Coughlan. Follow link to the review. The review contains autobiographical asides, as I met Karen doing the play 55 years ago. Then the production has some folkloric asides. Still, it’s a major production of the great Irish play that influenced Brian Friel, Conor McPherson, Martin McDonagh and Jez Butterworth.

Eclipse review

Follow the link to my review of Eclipse by John Morton at Chichester Minerva Theatre, directed by John Morton as well as written. It’s hard to describe. A family gather for the end of their dying father (we never see him) and it manages to be funny as well as poignant. It’s apparently nearly sold out for the last week, but given Chichester’s success at moving productions on there’s a good chance that it will re-emerge somewhere.

Review added of THE UNTHANKS at POOLE LIGHTHOUSE. Follow link to review. We never miss them. As ever a music of sublime singing and superb piano and violin. They veered to the poetic side tonight … Emily Brontë, Siegfried Sassoon, Molly Drake and the Songs From The Shipyards. The set is different every time we see them. This was the more somber end of their catalogue.