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Streamline English – A History

Transferred from the viney.uk.com website

streamline-more-than-a-course.jpg

STREAMLINE ENGLISH

by Bernard Hartley & Peter Viney

When Streamline was first published, credits were not generally given on textbooks, which is something I’ve always regretted. Nowadays, credits tend to be longer, approaching the extent of an album by ‘The Artist formerly known as Prince’. Let’s try and put it right now (though unlike Prince I won’t thank the Deity nor the person who made the tea). I’ve heard so many false rumours about who did what. These were the principal people involved.

ENGLISH IN ENGLAND (pilot edition at Anglo-Continental Educational Group):

main artist: Paul Newman did the first 120 units (Departures, half of Connections), then Stephanie Miles took over.

Paul Newman illustration

A Paul Newman illustration for ‘English in England’.

Paul was an old friend. He was in my class at school between 11 and 16, and was working at ACSE in the recording studio. He later became an ELT teacher. He is now a well-known astrologer and writer on astrology.

Stephanie taught at ACSE, before marrying and moving to Copenhagen.

typing / layout: Maggie (?). I can’t remember Maggie’s surname. She was great at working on layouts and spent happy hours on the Letraset.

recording: Guy Wellman & Karen Viney did much of the serious acting and narration, with Peter Viney, Bernard Hartley, Alan Tankard, Sally Wellman and others doing roles. Peter Viney operated the tape-recorder and put on the sound effects and music. Alan did most of the stuff where phonology was crucial to the recording.

When we later did Speechwork, we discovered that Alan, Karen and John Forster had the ability to be absolutely consistent in four-phase drills, while Bernie’s voice gave confidence in all the instructions.

comments: Everyone in the Elementary Studies department at ACSE commented as they taught. At one point, we’d finish a unit on Monday complete with teacher’s notes, Maggie would type it and label it on Tuesday, we’d do the tape on the same evening, Paul would illustrate it on Wednesday, it went straight to the photocopier and five people might teach it on Thursday.

Long-term teachers in the department included Karen Viney, Laurie Allen, Jane Deere, Liz Robbins, Neil Rogers, Ian McNair, Julie Hems, David Vale, Chris Owen, Brian Exley, Lauren Harvey. There were many others!

The material was used in all the schools in the ACEG group, and thanks are also due to the Directors of Studies at that time &emdash; Chris Goodchild (ACSE), Guy Wellman (Academia), John Curtin (ACSE &emdash; London), Alan McInnes (Interlink), Ken Tooke (Private Study Centre), Tony Lloyd (Nova School), Tony Woodcock (International School for Juniors).

While we were writing, we were heavily involved in preparation courses for the RSA (Cert TEFL) and were influenced by our colleagues as tutors &emdash; Chris Goodchild, Alan Tankard, Leo Jones, Patrick O’Shea, Laurie Allen, Roy Kingsbury.

I can’t speak for Bernie, but I’m sure he’d cite his main influence as Robert O’Neill. I would follow that, and add Colin Granger and Guy Wellman &emdash; my initial training at ACSE came in watching both of them teach. My first Director of Studies, Alan McInnes, impressed on me the importance of clear teacher’s notes.

In existing textbooks, we were impressed by the thoroughness and precision of L.G. Alexander, the contextualization skills and depth of thought of Robert O’Neill and the humour and lightness of touch of Colin Granger.Oh, and Access to English had … colour pictures. Which is why we went to Oxford University Press.

STREAMLINE ENGLISH Departures (first British edition), also Streamline English Connections and Destinations

editor: Keith Rose for Departures, Connections and commissioning editor and first editor on Destinations. Keith left OUP after commenting on the 80 units of Destinations, so Michael Daniel replaced him for a short period, and finally Simon Murison-Bowie completed the editing. We had the benefit of three talented and highly experienced editors on one book.

Directions was edited by Lesley Blundell. There were problems with the first impression and it was re-edited by Neil Butterfield.

editorial manager: Simon Murison-Bowie.

designer: Richard Morris. Richard came to watch Bernard and me teaching the pilot version so that he could understand our insistence on separating text from visuals. He sat through a day of classes, went away, and produced a book renowned for the clarity of its layout as well as for the quality of illustration. And the white box on the back cover is the exact size of a mask that will cover a full column of text.

recording producer: Terry O’Neill. It’s hard to recall recording sessions, though both Bernie and I were present throughout , but I remember that only five actors took part (three men, two women) and that all sound effects and incidental music were put on ‘live’ in real time. Nigel Anthony is the actor I remember best, because I have worked with him so many times since. Connections used the same format, though I only recall Nigel doing both. The Yes / No Contest (Connections, unit 33) took half a day as Terry insisted that we take the line ‘You’ve got thirty seconds …’ completely literally. It is exactly 30 seconds.

artists: This was the first book to use multiple artists, but Paddy Mounter is the one people remember as ‘the Streamline artist’ (one of twelve, in fact)

STREAMLINE WORKBOOKS

designer: Shireen Nathoo (the start of a very long association)

editors: Keith Rose, with assistance from Cristina Whitecross and Susanna Harsanyi.

THE PILOT EDITION

The pilot edition was used for nearly two years before publication. Everything was illustrated with cartoons, and in those pre-computer days labelled with Letraset (a big deal then). Everything was recorded with music and sound effects, and some units were even filmed on monochrome U-Matic videotape. For example, I acted out “I Love You, Fiona” with Karen, and ‘An English Restaurant’ with Chris Owen.

This is an example of a well-known unit, Departures unit 47, ‘Willy the Kid’. You can see the pilot version, drawn by Paul Newman, and the published version.

paul

depkid

Of course, they’re very similar in style

PUBLISHING URBAN MYTHS AND TRUTHS

I’ve heard a lot of stories about how Streamline was presented for publication.

Yes, Streamline was rejected by Longman. They were very good about it &emdash; they had Mainline Beginners, Starting Strategies and Kernel One in the pipeline and didn’t need a fourth beginners’ book. They offered us other work, and they told us to come back if we hadn’t found a publisher in eighteen months. We had no complaints at all. They were clear, honest and helpful. Thanks.

The pilot was accepted by Cambridge University Press, and we even received a contract for six levels under the title The Cambridge English Course 1 to 6 ! Apologies are due here. We pulled out late because we got a better offer.

Oxford got it at the very last moment, and their trump card was the offer of colour, which we had been holding out for. Keith Rose came down to see us within 24 hours of contacting us and was very persuasive. They could only offer one level (and that was as 80 units, not our planned 120 units), but colour was what we wanted.

There’s another urban legend, that Streamline was submitted as handwritten copy. Not true at all. It was printed, using plain, bold, italic and handwriting golf balls, letraset and black and white illustrations. The basis of the legend comes during writing Destinations, where the later units were handwritten (in print script) because the design process preferred not to wait an additional week for typing. This was before the days of word processors.

THE TITLE: WHY ‘STREAMLINE?’

OUP’s initial title was Express English, and the cover was designed with this in mind (hence the retro train). Press adverts used the title. A London school had an internal course under the same title and threatened OUP with an injunction to halt publication. Though we were advised we would win any court case, it was decided that a delay would be disastrous. A group of editors sat around with the finished, very expensive cover design and racked their brains to come up with a title to match the cover. Streamline was obvious. I think Simon chose it. We hated it at first, but within days it was just the name of the book.

SO WHO WAS IT DESIGNED FOR?

It was used with multilingual and monolingual groups, and with adults, teenagers, professionals, short courses and long courses. We estimated that between 2000 and 3000 students used it before it was published.

In the trial period, the groups changed constantly due to different contracts. There was a huge range of nationalities, and I have no access to any statistics. It was used (at least) with monolingual groups on specialized courses from Venezuela, Japan, Algeria, Canada (Quebec), Qatar, Libya, Oman.

In the multingual groups, the largest numbers were from among these countries:

Mexico, Switzerland ( German-speaking, French-speaking, Italian-speaking), Japan, Argentina, Brazil, Germany, Venezuela, Algeria, Iran, Libya.

There were significant numbers also from Greece, France, Italy, Spain, Turkey, Saudi Arabia, Indonesia, Thailand, Korea and Finland.

In fact, the countries where it has been most popular since publication are probably Spain, Japan, France, Belgium, Greece, Argentina and Mexico. We had been asked to guess where it would sell most and we said Brazil, Mexico and Germany. For some reason it has never sold particularly well in Germany, although some of the most enthusiastic users in the pilot stage were German. We were told ‘it wasn’t serious enough’ but this was completely wrong for the many Germans we taught!

THE COVER

yellowcon

Is it true that Connections originally had a yellow cover?

No. Connections cover was printed up in dark green, light green and yellow. Everyone looked and chose dark green immediately. I had the yellow sample and Bernie had the light green sample. We stuck them on top of other copies so that we could distinguish our copies in the staffroom! So, I may have been seen teaching from a yellow one.

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      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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