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The Resistible Rise of Arturo Ui

The Resistible Rise of Arturo Ui
by Bertolt Brecht
Adapted by Bruce Norris

Directed by Simon Evans
Designed by Peter McIntosh

Donmar Warehouse, London
Tuesday 6th June 2017 19.30

Lenny Henry – Arturo Ui (Adolf Hitler)
Michael Pennington – Dogsborough (von Hindenburg) / Pastor
Lucy Ellinson – Emanuel Girl (Goering)
Lucy Eaton – Dockdaisy / Short gunman / Grocer
Philip Cumbus – Clark (Franz von Papen) / Prosecutor
Tom Edden – Announcer / the actor / Ragg /Sheet / Butler / Grocer
Giles Terera – Ernesto Roma (Ernst Rohm)
Justine Michelle- Dullfeet’s widow / O’Casey / Bowl
Simon Holland Roberts – Butcher / Judge / Dullfeet / Grocer  / Gunman
Louis Martin – Carothers / Bodyguard / Young Dogborough
Guy Rhys – Giuseppe Givola (Goebbels)
Gloria Obianyo – Flake / Hook / Inna / Grocer

REFERENCES:
Dullfeet is Dollfus, the assassinated Chancellor of Austria. Givola is Goebbels, Giri is Goering. (I know a song about them …)

For someone who doesn’t much like Brecht, I’m at my second Brecht play in a fortnight, following Life of Galileo. There are six cast members here who would have enticed us to book seats on their names alone. Obviously Sir Lenny Henry, but Lucy Ellinson was “Best actress” in my Best of 2016 list as Puck in A Midsummer Night’s Dream. Add Tom Edden, Michael Pennington, Justine Mitchell and Philip Cumbus.

The play is adapted, rather than a simple translation.  Brecht wrote it in three weeks in Finland in 1941, and it is a direct allegory on the rise of Adolf Hitler, in the guise of a Chicago gangster. It was not performed until 1958, and it was always intended for the American stage. The parallels were meticulously plotted and I added some in brackets in the cast list. Chicago stood in for Germany, Cicero for Austria, The Warehouse is the Reichstag, and “The Cauliflower Trust” are the old Prussian Junkers, or landowners. There are references to both Richard III (the Lady Anne “set down your honourable load” scene) and Macbeth and Arturo takes lessons from an actor who also does the Hamlet soliloquy … come to think of it, I’ve seen all three Shakespeare plays set in Chicago 1930s too.

The updated version by Bruce Norris piles on the Donald Trump references; the newspaper journalists are “losers” and Ui wants to build a wall to keep out immigrants. Mrs Dullfeet is called “That nasty woman” and he didn’t like her husband either.  A sign falls with “Make Our Country Great Again.” The guy who takes the fall for arson is “an immigrant.” Some reviews thought the Trump stuff too obvious, but I find that criticism disingenuous. Brecht wanted the parallels with Hitler to be absolutely obvious. Brecht is nothing if not obvious on political references.  The Trump stuff fits and it enhances the play.

It’s been years since we’ve been to the Donmar. Like the Menier Chocolate Factory and the Almeida, it sells out so fast that non “Friends” have little chance of getting tickets, and befriending all three (plus the Globe, National, Old Vic and Young Vic) would be an expensive investment for those of us who live outside London. We couldn’t see enough plays to justify it.

The Donmar has been reconfigured with cabaret seating around the stage for this production. On which we were in the back row behind the cabaret seats on ordinary wooden upright chairs, which I found more comfortable than normal theatre seats. A chiropractor friend has often said a bog standard wooden dining chair is better than a comfy chair. True. I liked it. Being in the round, and we were near the stairs, we got a lot of back of the head while the actor was speaking, plus speeches made on the stairs by Lenny Henry were seen waist down only from our angle, so again harder to hear, as was the judge in the (excellent) trial scene, seated up in the balcony, so totally invisible for a quarter of downstairs. A definite minus, as actually it was in the square or rather than in the round. We had some effort hearing some lines.

Tom Edden as the actor coaches Lenny Henry’s Arturo Ui.

Yet in many ways the configuration and interactivity was the star of the show. Lenny Henry managed to shake hands with virtually everyone in the audience before the start, staying in character as Arturo Ui. Lucy Ellinson got to chat to a lot, though sadly not us.  The audience were used a great deal, which critics were iffy about, but I thought it a major positive. They were marched out, made to play a corpse and the wrongly accused in the trial scene over the Warehouse fire (i.e. Reichstag fire) was dragged from the audience. This gave great unpredictability. At the end we had to stand to vote for Arturo Ui, and very few did. Then the whole of one side of the square downstairs were forced out to form a booing crowd. That must fall differently every night, and the unpredictable bit (with Lucy Ellison working the audience) must last ten minutes. It’s brave, without a parachute theatre for the cast.

Lucy-Ellinson-Giri-in-The-Resistible-Rise-of-Arturo-Ui-at-the-Donmar.-Photo-Helen-Maybanks.-505x337

Lucy Ellinson as Giri

Because it’s Brecht, the rhythm of the 18 scenes is choppy. We need the connecting narrator  … a star performance by Tom Edden. There were menus on the cabaret tables, listing the scenes, and noting the 1930s Nazi parallels. They note that the cast play 35 characters, which is what all programmes proudly note with Brecht. Life of Galileo did just the same two weeks ago. Do we marvel at their versatility? Or do we say Brecht has no character development and simply lines up large numbers of stereotypes? (I’m for the latter). Look at the names of the roles in the cast list. I wasn’t aware of more than half of them while watching it.

I found the intrinsic narrative flow garbled and confusing enough, and I did a whole year politics course on the Rise of the One Party State, and read the books and wrote the essays on the rise of Fascism in Germany. It was many years ago, and it isn’t an interest I’ve maintained. My companion found the story even harder to follow because Brecht stuck too close to paralleling every move between Chicago and 1930s Germany, rather than letting the Chicago gangster theme develop its own impetus. That’s the trouble with didactic playwrights.

The adaptation is colloquial, thus removing Brechtian stiffness. It is liberally splattered with the F-word, the C-word and the Mother-F word. The adaptor is American, and one character in the play references the “profanities.” I agree that’s what an American would say, because I’ve noted three recent American uses in the last week for my work in progress on British English and American English.  But Jesus Christ! (That’s a profanity).  It’s fucking wrong! (That’s an obscenity, NOT a profanity). A profanity references God. An obscenity references sex. Jeez, get it fucking right! But as I said, it seems a common American error, and the play is set in Chicago. Or perhaps dictionaries should say that profanities covers both profanities and obscenities in American English.

The writing here has a marvellous rhyming dialogue between Arturo Ui and the widow of Dullfeet. You see, even the names are Pilgrim’s Progress hammer on the head allegory too.

As expected we got excellent performances from everyone. The interactivity and movement kept it lively. So much so that the still photos can’t represent it. They’re against darkness (to eliminate audience in the round) when the stage was much lighter and it was never static.  Lenny Henry is a lumbering, terrifying presence, the threat of violence hovering in the air around him, though Brecht’s Arturo is not overly bright. I suspect Hitler was considerably brighter and madder.

image

Giles Terera as Ernesto Roma

A special mention for Giles Terera as he wasn’t in my original list. He created a constantly ominous Ernesto Roma, with dyed blonde hair. Lucy Ellinson plays Giri, the Goering character as a man, and is physically as far from fat Hermann the German as you can get. But she had that constant mocking, manipulative role, and was the chief “audience worker” too, a role she takes easily. Tom Edden narrates and plays “the actor” excelling throughout, but especially in tutoring Arturo on walk and gestures. Justine Michelle is the lawyer in the trial scene, and Mrs Dullfeet. Both notable strong performances. The cast can’t be faulted, and the speed of movement and blocking shows first rate direction.

But, as with Life of Galileo, the play IS the thing, and in spite of this brilliant production, I think ANY Brecht play is incapable of drawing more than three stars from me.

***

THEATRE

Interval. £2.50 for a tiny bottle of “Life” purified (not mineral) water? Other theatres have a jug at the bar. Still, it’s offset by a remarkably  reasonable ticket price (£40) for such a stellar cast in such a tiny theatre. You could pay more than double a few hundred metres away in Covent Garden.

MUSIC CREDITS
As usual, hundreds of names of sponsors and minor roles in the programme, but I can’t find any credit to the people who wrote the music or the lyrics which peppered the play. Yet another theatre that unfairly fails on found music. I noted (with the aid of other reviews). They didn’t play recordings here. A mic was lowered and the cast sang.
Bonnie Tyler “Holding Out For A Hero”
Radiohead “Burn the Witch”
Rag’n’Bone Man “Human”.”
Creedence Clearwater Revival “Bad Moon Rising”
Mack The Knife
Danny Boy

WHAT THE CRITICS SAID

4
Dominic Cavendish, Telegraph ****
Kate Kellaway, The Observer ****
Ian Shuttleworth, Financial Times, ****
Henry Hitchings, Evening Standard ****
3
Michael Billington, The Guardian – ***
Quentin Letts, Daily Mail ***
Paul Taylor, The Independent, ***
Nick Wells, Radio Times, ***
Andrzej Lukowski, Time Out, ***
2
Anne Treneman, The Times **

LINKS:
BERTOLT BRECHT
Life of Galileo by Bertolt Brecht,

LENNY HENRY
Comedy of Errors NT 2012
Fences by August Wilson
Educating Rita, Chichester, 2015

LUCY ELLINSON
A Midsummer Night’s Dream RSC 2016, ‘A Play for the Nation’ at Stratford (Puck)
(Also see Best of 2016 here … Best Actress)

JUSTINE MITCHELL
For Services Rendered, by W. Somerset Maugham, Chichester Minerva Theatre, 2015
Love for Love  by Congreve, RSC 2015

TOM EDDEN
A Little Hotel On The Side – Feydeau, Bath
One Man, Two Guvnors– West End original run
Measure for Measure – Young Vic (Pompey)
Amadeus, National Theatre, 2017

MICHAEL PENNINGTON
Mark Anthony in Anthony & Cleopatra (Chichester)
John of Gaunt in Richard II (RSC)
Mr Hardcastle in She Stoops To Conquer (Bath)
The Doctor in The Syndicate (Bath, with Ian McKellen)
Antigonus in The Winter’s Tale, Branagh

PHILIP CUMBUS
Richard III, Trafalgar Studio 2014 (Earl of Richmond)
‘Tis Pity She’s A Whore, Wanamaker Playhouse 2014,  (Vasquez)
The Importance of Being Earnest (with David Suchet), 2015 (Algernon)
First Light, Chichester 2016 (Max Henderson)
Comus, Wanamaker Playhouse, 2016 (Henry Lawes)

GILES TERERA
King John, Globe, 2015

 

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      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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