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King Lear – Antony Sher, RSC 2016

King Lear
By William Shakespeare

Directed by Greg Doran
Designed by Niki Turner
Music by Illona Sekacz
 

Royal Shakespeare Company
Royal Shakespeare Theatre, Stratford Upon Avon
 

Friday 26th August 2016, 7.15 pm

King Lear poster

CAST:
Antony Sher- King Lear
Graham Turner – Fool

Nia Gwynne – Goneril, Lear’s eldest daughter
Kelly Williams – Regan, Lear’s second daughter
Natalie Simpson – Cordelia, Lear’s youngest daughter
Clarence Smith – Duke of Albany, Goneril’s husband
James Clyde – Duke of Cornwall, Reagan’s husband
Byron Mondahl – Oswald, Goneril’s steward

David Troughton – Earl of Gloucester
Paapa Essiedu – Edmund – illegitimate son of Gloucester
Oliver Johnstone – Edgar – legitimate son of Gloucester
Anthony Byrne – Earl of Kent, later disguised as Caius

Marcus Griffiths – King of France, suitor then married to Cordelia
Theo Ogundipe – Duke of Burgundy, suitor to Cordelia

Kevin N. Golding – Curan, a courtier
Ewart James Walters –Old Man
Romayne Andrews – Soldier
Eke Chukwu – Soldier
James Cooney – Soldier
Bethan Cullinane – Lady
Marieme Diouf – Lady
Jenny Fennessey – Lady

Plus a cast of twenty-four Stratford locals playing knights, soldiers and vagrants

I keep thinking I’ve seen as many productions of King Lear as I want to, as it’s never been a favourite play (I tend to get bored in the blasted heath sections), and I reckon Pete Postlethwaite defined the title role a decade ago. The trouble is, they keep coming up with landmark actors in the title role, so you do want to see it again. In this case, not only Antony Sher as Lear, but Paapa Essediu, fresh from Hamlet as Edmond,  David Troughton as Gloucester, and Oliver Johnstone who impressed us so strongly in Cymbeline as Edgar. Lear is a dubious distinction for an actor, as the oldest major Shakespearean role.

king-lear-production-photos_-2016_2016_photo-by-ellie-kurttz-_c_-rsc_201955-tmb-gal-670

Lear & Daughters: Antony Sher rear, Goneril, Cordelia, Regan front. Nia Gwynne, Natalie Simpsom. Kelly Williams,

This is a magnificent visual production. The costumes are from no known era, but are completely coherent. Only black and white are used, with gold trimmings in places, and the startlingly scarlet balls on the Fool’s hat. Lear first appears, sitting atop a massive glass case, clad as some Central Asian ruler, Sohrab and Rustrum era perhaps,  in grey furs with massive gold clasps, gold crown on his head. The symbols of his power are great brazen circular discs, and Sher invokes some unknown deities with powerful hand gestures, while speaking on first appearance in a tired, shattered voice … the full power soon appears. Later the armour looks Central Asian or Mongol Horde or Japanese with small leather overlapping panels and black skirts over trousers. At the beginning, Goneril and Reagan have beautiful gold adorned robes, but Cordelia is in pure white. It has massive visual impact. Black brick covers the back walls in the first part, but raises to reveal first one third of its area of shining white in part two, then all white skies backing the whole set for the heathland above Dover with its one twisted bare tree.

There is a metallic cloth sheet covering the black stony stage until the storm, when it’s raised at the back, forming a waving gold expanse from which a tower rises high below the cloth to hold Lear and the Fool in a mighty thunderstorm, as if on some wild peak or precipice. Terrific stuff.

Another visual highlight is putting out Gloucester’s eyes, in part two. He is strapped to a chair inside a glass box  (OK, I know it would actually be perspex)… quite a voice projection task for David Troughton there. Of course he manages, but his voice is muffled. When the eyes are put out blood squirts onto the glass side, and Cornwall (James Clyde) smears his bloody hands on the perspex too. Cornwall realizes that he has his wound inside the same box and descends out of sight. That’s a major Windolene task for the stage crew, I thought, especially on matinee days.

lear-lead-small_trans++ZgEkZX3M936N5BQK4Va8RWtT0gK_6EfZT336f62EI5U

Lear (Antony Sher) and Gloucester (David Troughton)

Antony Sher and David Troughton are two of the finest actors on the British stage, and to see them together is a rare delight. You can’t remember a performance exactly from over a decade ago (Postlethwaite), but I have seen Lear several times since, and Sher is undoubtedly the best I’ve seen. I’ve seen David Troughton as Bottom and as Vincentio (how’s that for contrast) and his stage presence is as powerful as any actor today.

Lear 3

Old Man (Ewart James Walters) and Gloucester (David Troughton)

Then you have the young stars in Paapa Essediu and Oliver Johnstone as the Gloucester brothers Edmund and Edgar. Essediu reprises his Romeo rather than his Hamlet, and is a surly truculent Edmund, the illegitimate son. Notably on first appearance, Gloucester introduces him to Kent (it sounds like the Queen’s uncles), and Edmund hasn’t the grace or courtesy to accept the proffered hand. While he does surly youth so very well, and did a stellar turn in the “bastardy” speech, I don’t think he captured the sexual predator aspect with Goneril and Reagan, though he was very funny in timing his late “Which one?” speech.  It looked as if Reagan and Goneril were pursuing him and he was just going along, rather than him exploiting them. He also seemed more a nasty psychopath rather than the trickster and plotter. He is always a totally engaging performer, but I’ve seen trickier, more duplicitous and also sexier interpretations of the role.

lear-godot-large_trans++ZgEkZX3M936N5BQK4Va8RWtT0gK_6EfZT336f62EI5U

Edgar as Poor Tom (Oliver Johnstone) with Godotesque tree.

Oliver Johnstone as Iachimo was the outstanding performer in Cymbeline and he moves from baddie (there) to goodie (here). As generations of British actors have found in Hollywood, baddie is often not only the fun role, but the one American filmstars are less keen on. Edgar is a really hard role, moving from open-mouthed dupe to mad, shite and blood besplattered poor Tom, to sympathetic son. A tremendous performance.

king-lear-production-photos_-2016_2016_photo-by-ellie-kurttz-_c_-rsc_202124.tmb-gal-670

Kent (Antony Byrne) in the stocks

Antony Byrne as Kent is the other major role. He starts off with red hair and beard, and once he’s banished, he disguises himself by shaving off his beard and hair, which when you think about is a simple and convincing disguise … and stronger than the reverse (gaining hair) which is a more usual choice. I did wonder, given the presumably short time scale … Lear gave him five days to leave the country when he banished him … how he managed to get his head tatooed in the time, but as it was only one side, we may assume he was booking to have the other side done later. But joking aside, it did make him a fierce looking new servant seeking Lear’s employ. A minor quibble was that he looked SO different than you needed to know the plot.

king-lear-production-photos_-2016_2016_photo-by-ellie-kurttz-_c_-rsc_202011.tmb-gal-670

Cordelia (Natalie Simpson) and The King Of France (Marcus Griffiths)

The three sisters were all strong. Cordelia is necessarily a wet part, but Natalie Simpson played it with natural grace. Nia Gwynne as Goneril and Kelly Williams as Regan were older, harder. Unusually though, I felt totally on Goneril’s side in the knight’s carousing scene. In a move similar to Doran’s Julius Caesar, and this year’s A Midsummer Night’s Dream, twenty-four locals were recruited to play knights, and vagrants. There were a lot of loutish knights at the long table, and they were coarse and abusive to Goneril, with Lear and The Fool (Graham Turner) egging them on. You could see why she might hold a grudge against her old dad.

Lear 4

All Back to Hers? Dinner at Goneril’s place.  Would you want this lot round? Graham Turner on the table as Fool.

My strong sympathy with Goneril was partly her reactive performance, partly having seen a fifteen strong group of pissed blokes swaggering through Stratford earlier in the day, singing and shouting, and they were late thirties or early forties with apparently not a neck between them. They looked just the sort of lads to catcall a duchess, though Goneril is Duchess of Albany not (a / the) Duchess of Cornwall. We thought Stratford an odd place for a stag party, hoped the wedding would not be at our hotel, and hoped even more they weren’t contemplating the RSC for their evening’s entertainment.

On Goneril and Regan, one scene that lacked clarity was the poisoning of Regan. The poison had been applied off stage, we assume, and it was a further point where someone new to the play might fail to grasp the plot. That whole denoument has been done more clearly. The main fault was the armour. When the French appear, in an impressive, threatening line up, they’re all wearing the interleaved leather patches armour, including Cordelia and the King of France (Marcus Griffiths). Then Albany has a gold breastplate, and his supporters have other armour. But then it just seems to get mixed up, making us unsure which side anyone is on. Both Marcus Griffiths and Theo Ogundipe (who played the Duke of Burgundy) have to do lots of bit parts too, and they’re highly distinctive guys. You think, hang on, isn’t that the King of France? Oh, no. Now he’s just a soldier on the other side. Incidentally, Marcus Griffiths completes two years of all those smaller parts at the RSC, and always excels.

king-lear

Cordelia, Lear and Kent

At this point too, Cordelia is captured and brought on with Lear, having changed from her armour to a pristine white dresss. In spite of her capture and subsequent imprisonment and death, she stays in the symbolic pure white. I would expect, in deference to the fate of women in war, to be at least somewhat dishevelled. They had a good get round from the normal hernia, backache and knee strain inducing final scene of Lear carrying Cordelia on, always a dodgy spot for older actors even with as svelte a Cordelia as Natalie Simpson. They were both pushed forward on a cart, with Lear holding her across his knees.

king-lear-production-photos_-2016_2016_photo-by-ellie-kurttz-_c_-rsc_202088.tmb-gal-670

Lear (Antony Sher) and Fool (Graham Turner)

My negatives are excessive assumed knowledge of the plot at a few crucial points as outlined. The positives are legion. Antony Sher and David Troughton both give a classic, nuanced, powerful and moving rendition of all their lines. Lear’s dementia feels real. I have never seen better in either role. That’s the centre of the production, as it should be with two such fine actors. Graham Turner gives us a Fool that works, and that’s a part where an actor inevitably is fighting against the convoluted text. The scene where The Fool and (mad) Lear sit together, both breaking up over silly jokes is outstanding acting from both, unforced, feeling completely natural. It was echoed in the curtain call where the front row turned stage right,and Antony Sher started to turn stage left, and Antony Byrne signalled him with his head. Both got the giggles. A charming moment. Byron Mondahl brings interest to Oswald, Goneril’s steward, often a dull part, but here a strong one.

Lear 2

Edmund (Paapa Essediu)

I’m not quite so certain about our two young male stars. Oliver Johnstone advances his career in a difficult role as Edgar. Paapa Essediu proves he continues to do what he did so well as Romeo and Hamlet, as an overgrown teenager with a surly attititude and fascinatingly modern inflections and pauses. But he hasn’t added a dimension.

I didn’t notice music much, which is as it should be, though I did notice bass drones on Lear’s initial entry and the early parts.

Costume and a powerfully simple but changing set, including that perspex box are other positives. The all black look worked, but I would have liked a more consistent marking of the armies. I would cut at least ten minutes and shift the interval.  As expected, it’s a major version of Lear. In spite of the reservations, you can’t give it less than a five star review, though while A Midsummer Night’s Dream at the RSC this year was a Five plus, this is just a five.

* * * * *

LENGTH

We saw Greg Doran’s Julius Caesar the afternoon it was filmed for live broadcast, at two and a half hours without a break. I know we sit through films that long with no break, but you don’t feel the same pressure that you can’t leave your seat without disturbing the performers, even if you don’t have to. The seats at our local Cineworld are wide, almost aircraft seats with a recline, armrest and lots of legroom too. Those at the RSC are not.

I was taught the same rule in both teacher training and in drama: you need extremely strong justification for exceeding 100 minutes before an interval. Yes, stretch it just a tad if there’s no interval at all, but this ran to just short of two hours in the first part, a touch over an hour in the second.  Total was three hours five minutes. To me, that’s simply unbalanced with the interval in the wrong place. It’s not just a question of ageing bladders (though look around at the audience profile), but attention and concentration, especially when the end of the first part is the intrinsically garbled long Poor Tom and Lear scenes. I would have gone out right after the thunderstorm where Lear and The Fool are high above us.

WHAT THE PAPERS SAID

Our two “top critics” Michael Billington & Domenic Cavendish both gave glowing reviews, but four stars. Their reviews were so positive that you wonder what a play has to do to get five. 

Domenic Cavendish, Telegraph ****
Michael Billington, Guardian ****
Paul Taylor, Independent ****
Michael Davies, What’s On Stage, ****
Sarah Crompton, Sunday Times ***
Henry Hitchings, Evening Standard ***

LIVE BROADCAST:

King-Lear-RSC-1024x576

OTHER KING LEAR REVIEWS ON THIS BLOG:

  • King Lear – David Haig Bath Theatre Royal
  • King Lear Frank Langella Chichester Minerva
  • King Lear – Russell-Beale National Theatre
  • King Lear- Barrie Rutter, Northern Broadsides tour, directed by Jonathan Miller, Bath Theatre Royal
  • King Lear – Antony Sher, RSC 2016
  • King Lear -Kevin R McNally, Globe2017
  • King Lear – Ian McKellen, Chichester Minerva, 2017

LINKS TO THIS BLOG:

A lot of the cast are doing a 2016 RSC season, and have been in both Hamlet and Cymbeline

GREG DORAN on this blog
Henry IV Parts 1 & 2 RSC
Henry V – Alex Hassell, RSC, 2015
Julius Caesar – RSC 2012
Richard II – RSC 2013, David Tennant as Richard II
The Witch of Edmonton by Rowley, Dekker & Ford, RSC
Death of A Salesman, by Arthur Miller, RSC 2015

ANTONY SHER
Henry IV Parts 1 & 2 RSC
Death of A Salesman, by Arthur Miller, RSC 2015
Hysteria by Terry Johnson, Bath 2012

DAVID TROUGHTON
The Shoemaker’s Holiday, RSC

PAAPA ESSIEDU
Racing Demon, Bath 2017
King Lear, RSC 2016 (Edmund)
Hamlet, RSC 2016  Stratford, (Hamlet)
A Midsummer Night’s Dream – BBC TV SCREEN version 2016 (Demetrius)
Romeo & Juliet – Tobacco Factory, 2015, at Winchester Theatre Royal (Romeo)
The Merry Wives of Windsor, RSC 2013 (Fenton)

NATALIE SIMPSON
Hamlet, RSC 2016  Stratford, (Ophelia
Cymbeline – RSC 2016 (Guideria)
Measure for Measure, Young Vic, 2015

OLIVER JOHNSTONE
Cymbeline – RSC 2016 (Iachimo)
Spring Awakening, Headlong tour 2014

MARCUS GRIFFITHS
Volpone, RSC 2015
Love’s Sacrifice, RSC 2015
The Jew of Malta, RSC 2015
Julius Caesar, RSC 2012
Hamlet, RSC 2016 (Laertes)
Cymbeline – RSC 2016 (Cloten)

CLARENCE SMITH
Hamlet, RSC 2016  Stratford, (Claudius)

ANTHONY BYRNE
Henry IV Parts 1 & 2 RSC

JAMES CLYDE
Cymbeline – RSC 2016 (The Duke, Cymbeline’s husband)

BETHAN CULLINANE
Cymbeline – RSC 2016 (Innogen)

BYRON MONDAHL
Hamlet, RSC 2016  Stratford,
Cymbeline – RSC 2016

JAMES COONEY
Cymbeline – RSC 2016 (Cadwal aka Arviragus)

KELLY WILLIAMS
Cymbeline – RSC 2016

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        • Emmylou Harris
        • Fay Hield 2013
        • Fay Hield 2014
        • Fay Hield 2016
        • Fleetwood Mac 2003
        • FLIT
        • Garth Hudson 1999
        • Garth Hudson 2007
        • Glen Campbell
        • Glenn Tilbrook
        • Gospel in West Helena
        • Grupo Lokito
        • Hal Wilner Leonard Cohen Project
        • Hall & Oates
        • Ian Felice 2018
        • James Taylor 2014
        • James Taylor, Hyde Park 2018
        • Jimmy Cliff
        • Joan Baez
        • John Cale Paris 1919
        • John Cale, Brighton 2011
        • John Lydon
        • Johnny Flynn, Hyde Park 2018
        • Jon Boden & The Remnant Kings
        • Jonathan Wilson
        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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