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A Midsummer Night’s Dream – Watermill 2018

A Midsummer Night’s Dream
By William Shakespeare

Directed by Paul Hart
Designed by Kate Lias
Musical Director – Joey Hickman

Watermill Theatre.
Bagnor, near Newbury
Saturday 12th May 2018, 14.30

watermill theatre rear

The Watermill Theatre

CAST
Everyone played fairies, sang and played musical instruments

Victoria Blunt – Bottom (Pyramus)
Eva Feiler- Puck / Snug (Lion) / Philostrate
Lillie Flynn – Helena
Joey Hickman – Demetrius / Flute (Thisbe)
Tyrone Huntley- Lysander
Emma McDonald – Hippolyta / Titania
Offue Okegbe – Theseus / Snout (Wall)
Jamie Satterthwaite – Oberon / Starveling (Lantern)
Mike Slader – Egeus / Peter Quince
Sophie Stone – Hermia

This is the fifteenth production of my favourite play which I have reviewed on this blog, i.e. since 2011. I also recall the Peter Brooks version and the John Caird version clearly. So, I never expected to see any more “new ideas” on the play, but this is full of them.

Sorry. I have to make direct comparison with The Globe’s current As You Like It. (LINKED) The artistic director of The Globe, Michelle Terry, had much to say on creating a play with an ensemble, freeing productions from being “director-led” and aiming for 50 / 50 male / female casting. The Globe production is gender blind, also includes a deaf actor and …  sadly, it really does not work.

Here at The Watermill they achieve perfect 50 / 50 male / female casting, the feel is of a very tight ensemble working for each other as well as with each other, they have a brilliant deaf actor who integrates completely. I gave As You Like It at the Globe just one star. I’m giving this production a straight five stars.

This does everything so well that The Globe did so badly this time AND yet achieves the same aims. They include a deaf person. The difference is that while they have 50/50 gender balance here in the cast, it is NOT gender-blind. Puck is simply a woman. Philostrate  is simply a woman. Bottom is addressed as she and her, and all is explained as the transformation to an ass obviously included the requisite male genitals.

Above all, this has a director (Paul Hart), and a costume designer and a lighting designer. The programme has a fascinating explanation of the Watermill space … no standing room in dressing rooms for tall actors, no way of crossing behind the stage, entrances and exits have to be rehearsed to get through limited space. They have to run around the outside often. This is another explanation of why a director is essential. The mathematics of casting for this must have been incredibly intricate. Everyone plays one to three named roles, but they also all have to be fairies, and they all have to sing, dance, and the major musicians among them have to be in the right place to play the found music. It must have been a gargantuan planning task. When I looked at the programme, I was surprised that while Hippolyta / Titania are doubled, Theseus and Oberon are different actors. That’s unusual since Peter Brooks realized the roles naturally pair and almost certainly were intended to (Oberon and Titania are magical extensions of Theseus and Hippolyta). Among the many constraints in planning would be that Offue Okegbe (as Theseus) is also the bass guitarist, essential in playing during the forest scenes.

Costumes are also brilliantly thought out … changing costume must be an exhausting task … as will be checking they’re in the right place. At the interval we passed an open door revealing a costume changing area at the back as well. The costumes are also extremely effective, based on an Edwardian theme. All the fairies and Puck are in evening dress with top hats – “fairies from the old fabric of the theatre.”  They’re consistent. They show care and thought (unlike the Globe’s “everyone choose what they want.”)

A-Midsummer-Nights-Dream-LtoR-Tyrone-Huntley-Sophie-Stone-Victoria-Blunt-Emma-McDonald-Lillie-Flynn.-Photo-Scott-Rylander-011

The Faeries with Titania (Emma McDonald_

Then let’s take projection and accents. Everyone projected well and clearly (not so at The Globe). It was not “accent blind” for a change either. Accents were neutral, with concious shifts to show change of role. Emma McDonald uses a strong  Spanish accent for Hippolyta, and neutral for Titania. That makes sense in more ways than one. Hippolyta is a captured enemy queen, so a foreigner. Spanish suits her exotic looks. Spanish also suits her haughty disdain for Theseus – an important part of her role which is sometimes overlooked or under-played. But also refer back to Shakespeare and 1595 and a captured enemy. It would have to be Spanish, seven years after the Armada. Then we have Eva Feiler as Puck (neutral) but “educated Edinburgh lawyers Scots” for Philostrate (a perfect fit too). A tiny touch of Mummerset for the mechanicals, a light sprinkling of Northern for Bottom.

Dream 3

Puck (Eva Feiller) with magic tricks

Eva Feiler’s female Puck is the third memorable one in recent years (the others being Lucy Ellison at the RSC’s Play For A Nation in 2016, and Katy Owen in Emma Rice’s 2016 Globe version). Yet it’s quite different to the other two. This is a sweet, cheeky Puck as a rather nervous sorcerer’s apprentice. She gets things wrong, but then she’s worried that she’s going to.  She also has dolls of the four sleeping lovers to exercise the final magic on. Then as well as her firm and judgemental Scots Philostrate, she also does a memorable wary lion with stage fright … yes, that’s how it’s often done, but costume and performance here (having to hold Quince’s hand) are hilarious.

Dream 1

Bottom among the fairies, Titania to the left of Bottom

Victoria Blunt was Bottom in brown overalls. No one is going to complain about a female version. She was very funny, and as throughout the production, much livelier than I’ve seen it played. This is a young cast with boundless energy.

Emma McDonald’s Hippolyta was suitably disdainful, then her Titania in a fabulous costume was the “sexiest” Titania since we saw Sheridan Smith play it in the Branagh season. She has powerful onstage charisma. Jamie Satterthwaite’s Oberon worked with Puck as they’re meant to, punctuated the lover’s with acoustic guitar while sitting invisibly, and intoned a marvellous I Put A Spell On You while anointing eyes.

Joey Hickman was Demetrius, as well as Musical Director playing the important songs, AND Flute / Thisbe. Great ‘spectacles’ acting even! He contrasted visually with Tyrone Huntley’s Lysander (Tyrone has a soaring singing voice too). They couldn’t get the tall / short casting into Helena / Hermia as Lillie Flynn’s Helena was only a inch or so taller than Sophie Stone’s Hermia. It didn’t matter as they made a great deal of the attempted comparison, and then used the platform on the stage for “higher” and “lower.” The lovers big scene was suitably physical but they didn’t simply recycle the Peter Brooks moves which have been done in so many productions.

A-Midsummer-Nights-Dream-5-Sophie-Stone-and-Tyrone-Huntley-Photo-Scott-Rylander

Hermia (Sophie Stone) & Lysander (Tyrone Huntley)

Sophie Stone is a deaf actor, but she spoke loudly and clearly and all it meant was that she had the distinctive “deaf accent” which is at the same level of distance from RP as some light regional accents, and much closer to RP than heavy regional accents. They used signing, very tenderly in some sections with Tyrone Huntley’s Lysander, but unlike The Globe they never relied on signing long sections, nor did they make the huge “sawing the air” movements which afflicted As You Like It. This is a far smaller space, of course.

bottom 1

The Rude Mechanicals: Victoria Blunt as Bottom, centre

The Pyramus & Thisbe play was full of novel  ideas. We had a manic excited Peter Quince (Mike Slader) introducing it. It’s the first time I’ve seen the star of the “rejected play” appear – a major costume change. I won’t spoil them – go and see it. It’s all great … Offue Okegbe’s “wall” had tears running down my face, and I loved the fact that “lantern and moon” carried a duck instead of a dog … the area around the Watermill is full of ducks waddling about. AND they got three apposite and funny jokes from that.

A-Midsummer-Nights-Dream-Jamie-Satterthwaite-and-Emma-McDonald.-Photo-Scott-Rylander-013

I Put A Spell On You: Oberon (Jamie Satterthwaite) & Titania (Emma McDonald)

The music is 60s. Perfect choices … Cupid because Puck and Cupid are filling the same role, then I Put A Spell On You and Blue Moon. All delicately introduced with several singers. They list the found music with composers prominently in the programme. I’ve been moaning about theatres failing to credit important found music for years. They get it right.

The programme: the correct way to do it

The thing is, in recent weeks we saw two mediocre productions at The National Theatre in London (Absolute Hell, Macbeth). An abysmal production of As You Like It at The Globe, and a mediocre Macbeth at the RSC. Ten years ago, when we were busier, our theatre was South central … we could get to Chichester, Southampton, Poole, Bath, Salisbury and Newbury without much effort. In the last six or seven years, we have expanded much more to London and Stratford. Stratford rarely lets you down. However, we’ve seen some rough stuff in major London productions. In the last month, we have seen superb productions at Chichester, Bath and Newbury (twice at Newbury … The Rivals was also first rate). I’m sure the same would be true in the North. Suddenly the expense and effort of London-centric theatre seems less rewarding. I used to say “there’s equally good stuff out of London.” In 2018, there’s BETTER stuff out of London.

The Watermill is easy to get to. This production is far better, funnier and more musical than the current Globe offerings AND it will tour. Do not miss it.

*****

FOR THE 2019 TOUR WITH A PARTLY NEW CAST, SEE:

  • A Midsummer Night’s Dream, Watermill on tour, Poole 2019

WHAT THE CRITICS SAID
Dave Fargnoli, The Stage ****
Judi Herman, What’s On Stage ****

LINKS ON THIS BLOG

A MIDSUMMER NIGHT’S DREAM

  • A Midsummer Night’s Dream – RSC 2011
  • A Midsummer Night’s Dream – Headlong 2011
  • A Midsummer Night’s Dream – Filter 2011
  • A Midsummer Night’s Dream – Selladoor 2013
  • A Midsummer Nights Dream – Handspring 2013, Bristol
  • A Midsummer Night’s Dream – Grandage 2013
  • A Midsummer Night’s Dream – Globe 2013
  • A Midsummer Night’s Dream – Propellor 2013
  • A Midsummer Night’s Dream RSC 2016, ‘A Play for the Nation’ at Stratford (February)
  • A Midsummer Night’s Dream RSC 2016 Revisited Stratford, (July)
  • A Midsummer Night’s Dream – Globe 2016
  • A Midsummer Night’s Dream – BBC TV SCREEN version 2016
  • A Midsummer Night’s Dream, Bristol Old Vic Theatre School, 2016
  • A Midsummer Night’s Dream, Bath, 2016
  • A Midsummer Night’s Dream, Young Vic 2017
  • A Midsummer Night’s Dream, Bridge Theatre 2019
  • A Midsummer Night’s Dream, Globe 2019
  • A Midsummer Night’s Dream, Watermill on tour, Poole 2019
  • A Midsummer Night’s Dream, Sh!t-Faced Shakespeare, Wimborne 2019

PAUL HART
Twelfth Night, Watermill, 2017
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019
Kiss Me Kate, Watermill 2019

VICTORIA BLUNT
Twelfth Night, Watermill, 2017 (Maria)
Lady Windermere’s Fan, Classic Spring 2018
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019

JAMIE SATTERTHWAITE
Twelfth Night, Watermill, 2017 (Orsino)
POSH, Salisbury  2015

EMMA McDONALD
Twelfth Night, Watermill, 2017 (Antonia)
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019

LILLIE FLYNN
Fantastic Mr Fox, Nuffield Southampton 2016 (Mrs Fox)
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019
Johnny Flynn & The Sussex Wit (Hyde Park, 2018) MUSIC

OFFUE OKEGBE
Twelfth Night, Watermill, 2017 (Feste)
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019

EVA FEILER
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019
Othello, RSC 2015
The Merchant of Venice, RSC 2015

MIKE SLADER
Twelfth Night, Watermill, 2017 (Andrew Aguecheek)
A Midsummer Night’s Dream, Watermill 2018
Macbeth, Watermill, 2019

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        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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