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Young Marx

Young Marx

by Richard Bean & Clive Coleman

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Directed by Nicholas Hyntner
Designed by Mark Thompson
Music by Grant Olding

The Bridge Theatre, South Bank, London

Saturday 28th October 2017, 2.30 pm

CAST

Nicholas Burns – August
Nancy Carroll – Jenny von Westphalen
Oliver Chris – Friedrich Engels
Laura Elphinstone – Helene ‘Nym’ Demuth
Eben Figueiredo – Konrad Schramm
Tony Jayawardena – Gert ‘Doc’ Schmidt
Scott Karim – Mr Grabiner / Constable Singe
Rory Kinnear  – Karl Marx
Alana Ramsey – Mrs Mullet
Sophie Russell – Librarian
Fode Simbo- Helmut
William Troughton – Constable Crimp
Joseph Wilkins – Sergeant Savage
Duncan Wisbei – Mr Fleece / Bearded Man
Miltos Yerolemou – Emmanuel Barthelemy
+
Logan Clark / Joseph Walker – Guido “Fawksey” Marx
Dixie Egerickx / Matilda Shapland – Jenny Caroline “Qui Qui” Marx

45B5027D00000578-5021117-Rory_Kinnear_is_the_frantic_fidgety_bearded_young_philosopher_wh-a-1_1509120130293

Nancy Carroll as Jenny Marx, Rory Kinnear as Karl

The Bridge Theatre is hailed as London’s first new commercial theatre since 1937. It’s a 900 seater so large enough to be viable on a commercial basis, even though tickets range from £15 to £65 … you can pay double at the top end in the West End theatres. It was created by Nicholas Hyntner, who ran the National Theatre so well, with Nick Starr, and it’s in a fabulous setting. It stretches the South Bank’s theatrical area further eastwards. I’ll review the physical building later. I will relay the mumblings from the Globe about the “first new theatre in 80 years” publicity, pointing out that The Globe is not a subsidized theatre either and dates from 1996, with the Sam Wanamaker Playhouse opening in 2014. However, it relied on donations rather than being a straight commercial venture.

I’ll add that you could have got straight in this afternoon in the cheapest seats in the upper galleries (there are three tiers), though the stalls were full. So, like The Globe, it’s well worth trying for seats on the day.

YOUNG MARX

It’s a dream team, directed by Nicholas Hyntner, written by Richard “One Man Two Guv’nors” Bean and Clive Coleman, and featuring Rory Kinnear and Oliver Chris as Marx and Engels. Rory Kinnear was Hamlet and Iago in Hyntner directed plays at the National. Oliver Chris was Orsino in Twelfth Night at the National this year, but is best known from One Man Two Guv’nors and as Prince William in King Charles III.

I once did a third year course in Modern Ideologies and The One Party State at university. It was led by Dr Bob Benewick and ran from Marx through communism and fascism to modern African regimes. On his office wall were two huge posters: Karl Marx and pointing at him gleefully was Harpo Marx – I can’t find the image online that’s in my memory, and if you tell me it was Groucho instead, I wouldn’t argue. Anyway, the play Young Marx has Karl leavened with a strong touch of Harpo and Groucho.

The set is very National Theatre … they must have the same revolve stage built in. It’s a cube of soot-blackened brick walls with a roof with chimneys: smoking chimneys. It revolves and opens up to reveal a pawnbroker’s shop, the Marx’s living room, the meeting room above the Red Lion pub, the reading room at the British Museum. A screen descends with a misty park for a duel scene. It makes for seamless actions and transitions, with panels switching in the brick too, creating a church wall and a set of steps or handholds so Marx can ascend to the roofs to escape the police at one point. Full marx … sorry other reviews do that irresistible joke too … for set design. My companion pointed out that while it created the murkiness of 1850s London perfectly, all the greys, blacks and sepias left her eyes wanting some colour.

There is an accent decision. When the German refugees are among themselves, they speak in normal English (representing German). When they confront English people (so are speaking English), they switch to German-accented English. It works.

The play is set in Soho in 1850, two years after The Communist Manifesto and six years after the material in Marx’s The Economic & Philosophic Manuscripts of 1844 (which wasn’t published until 1932). The latter is surprisingly readable.

Rory Kinnear as Karl, Oliver Chris as Engels, Nancy Carroll as Jenny Marx. Replacement furniture has just been supplied by Engels after the bailiffs took the last lot.

Karl is a penniless German-Jewish refugee living in abject poverty in two rooms in London. According to the excellent programme notes, Karl, his wife Jennifer, two children and their maidservant, Nym, all slept in one room. As the Marxs had no money at all, you wonder about the maidservant, but she had been with them for ten years. Marx is first seen trying to pawn the family silver, being pursued by the police who think it stolen, and escaping across the roof. He is constantly on the run from creditors and bailiffs, hiding in a cupboard every time there’s a knock on the door. This is Marx as Karl the Lad, getting pissed, taking the piss and having a piss against the church wall with Engels. And also, a line they missed, not having a pot to piss in.

 The facts as portrayed are true. Jenny Marx was sister to the Prussian Minister for the Interior. She was descended from Scots aristocracy. Friedrich Engels was the son of a Manchester mill owning capitalist, and he supported the Marx family with half his wages. In the play, by nicking it from the petty cash tin in Dad’s factory. The Prussian secret police were in London watching the German refugees. The angle on the facts is delightful. There’s a joy in seeing one of the august bearded icons of history as a bit of a rogue and rascal on a pub crawl. I think of Marx as the man who wrote that in a communist world, man would be free to be a hunter in the morning, a fisherman in the afternoon and a philosopher in the evening.

Marx and Engels are a double act, even breaking into song twice. I’ve seen Oliver Chris enough from One Man Two Guv’nors onward to be aware that he is a major comic talent. I’d only seen Rory Kinnear in serious roles, but he has natural comic timing and appeal.

Marx addresses the revolutionaries: the room above the Red Lion pub.

One review found the first act better than the second. We thought just the opposite … and the best plays should get better as they progress. There are some comedy set pieces throughout. In Act One, it’s the revolutionary meeting that breaks into a call for a duel and the duel itself. The duel is to be with Willich (Nicholas Burns) who fancies his chances with Jenny Marx. Willich is egged on by the vicious French revolutionary Barthélemy, a very funny and memorable cameo performance by Milos Yerolemou. We get lots of French translation jokes. Eban  Figueiredo plays Konrad Schramm, Marx’s devoted disciple (Karl finds him an irritation) who intervenes in the duel to save him.

image

Eban Figueiredo as Konrad Schramm

In Act two, the Reading Room at the British Museum is the scene of the play’s best moments. First, Karl meets Charles Darwin, and inadvertently suggests the title The Origin of Species to him. Then he has a blazing row in the library with Engels, resulting in the SHHHH! library joke, then into a massive choreographed punch up. Why the row? Well, Karl has been screwing Nym, the “maidservant” on the sly and has discovered she’s pregnant. He has told Engels who is furious with him, AND in the other wonderful Act Two comic highpoint in the flat, is persuading Engels to take the blame. The reactions of Nym (Laura Elphinstone) and Jenny Marx (Nancy Carroll) through the situation create a perfect four piece sitcom.

A word for the children … and I’m not sure which pair we had. Both are totally real in the roles… and I wondered if the daughter was playing the piano herself. I thought so.

There’s a running joke about the police not knowing their role … after all, the police were founded by Robert Peel just a few years earlier.

45B502A000000578-5021117-The_well_heeled_randy_Friedrich_Engels_Oliver_Chris_is_Marx_s_mu-a-3_1509120192672

Just like (Marx) brothers … Engels (Oliver Chris) and Karl (Rory Kinnear)

The politics is sound enough to me. When I was fourteen to fifteen, we had a Churchill exchange history teacher from Pittsburgh. He was easily the best teacher I ever had at grammar school. We were doing 19th Century British history, and he wrote off to the Russian embassy and issued all thirty of us with free copies of The Communist Manifesto. I still have it. Unlike our British teachers, who believed history should be filtered through the wisdom of G.M. Treveleyan or Asa Briggs, he insisted we read original sources, and declared that you could not understand the history of the 19th century and early 20th century (in those days, history stopped at 1914) without reading Marx. Several parents complained. He was right, and at a guess quite right-wing himself. On original sources, the edition reproduces Marx’s appalling handwriting in a photo, noting that the first few lines are in the elegant hand of Jenny Marx.

The play is fortunately very light on dialectical materialism. At one point Karl wails, ‘I am not a Marxist!’ and indeed he wouldn’t have been. It took Lenin, Stalin, Mao and other evil swine to create the corrupt versions of his ideas we call Marxism today. He complains twice that his ideas are not suitable for Russia (If I infect that lot with the virus of hope, there’ll be perpetual conflict!). His analysis was based on industrial society in Germany and Britain. His idea of “communism” was Utopian, only achievable (if at all) after centuries of “Socialism.” They slip in a nice line when Marx says that in the future Christmas will expand from a single day into a week long festival of consumption. (He got that wrong. It’s a fortnight round here.)

Overall? I’d love to stretch to a fifth star … but four is right. There were a couple of flat spots, I found Act One rather staccato and it took me a while to get into it. There are two or three really old jokes tin there (My wife’s going to Genoa / Genoa? /  Of course, she’s my wife, and the piano one … You hum it and I’ll play it … for starters). I assume (hope?) they’re deliberately corny and meant to be accentuating Marx & Engels as Flanagan & Allan / Cannon & Ball / Morecambe & Wise.  Overall, it’s not as funny as the rollicking The Hypocrite from Richard Bean earlier in the year, but then nor is the subject matter. It has as much of Marx’s philosophy as I can take … not too much though. Others wanted more. Not me.

****

PROGRAMME

Full marx. Three excellent informative essays by Marx biographer Francis Wheen, and on Marx and Engels by Tristram Hunt, and Soho in 1850 by Rosemary Ashton. On content, the best programme this year.

THE THEATRE

bridge theatre 1

The view from outside is straight across to the Tower of London, slightly right to Tower Bridge. Slightly left to the skyscraper jam in the city. Next door is The Ivy restaurant. A very short stroll through the tunnel under the bridge brings you to The Shad, a street of restaurants with chain ones like Pizza Express and individual Italian and French ones. They mainly have terraces on the river embankment. Only The Globe has such a pleasant setting.

bridge theatre view

The view from the front: Tower of London, Tower Bridge

bridge view 2

Looking slightly to the left: thank goodness they didn’t build that lot behind the Tower of London!

I thought of The Ivy as an expensive institution, but our brunch of Avocado & Spinach Eggs Benedict with chips, came to £10.90 a head, and I’ve paid more in chain restaurants without the chips. The poached eggs were perfect, generous helpings of avocado. Great service. They won’t need a theatre restaurant then (there is a café in the large foyer), though the Ivy should do a pre-theatre set. Perhaps they will. The view is second only to the Swan Restaurant at The Globe.

Seats are very good, though Salisbury Playhouse has even better legroom. Rake is very good. The theatre is said to be easy to switch to different formats. This was all at one end, a curved open stage, with only a few seats on the slight curve. Apparently other formats will be used.

In an interview Mr Hyntner talked about the toilets … the National is comparatively good, but they still got complaints about queues for the ladies, and set out to have the best in London at The Bridge. They have got the best for London. Chichester is still better. There are toilets on each level, and wisely the men’s and women’s are on opposite sides, avoiding the situation where you can’t get into the men’s through the queue for the women’s (Young Vic, Almeida). They didn’t get it quite right. My companion came out talking to two other short women. They couldn’t reach the handbag hook, placed right at the top of the door (I’d always assumed it was a coat hook in the gents, but let’s not be judgemental). They also noted the “normal” toilet roll holders as inadequate compared to the usual “industrial scale” ones. She also said that the washbasins blocked the view so you couldn’t see which stalls were vacant. After we had that discussion in the interval, I went and counted in the gents. 18 urinals. Very good. The EXIT sign needs to be larger as the two black doors as you go out look identical apart from the small sign.

The lobbies have chilled water dispensers with taps, and plastic cups free. Brilliant. In other theatres, the jugs are usually empty, or they expect you to shell out £2 for a bottle.

The foyer is lined with compartments for interval drinks on a major scale. I suppose it is commercial theatre, but it meant we had people holding wine and beer right by us in Act Two. A friend who was a recovering alcoholic said he’d learned to walk through places where people were drinking, because you have to, but objected to sitting for an hour with the smell of wine and beer at his elbows. I agree. But it happens everywhere now. If I was running it, it would be “bottled water only” inside a theatre.

I see a couple of negatives. It is in a pedestrianized area, about 300 yards walk from Tooley Street. That’s rough for the disabled. Also, in a heavy rainstorm or snow, it’s a long way to go to get to a cab, bus stop or car park.  The Globe has that access road allowing a couple of cabs to creep up and wait 50 yards away. The Bridge is next to City Hall, so may suffer from the excessive power of the anti-car /pro- cycling lobby in local government. There must be loading bays at the rear with vehicle access though. Maybe the disabled can get in that way. If not, there should be provision. Through the tunnel to the Shad may be easier, if so sign it.

WHAT THE PAPERS SAID:
4
Domenic Cavendish, The Telegraph ****
Paul Taylor, The Independent, ****
Henry Hitchings, Evening Standard **** (“high marx”)
Sam Marlowe, The Times ****
Simon O’Hagen, Radio Times ****
Sarah Crompton, What’s On Stage ****
3
Michael Billington, The Guardian ***
Christopher Hart, The Sunday Times, ***
Quentin Letts, Daily Mail, *** (“low marx”)
Natasha Tripney, The Stage ***
Robert Gore-Langton, Daily Mail online, ***
Neil Norman, Daily Express ***

LINKS ON THIS BLOG

RICHARD BEAN (writer)
The Hypocrite, RSC 2017
One Man Two Guv’nors, 2012
Pitcairn, Chichester Minerva Theatre, 2014
The Hypochondriac, Bath Theatre Royal, 2014

NICHOLAS HYNTNER (director)
Othello, National Theatre, 2013
Hamlet, National Theatre, 2010
People, by Alan Bennett, National Theatre on tour 2013

RORY KINNEAR
Othello, National Theatre, 2013 (Iago)
Hamlet, National Theatre, 2010 (Hamlet)
The Imitation Game (film) (Detective Nock)

OLIVER CHRIS
King Charles III, TV version, 2017
Twelfth Night, National Theatre 2017
Fracked! Or Please Don’t Use The F-Word, Chichester 2016
King Charles III, 2014
One Man Two Guv’nors 2013

TONY JAYAWARDENA
Twelfth Night, Globe 2017
The Tempest, RSC 2016
The White Devil, by John Webster RSC 2014
The Roaring Girl, by Dekker & Middleton RSC 2014
Arden of Faversham – RSC 2014

NANCY CARROLL
Woyzeck, by Buchmer, OLd Vic, 2017
The Magistrate, NT live

LAURA ELPHINSTONE
The White Devil, by John Webster RSC 2014

EBAN FIGUEIREDO
Pitcairn, Chichester Minerva Theatre, 2014

SCOTT KARIM
The Country Wife, Chichester 2018
Young Marx by Richard Bean & Clive Coleman, Bridge Theatre 2017
Imogen (Cymbeline Renamed), Globe 2016
The Merchant of Venice, Globe 2015
Othello, National Theatre, 2013

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        • Hall & Oates
        • Ian Felice 2018
        • James Taylor 2014
        • James Taylor, Hyde Park 2018
        • Jimmy Cliff
        • Joan Baez
        • John Cale Paris 1919
        • John Cale, Brighton 2011
        • John Lydon
        • Johnny Flynn, Hyde Park 2018
        • Jon Boden & The Remnant Kings
        • Jonathan Wilson
        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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