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Don Juan in Soho

Don Juan in Soho
by Patrick Marber
(after Don Juan by Moliere)

Directed by Patrick Marber

Wyndham’s Theatre, London
Saturday 1st April 2017, 14.30

David Tennant (Don Juan, now DJ)
Adrian Scarborough (Stan)
Gawn Grainger (Louis)
Theo Barklem-Biggs (Pete)
Mark Ebulué (Aloysius)
Mark Extance (ensemble)
David Jonsson (Col)
Dominique Moore (Lottie)
Emma Naomi (ensemble)
Alice Orr-Ewing (Mattie and Ruby)
Himesh Patel (Vagabond)
Adrian Richards (ensemble)
William Spray (ensemble)
Danielle Vitalis (Elvira)
Eleanor Wyld (Dalia)

Patrick Marber’s play is far enough away to be a true original, but even so stays reasonably close to the events in Moliere’s 1665 original Dom Juan. It was first produced in 2006 at the Donmar Warehouse, directed by Michael Grandage, with Rhys Ifans in the title role, and no I didn’t see it. You have to be local, and a “Friend” and lucky to get tickets for that theatre. A decade later, it’s at the much larger Wyndham’s Theatre with David Tennant in the lead role. Patrick Marber, with his much-acclaimed direction of  Travesties still playing in London, gets to direct it himself this time … it’s every writer’s dream. We know we can do our own stuff better but no one lets us … well enough of me. Marber has updated the text with contemporary references, and shifted Elvira’s brothers from Irish to Afro-Carribbean.


The opening sequence

It starts with an ensemble rendition of Don Giovanni (all the same story), plus  dance, then we have Stan (Adrian Scarborough), Don Juan’s gofer, chauffeur and dogsbody in dialogue with Col, who is DJ’s very recent brother-in-law. They’re in the lobby of a luxury hotel. Don Juan has deserted his new wife Elvira at the end of their honeymoon, saying he was going out to buy some cigarettes, then disappeared to bed with a Croatian supermodel. Stan describes what was going on when he opened the bedroom door in graphic detail.

Stan (Adrian Scarborough) spills the beans

For a first scene, it holds us in suspense, because we are all waiting for David Tennant’s inevitable arrival as Don Juan, or rather “DJ”. The casting is inspired. Michael Grandage did just the same when he cast Jude Law as Henry V. In their different ways, Henry V and Don Juan are characters who must exude tangible charisma, who can sway people to their wishes. Like Jude Law, David Tennant imports “known” charisma from his roles outside the play, and his known personality and charm. So Tennant doesn’t have to create a charismatic role … the charisma instantly walks on with him.

Enter DJ (David Tennant)

For the whole production, right to the last minute Tennant and Adrian Scarborough as Stan are a natural double act. Tennant immediately takes control.  He playfully snogs poor Stan, then gropes and pats him cheerfully. As DJ chats to Stan he lights cigarettes, has them collected by a staff member with a “No Smoking” ashtray, apologises charmingly and profusely, and immediately lights another as she walks away.

Lottie (Dominique Moore) is wooed by DJ 

DJ (Don Juan) has decided to seduce a newlywed (Alice Orr-Ewing), getting her virginity before her husband. He mimes a conversation with the husband, who he has just met at the hotel urinal, switching his finger space as he recounts their peeing conversation, to indicate the groom’s penis (tiny) and his, (enormous). He gets to her by causing a boat crash on the Thames, and we switch to the hospital where the survivors are sitting. There’s Stan in the middle, wrapped in a blanket. The groom is in a coma. While Don Juan is being fellated under a blanket by Lottie (Dominique Moore), a girl he’s just met, he hits on the bride simultaneously, trying to disguise his orgasm as he’s chatting her up. Hilarious, and very crude.

DJ in the park (David Tennant)

We switch to a park, where Stan and DJ are trying to find some Rizla papers to roll a joint.  They scrounge some papers from a Middle Eastern rough sleeper (Hamish Patel). They all have Rizla papers, opines DJ.

Marber does not avoid either controversy or offence. He reinstates a a scene Moliere had to cut on the church’s orders in 1665, where DJ bribes the down- and-out to blaspheme, only now it’s a Muslim homeless man rather than a Catholic beggar, and the words he wants him to say are as offensive as you can get. Twerp was the least of them. The C-word appears, as it does several times in the play, though to be fair, we heard it more often on the train back to Bournemouth on a post-football Saturday evening afterwards. And that was a group of girls. It was risky in the context here (Domenic Cavendish’s review calls it “misguided”),  though in the end the rough sleeper refuses steadfastly to blaspheme.

Aloysius (Mark Ebulué) fights DJ. Col (David Jonsson) looks on.

As in the original, a fight has broken out and DJ leaps into the wings to save the person being assailed, who turns out to be Col, his brother-in-law. Then the bigger brother-in-law, Aloysius, turns up too. There’s a good stand off martial arts piece between the two, before big and tough Aloyius (Mark Ebulué) threatens DJ with a large knife.

At the end of the scene, and act one, the statue of Charles II comes to life and warns DJ that his end is “tomorrow.” DJ and Stan think it’s the dope … they’re both playing very stoned. A mic descends from on high, and we have DJ singing the standard Under A Blanket of Blue (Ella Fitzgerald and Louis Armstrong) and then Stan joining him to make it a duet.  Very well they both did, too. A major point.

At the interval, we were both feeling that the play was very funny, but somewhat disjointed, and there were a couple of definite flat spots. In particular, the bride, Elvira, and her brother, Col, have to be so sincerely innocent that most would hate to be cast in the roles. Their contrast is needed, but the pace drops for both.

Michael Billington’s review suggests it would play better with no interval, and it is the magic 100 minutes, 20 minutes shorter than the  Young Vic played without interval the evening before. We were in the front row of the circle with no legroom at all, so disagree … we were greatly relieved to stand up and stretch.

The second part was both shorter and also better. Bringing on DJ’s dad helps, as Gawn Grainger is such a fine actor.

DJ at full on rant

It culminates in a fabulous and lengthy rant by DJ against every kind of cant and hypocrisy, from bankers who rob banks to so-called patriots who are racists, to a world leader who looks like an orangutang (massive applause from the audience) then he adds “priests who pray,” Stan does a wide-eyed double take, after all, what’s wrong with priests who pray, so DJ has to hiss “with an E”.  Earlier Donald Trump got another hit with “I’m not a rapist – I don’t grab pussy’ from DJ to more applause. The point is that while he is a total bastard, we can agree with his tirade. DJ is an aristocrat out of his time frame … at one point he waxes nostalgic about Soho in the old days when he could buy hash, a blow-job, get a taxi home and still have change from a tenner. He explains that Soho! comes from the old hunting cry of fox hunters (apparently this is true)… he sees himself as the hunter, and women as the foxes.

In the end, DJ is carried off to his death in the sort of irritating taxi-rickshaw that invades the pavements outside Covent Garden theatres in the evenings. No plot spoilers, but it is a magnificent theatrical moment.

Tennant and Scarborough both give bravura brilliant performances. Tennant is languid, predatory, sexually charismatic to women, autistic, without any conscience whatsoever.

Possibly the play seems a little lightweight for Tennant’s talent, or is it hovering too much between comedy and seriousness? The original has its stern moral message with Don Juan confined to the flames of hell. There is an issue with broad comedy, and the message which resonates far less with modern audiences than it did in 1665.

We also thought overall that the music and dance scenes were so excellent, that Marber could and should have leaned further towards a musical and had more of them. Walk on By in the first half, a full I Got The Music In Me in the second, as a finale were done superbly. We noted the choreography, Danielle Vitalis (Elvira) was placed centrally for the start of the long dance finale, which is where you place your leader … the most accomplished dancer, though everyone was good, as they are nowadays.

Tennant was such a convincing Don Juan, likeable even at his most loathsome, and Scarborough such a fine sidekick. Adrian Scarborough, last seen by us as the Fool to Simon Russell-Beale’s King Lear, could corner the market in comedy sidekicks.

The two have chemistry, and in the script, there is no reward for Stan’s loyalty. DJ is as incapable of reciprocating Stan’s loyal friendship as he is paying his salary.

It had a “three quarters standing ovation” at the end which is very good going for London. We were wavering to the naysayers among the critics at half time, but overall:

****

MUSIC CREDITS – *****

At last … this is how EVERY theatre should be doing it:

Sadly it’s nearly a first for a non-musical. All the music listed in detail in the programme! A five star programme decision for me. They give performer, writer and publisher too. This is how I know the disco version of Walk On By  (the version of which I was wondering about) was performed by the Don Juan in Soho Company. I already knew it was written by Burt Bacharach and Hal David. They also perform Memories Can’t Wait from Talking Heads, written by David Byrne and Jerry Harrison. They even list the post-curtain play out music, My Sweet Lord by George Harrison. And the last song before curtain up, which was Bryan Ferry’s version of The In Crowd, deliberately timed to end as the curtain rose. Roxy Music got two more … it’s definitely a 1970s inspired soundtrack.

I knew Kiki Dee’s 1974 hit I’ve Got The Music In Me (written by Bias Boshell … I’m enjoying this!) but many people won’t, and it was SO infectious and danced to so well, that younger audience members will want to go out and buy it, sorry showing my age, stream it.

This is long overdue in theatre programmes. I suspect that having a writer as director helps with attitudes to credit. It made me wonder if he had initially envisaged the action in the 1970s, but it might just be stuff he knows and likes.

WHAT THE PAPERS SAID
5
Paul Taylor, The Independent *****
4
Michael Billington, The Guardian ****
Anne Treneman, The Times ****
Sarah Crompton, What’s On Stage ****
3
Quentin Letts, Daily Mail ***
Henry Hitchings, Evening Standard ***
Andrzej Lukowski, Time Out, ***
2
Domenic Cavendish, The Telegraph **
Mark Shenton, The Stage **

LINKS ON THIS BLOG

PATRICK MARBER
Travesties by Tom Stoppard, Menier Chocolate Factory (Director)
The Beaux Stratagem, National Theatre (Dramaturgy)

DAVID TENNANT
Richard II, RSC, 2013

ADRIAN SCARBOROUGH
King Lear, National Theatre 2014 (The Fool)

GAWN GRAINGER
The Entertainer, by John Osborne, Branagh Theatre Company 2016

ALICE ORR-EWING
An Enemy of The People by Henrik Ibsen, adapted Christopher Hampton, Chichester Festival Theatre
Hay Fever by Noel Coward, Bath Theatre Royal

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      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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