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The Winter’s Tale – RSC 2021

L to R: Polixenes, Hermione, Leontes

Royal Shakespeare Company
Royal Shakespeare Theatre
From Stratford-upon-Avon

BBC4 25 April 2021
On BBC iPlayer

Directed by Erica Whyman
Set Designer Tom Piper
Costume Designer Madeleine Girling
Music Isobel Waller-Bridge

CAST
Joseph Kloska – Leontes
Kemi-Bo Jacobs – Hermione
Andrew French- Polixines
Amanda Hadingue- Paulina
Colm Gormley- Antigonus
Ihsan Ahmed – Mamillius
Dyfrifg Morris- Mariner
Anne Odeke – Autolycus
Georgia Landers -Perdita
Assad Zaman – Florizel
Zoe Lambert – Sheperdhess
William Grint- Young Shepherd
Alfred Clay- Archidamus
Avita Jay- Cleomines
Bea Webster- Emilia
Mogali Masuku- Dion
Baker Mukasa – Lord
Vicky Hall- Mopsa

The Winter’s Tale may have been written during the plague lockdown of 1609, according to director, Erika Whyman. It was near the end of rehearsals and ready to go at the first lockdown of 2020. We had tickets for the 11th April 2020, Easter Saturday, right after it was due to start. So here we are just over a year later. The RSC re-assembled the cast of early 2020, and filmed it over three days in 2021. They observed social distancing and face masks until the last few days before filming. This shows throughout in the blocking.

Unlike the National Theatre film of Romeo & Juliet, the RSC have gone for filming it as a theatre play on the great stage of the theatre in Stratford. We are so used to being there that a wave of regret for missed productions hit us right at the start. It was good to be back in such a favourite place, if only digitally.

That dispelled pretty quickly as it went on though. As I point out in every review it is the most problematic of problem plays. The first half is tragedy with nary a smile. The second is bucolic high jinks, then thirdly Shakespeare invented the Agatha Christie ending, where just one character explains the plot at high speed as a report. It was as if Shakespeare couldn’t be bothered to write the last couple of scenes.

They were right to stick with the RSC feel and film a theatrical performance, but you’re still not actually there. It’s why the England football manager has to actually sit and watch Premier League matches live, and not on TV. When you film, someone has selected what you’re looking at and a lot will be close up. So you don’t see the movement off the ball. You don’t see the whole picture. Also, the acting style is very different. It’s why audiobook producers prefer radio actors above TV actors and TV actors over theatre actors.

The concept was good. They picked up on the 16 year time gap between the Sicilia scenes and the Bohemia scenes, and set Sicilia as 1953 (at least in their minds), the year of the Coronation. Then Bohemia becomes 1969. They mention ‘the year of the Moon landing’ but there’s not the slightest visual reference to either the Coronation nor the Moon landing.

1953 meant Hermione got a spectacular frock and the blokes just dull stuff of no fixed period. 1969? My era. They got it almost entirely wrong. Florizel had drainpipe pale blue jeans, instead of flares. Perdita got a frumpy early 70s frock. Only Autolycus looked hippy. They gave her a dirty old Vespa scooter to push about. They must have removed the engine. As Vespas had the engine on one side, they were a swine to push. Also while the Vespa is old and dirty, the Vespa as a symbol is ‘All things Italian’ in the late 50s and early 60s, then Mods (versus Rockers) in the mid-60s. Nothing about a Vespa reads ‘1969’ to me. I had a Vespa. I had a parka. I had lots of extra lights. 1964 to 1965.

Leontes (Joseph Kloska) accuses Hermione (Kemi-Bo Jacobs)

Joseph Kloska’s Leontes was in flat-out jealousy mode from square one. No build up. No mounting suspicion. It was instantly over the top. I liked Kemi-Bo Jacobs Hermione, and Amanda Hadingue’s Paulina, but with so much rage in the middle, it all became overwrought. Both women were powerful.

Hermione’s trial

One device was having a cameraman on stage filming Hermione’s trial with cuts to black and white view in 4:3 old style television aspect. Interesting.

Later they did it in Bohemia with a degraded signal to 4:3 screen so as to look like (say) Super-8 or 16 mm film, or early colour TV. That didn’t make much sense.

That favourite ‘Exit pursued by a bear’ was done by having the whole cast appearing in the background groaning and moaning a simulated … what? Shipwreck?

Bohemia. Perdita centre

Then they blew it. The rustic bit looked dull (because of the social distancing).

Anne Odeke as Autolycus. The cake was less elaborate on film than on photo

Autolycus was very good (Anne Odeke). I didn’t mind her added line (to the camera in 4:3) about Shakespeare having written King Lear during a pandemic lockdown, though other reviewers disliked it. I don’t see why, as Autolycus works far better if they are allowed to improvise lines, as I guarantee a Shakespearean clown would have done in the 1600s in any play, which is why the surviving texts often have a very specific reference to something current which now seems totally obscure. I’d have given her a freer hand. Ah, I thought … THAT’s where you get the Moon reference in. My instant thought is Gil Scott-Heron’s poem:

A rat done bit my sister Nell
And Whitey’s on the moon.

Go on! Do it!

The billowing tongue: Karen has a point

Drapes and curtains and falling bits of cloth were all good- this seems an RSC given nowadays. Though dealing with a narrow piece of cloth can look like struggling with a giant toilet roll. In the early part of the play up to the trial scene, there was a large bulging, billowing piece of cloth suspended over the stage. Karen thought it looked like a giant tongue (it was lit in pink at the start). She then noted how often the word tongue appears … not that she counted, but I can confirm it’s nine times in Acts i and II (Searching is dead easy nowadays!)

Paulina reveals the statue as Perdita watches. Does it look 1969 to you?

The music was good- the rock band material sounded interesting, though the play-out rock song over the credits came from nowhere. That reported ending is always a chore, but I thought the statue scene worked particularly well here. Hermione and Paulina do need to look bemused and dubious at the resolution and they do.

Saving the best for the end: Joseph Kloska as Leontes, Kemi-Bo Jacobs as Hermione

Look over the photos … a lot was “Wanamaker Playhouse dark”. I would have thrown way more light and colour into Bohemia.

There are three over-riding Woke problems at the RSC. Everyone applauds their vow to bring a disabled (sorry, “challenged”) actor into each show. We’ve had wheelchairs, withered arms and sometimes a deaf person using sign language in a minor role. OK, the deaf truly are invisible. Our older son had a year of near deafness before an operation. But, and I’ve beaten this drum before, and I will again … Shakespeare is about language as well as plot. They have two deaf actors. Emilia can actually vocalise clearly enough to understand. Fine, I’d have left that there as the obligatory disability. But then they cast an actor who cannot vocalise intelligibly as the Sheperd(ess)’s son. That throws all those comedy scenes entirely. They resort to repetition and sub-titles. Fine, good physical acting. But THIS IS F*CKING SHAKESPEARE! I want to hear the lines. These are funny interchanges thrown away totally. It’s madness from the director and from the company. As for me, I am furious that I was unable to turn out for my local football team on Saturday. They might not have lost if I had. Just because I’m over seventy and overweight should not preclude me from playing. I will give of my very best. Why only yesterday, I beat a four year old who couldn’t take the ball off me.

Yes, if you have one leg you can’t play professional football. The RSC isn’t just professional football. It’s Premier league, and not only Premier League but the Big Six in the Premier league. If you’re deaf and mute, it is not a joy to watch you trying to recite the best lines in our language. And guess what? None of the critics dared criticize it except as a note that BSL is used. Sam Marlowe in The i says:

The integration of British Sign Language into the ensemble work brings an elegant wit to the comedy, too.

No, it doesn’t. Really no!

The interaction between shepherd(ess) and the son is crucial, and both with Autolycus. If you look at the later plays, I believe Shakespeare had a solid older / younger ‘double act’. The gravediggers in Hamlet, the ship’s crew in The Tempest, the shepherd and son here. You can’t screw with it.

Having a shepherdess worked well … Zoe Lambert

Then we have gender (50% female in every play) and ethnicity. Gender for odd courtiers doesn’t usually matter. Shepherd to shepherdess works smoothly. Autolycus dosen’t matter at all either way. However, gender-switched casting of the surrounding courtiers in Sicilia’s means Hermione and Paulina are no longer isolated females against a male dominated world.

Check out the English language family names in the cast list. Most of them, like Polixines, are in fact Afro-Caribbean. I’d have to tell a white English male would-be actor not to bother nowadays. You are highly unlikely to get a part. In this play, as in Richard III where in one production we had a white Edward IV and Queen and black princes in the Tower, and you think, Richard of Gloucester is right. They’re illegitimate., it needs some thought. You have Polixenes who is black. Leontes is white. Hermione is mixed race, very light-skinned. Then we question Mamillius’s parentage, and to be honest I look at this ethically Middle Eastern / South Asian lad’s face, and think, ‘I’ll tell you something, Leontes and Polixenes, neither of you are his dad, that’s for sure. Not only that, it seems wildly unlikely that Hermione’s his mum.’ We DO look at children and say “She’s got her father’s eyes’ – and of course there is a long speech on just this in The Winter’s Tale.

So like you, ’tis the worse. Behold, my lords,
Although the print be little, the whole matter
And copy of the father, eye, nose, lip,
The trick of his frown, his forehead, nay, the valley,
The pretty dimples of his chin and cheek,
His smiles,
The very mould and frame of hand, nail, finger:
And thou, good goddess Nature, which hast made it
So like to him that got it, if thou hast
The ordering of the mind too, ‘mongst all colours
No yellow in’t, lest she suspect, as he does,
Her children not her husband’s!

At the end, we agreed that it was a poor production by RSC standards. It was supposed to tour, and let’s be frank, you don’t get Anthony Sher or Kenneth Branagh signing up for a provincial theatre tour. What’s odd is Erika Whyman’s track record is first-rate, including her brilliant A Midsummer Night’s Dream- A Play for The Nation and the 2018 Romeo & Juliet

Karen has never liked the play (A-level English can really put you off things) but we agreed it was just about the weakest version we’ve seen, at least since a dreadful 1970s Nuffield Southampton version with a clockwork bear running along a track above the stage.

My rating?

**

WHAT THE CRITICS SAID

****
Dominic Maxwell, The Times ****
The Stage ****

***

Arifa Akhbar, The Guardian ***

“Joseph Kloska plays King Leontes as a hysterical brute who is caught in the grip of high-pitched paranoia, his courtiers too mealy-mouthed to make a stand against his conspiracy theory that his “slippery” wife is having an affair with Polixenes (Andrew French). Only the fierce Paulina is brave enough to make a stand (“You’re liars, all”) and Amanda Hadingue’s impassioned performance is a highlight alongside Kemi-Bo Jacobs’s stoic, steely Hermione.“

Domenic Cavendish, The Telegraph ***

Sam Marlowe, The i ***

This is, in one respect, a historic cultural event – the first ever televised Royal Shakespeare Company world premiere. Otherwise, Erica Whyman’s production is solid rather than exceptional … The integration of British Sign Language into the ensemble work brings an elegant wit to the comedy, too. Yet for all its intelligence, the staging doesn’t have quite enough impact, never fully accessing either the play’s wonderment or its emotional gut-punch.

**
Sarah Crompton, What’s On Stage **

“What’s odd then, is that director Erica Whyman seems to have no particular view of the play she wants to get across. Maybe I am missing something, but short of shifting the action, first to the 1950s when the play opens in Sicily and the jealous Leontes accuses his wife Hermione of having an affair with his best friend, and then to 16 years later in the swinging ’60s in Bohemia, there is no radical rethinking on offer. … Worst of all, though the play has been restaged for TV, no one seems to have thought much about how it will come over on screen. There is a lot of theatrical shouting and gesturing. Joseph Koska’s Leontes seems to be addressing some of his mad soliloquies and his dictatorial demands directly to camera; at other times he looks at a non-existent audience. There is a lack of focus which undermines the performance

OTHER VERSIONS OF THE WINTER’S TALE ON THIS BLOG:

  • The Winter’s Tale – RSC 2013
  • The Winter’s Tale – Branagh, Kenneth Branagh Company, 2015
  • The Winter’s Tale – Wanamaker Playhouse, 2016
  • The Winter’s Tale – Cheek by Jowl on tour, Bath 2017
  • The Winter’s Tale – Globe 2018

OTHER LINKED REVIEWS ON THIS BLOG:

ERIKA WHYMAN (DIRECTOR)
Miss Littlewood, by Sam Kenyon, RSC 2018
Romeo & Juliet, RSC 2018
A Midsummer Night’s Dream, RSC 2016 (Bear Pit Company)
A Midsummer Night’s Dream, RSC 2016 (Belvoir Players)
Hecuba by Marina Carr, RSC, 2015

JOSEPH KLOSKA
Measure for Measure, RSC 2012
For Services Rendered, Somerset Maugham, Chichester Minerva Theatre

KEMI-BO JACOBS
All My Sons, Arthur Miller, Salisbury Playhouse 2015

AMANDA HADINGUE
Miss Littlewood, by Sam Kenyon, RSC 2018
The Fantastic Follies of Mrs Rich, RSC 2018
The Duchess of Malfi, RSC 2018

ANDREW FRENCH
Romeo & Juliet, RSC 2018

COLM GORMLEY
The Taming of The Shrew, Globe 2016
The Country Girls, Chichester Minerva Theatre 2017

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        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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