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King Lear – McKellen 2017

King Lear
By William Shakespeare

Directed by Jonathan Munby
Design by Paul Willis
Ben & Max Tingham – music & sound
 

Minerva night

Minerva Theatre, Chichester Festival Theatre

Thursday 5th October 2017, 19.45

With Ian McKellen as King Lear

CAST:

Jonathan Bailey – Edgar
Kirsty Bushell – Regan
Sinead Cusack – Kent
Richard Clews – Old Man & gentleman informer
Phil Daniels – Fool
John Hastings – Curan, Doctor
Dervla Kirwan – Goneril
Tamara Lawrence – Cordelia
Dominic Mafham – Albany
Jake Mann – Burgundy
Michael Matus – Oswald
Ian McKellen – King Lear
Damien Molony- Edmund
Caleb Roberts – King of France
Patrick Robinson – Cornwall
Danny Webb – Gloucester

We are “friends” for early booking at Chichester. Suffice it to say that on the first day of member’s booking, logging in right on opening, we could not get seats together for this production in the smaller Minerva Theatre. There were only odd singles left, which we took. Ian McKellan in a theatre with fewer than 300 seats? What do you expect? We saw Pete Postlethwaite’s King Lear in the Donmar Warehouse, which is even smaller. The play suits an intimate experience, and this is what McKellen was seeking. He has played King Lear before, ten years ago at the RSC. In the programme he says:

For me, having played in theatres too uncongenially spacious, I wanted to speak the lines again, at times as conversation, in a theatre like the Minerva where intimacy conjoins audience and actor.

The play was done in the same Minerva Theatre in 2013, with Frank Langella in the title role. That was very much the traditional “brilliant actor manager” production in a style ranging from Henry Irving to Olivier. In other words, the cast are basically there to feed lines to the great man … and no mistake, Langella is a great thespian of the old school. In contrast, Antony Sher’s major RSC 2016 version, which is being reprised next year, put the equally great David Troughton as Gloucester, and fast rising star Paapa Essediu as Edmund.

A great performance is enhanced by great performances around it, and I believed this Minerva one would be more “democratic” than the Langella. A look at the stellar female cast list confirms this … Sinead Cusack, Kirsty Bushell, Devla Kirwan. Tamara Lawrence was outstanding in The National Theatre’s Twelfth Night this year.  However, the male names are definitely ‘lesser known’ to me, so less democratic than the RSC. Just as The Globe did a month ago, Kent (Sinead Cusack) has become female.  Surely coincidentally, just as at the Globe, Cornwall is Afro-Carribean, and both Cordelias are non-white. That’s four similarities.

Albany (left) and Cornwall (right) get their halves of Cordelia’s share of the kingdom.

The Minerva is a three sides “75% in the round” theatre. A circle is mid stage, covered with red carpet in part one, white chalky-looking surface in the second. It starts off in terrific style, with a formal assembly for Lear’s division of the kingdom. The royals have red sashes. A huge portrait of Lear dominates the set. There is choral anthem singing from the whole cast, which was so good I wonder why occasion was never found to reprise it. A touch I liked was at the invocation of the name of a deity (the gods, Apollo), everyone on stage made a palms up gesture to the sky, just as Christians (Lear is pre-Christian) might cross themselves.  I thought a minor loss was the positioning of Cordelia with her back to the ‘straight on’ section of the theatre, so that we lost her early reactions to the speeches.

9.2-Tamara-Lawrance-Cordelia-Ian-McKellen-Lear-Jake-Mann-Burgundy-in-CFTs-KING-LEAR-Photo-Manuel-Harlan_-DR2-36

Cordelia (Tamara Lawrence), Lear & The Duke of Burgundy (Jake Mann)

It’s modern dress, and looked at its best in the formal, uniformed first scene. Mostly it was neutral from there on, though Goneril and Reagan were dressed to contrast. Goneril (Derva Kirwan) was in formal skirt suits or dresses, while Regan (Kirsty Bushell) had the more girly sexy dresses, and later slim fit trousers and a halter top. Just as at The Globe, Kent started out as the Countess of Kent, and disguised herself as a male after her banishment. Towards the end, I sighed as they stuck everyone in desert storm uniforms, lighter for the French with a small tricolour badge. That happens SO often. Which means too often. I thought it was particularly odd to put both Cordelia and Lear in those omnipresent camouflage uniforms for the last scene.

The carousing scene chez-Goneril had a large crowd of “knights” and the mooning bit a the start set the tone quickly and easily. It’s always another good scene. Phil Daniels as The Fool played banjo, and mercifully sang a lot of the incomprehensible guff in the text, which makes it palatable.

2.-Ian-McKellen-in-the-title-role-of-KING-LEAR-at-Chichester-Festival-Theatre-700x455

We all came to see Sir Ian McKellen. Indeed, I recognised several actors in the audience. As expected, it was a superb performance. How he has the stamina at 78 to sustain such a demanding role, let alone getting soaked to the skin and continuing in a sodden suit, then trotting off at speed, then managing what Antony Sher avoided … McKellen carries Cordelia on at the end. There’s really a LOT of water in the storm scene. They end up virtually wading in puddles of it. I was amazed that at the end of the sene, stage sodden and splashing, they brought on what appeared to be one bar electric fire to lay Lear on a stretcher by. Surely it was a light-effect 12 volt one. On lights, it’s an excellent plot, but Kent’s torch in the storm scene kept blinding me. I’d guess she was aiming at the lighting box just above and behind me, but I was fixed in it. As were others as it moved around. A torch shining on the audience has to be fleeting!

McKellen has the range from near whisper to bellow … he shares the quality with Kenneth Branagh of being perfectly audible at what seems like very low conversational volume at times. The scene after being found by the French is done in a hospital bed with a drip, and I’ve never seen the lines with Cordelia here done better. True of the ending as well. Comparisons may be odious, but I’d say Antony Sher is ahead on points on The Fool scenes and Gloucester scenes … but then Sher had David Troughton as Gloucester. Both are tremendous Lears.

It’s very wet indeed. Fool (Phil Daniels), Lear (Ian McKellen), Kent (Sinead Cusack)

Lear and Daughters is mirrored by Gloucester and Sons. They reproduce the original title page and the full title was:

True Chronicle History of the life and death of King LEAR and his three daughters.
With the unfortunate life of Edgar, son and heir to the Earl of Gloucester, and his sullen and assumed humour of Tom of Bedlam.

The very best versions of Lear for me have had Edmund the Bastard as a major conducting role …  even the Globe version which I disliked recently had a strong Edmund-audience interaction. It was missing here to the detriment of the overall production. I’m not knocking the performance, but it wasn’t given the space or freedom so that Edmund became a pretty minor character, his quick snogs with Goneril and Regan were almost blink and miss it. His nondescript costumes don’t help. Edgar was fortunate in that he was allowed to get dressed again for the blind Gloucester on the clifftop scenes. There is always something you’d want to repeat in future versions and here it was Gloucester doing a straight fall backwards for the cliff jump and being caught in Edgar’s arms. But I thought in this vision of the play, both Edmund and Edgar were diminished.

King Lear (Ian McKellen) and Gloucester (Danny Webb)

Kirsty Bushell is the randy Duchess of Cornwall. Whoops. Still, it was Shakespeare who named the role, and anyway Ms Bushell is far better looking than the current incumbent. Goneril and Regan were both great, though I’m surprised that Dervla Kirwan omits Goodnight Sweetheart from her programme c.v. Not the first actor in a Shakespeare to fail to mention a sitcom. I am the world’s greatest sitcom fan … nothing to be ashamed of in being in a good one, and Goodnight Sweetheart was a very good one indeed. Kirsty Bushell  is given the room to make Regan an outstanding part. The sadistic gleeful dancing while Gloucester’s eyes are put out are chilling. She’s getting off on it. Cornwall squashes the eyeballs into the carpet, one by one. Bits fly about.

Kirsty Bushell as Regan, Danny Webb as Gloucester

The Gloucester eyeball scene takes place in an abattoir, though I guess it’s supposed to be the larder of Gloucester’s house. In the scene before, Lear was in there addressing realistic looking cow and pig heads as Goneril and Regan. Later Regan strips off to bra and pants in front of an embarrassed Oswald, played here as a smarmy butler. It was a well done seductive bit, though surely that should have been reserved for a scene with Edmund if you’re going to do it. It’s not just lines, but a director can shift focus (as here on Regan) without adding or subtracting much to script. Regan benefitted as a role. Edmund didn’t. For me, both should.

Lear, Regan (Kirsty Bushell), Goneril (Dervla Kirwan)

The part that was larger than normal was the Duke of Albany (Dominic Mafham). He is important as the “goodie” but most often recently, this is the character that’s been heavily cut. It wasn’t here.

Kent was good, but I’ve liked it more when he’s a ferocious and sturdy soldier. It seemed cross-casting for the sake of it. The stocks were replaced by a cage hoisted up high.

There’s a good stylised stand off between the British and French armies. Our other comment was that several times the pace flagged in sections. Some of it is being too long (see below). Yet some was economical … both Cornwall and Regan meet their deaths off stage, which saves a lot of time … it cut Cornwall’s lines, but then they’re hard ones to carry off. Lear fits modern dress well, but given the amount of politics, intrigue and nastiness, more could be made of modern stuff.

A large standing ovation at the end, deservedly so.

OVERALL

Sir Ian McKellen gave a 5 star performance. It wasn’t a 5 star production for us though because if its imbalance.

Four stars for me. ****

LENGTH

Length is an issue. It starts at 7.45. The curtain call ended at 11.10. Twenty minute interval. It’s a full 3 hours 5 minutes running time then, plus the 20 minute interval. I make that 20 to 25 minutes longer than The Globe production two weeks ago.  It meant there were bits of text retained in there that were new to me, in my memory at least.They announced a 1 hour 50 minute first half, and a 1 hour 5 minute second half. No, it doesn’t add up. Add 5 minutes to each. It was exacerbated by a tannoy announcement at 7.30 that it was starting in 4 minutes, and everyone hurried in to sit and wait for 10 minutes. A play is more exciting than a lecture or a lesson, but the research shows that 90 minutes is maximum concentration time in education. I find directors’ belief that we must focus fully without a break for the length they dictate arrogant. Yes, we do with 130 minute films, but you can go in or out without disturbing the actors on screen. You probably don’t need to, but the fact that you can reduces stress. The shape of this theatre and its entrances dictates the rather fascist “No readmission” rule. At other theatres you could go out, then stand at the back. Impossible here. At least The Minerva is one of the few theatres with adequate toilets, but as ever at this length, my companion reports distressed conversations in the queue for the ladies at the break. What’s wrong with two ten minute breaks? Or putting the Gloucester eyeball scene into the second part (as has been done)?  Effectively, with the tannoy announcement, I put the time in seats for the first part at two hours 5 minutes. I’m fine with the loos, but the Minerva seats at the back are low, and because of the steep rake that gives such good sightlines, there is no space for feet under the seat in front. At my height it’s an uncomfortable verging on excruciating experience after 90 minutes. It does strongly affect my overall enjoyment. I squirm.  I have to say I had a double motivation for leaping to my feet for the standing ovation. McKellen deserved it AND I was desperate to stand up.

While I’m ranting about this, people declined to stand when you’re trying to squeeze past at the interval with the seat back in front only inches above your ankle height. It’s bloody rude and bloody dangerous! One day someone will topple over.

PROGRAMME
An interesting idea. Every one does a first person bio. I really liked that.

WHAT THE PAPERS SAID

5
Domenic Cavendish, Telegraph *****

One hopes, of course, that this isn’t the last time we’ll see him in Shakespeare or on stage but if this is his swansong, what a triumph – and one I fervently pray is caught on film.

Paul Taylor, Independent, *****

In the wraparound intimacy of this space, McKellen is able to heighten the intensity of what Lear says through colloquial understatement and a playing-around with the beat and tempo of the verse that gives an almost jazz-like freedom and unpredictability to the king’s utterances. Instead of generalised rant, nuance.  

Mark Shenton, The Stage *****
Henry Hitchings, Evening Standard *****
Maxwell Cooter, What’s On Stage *****
4
Michael Billington, Guardian ****

a production that gives every character a precise social function and that, in McKellen’s Lear, contains a performance rooted in minute observation of old age and a profound understanding of the enlightenment that comes from dispossession.

Anne Treneman, The Times ****

There was a danger that this could have ended up as The Ian McKellen Show, a star vehicle for him as, at the age of 78, he plays Shakespeare’s flawed king one more time, but it is a much finer production than that.

Christopher Hart, The Sunday Times ****

It is McKellen’s marvellous versatility and gentle nobility …that make this such a memorable production: the mild wistfulness with which he says ‘Let me not be mad, not mad’, or the vague smile when he is reunited with Gloucester, two hobbling derelicts on a country road, the direct ancestors of Beckett’s tramps.

Susannah Clapp, Observer, ****

Ian McKellen’s Lear crumbles gradually, as if he were a Dover cliff being eroded. Loss of faith and gain of humanity: it is a beautifully clear line, but not overinsistent. At the beginning, a king in regalia and courtiers raising their arms robotically at any mention of the gods; at the end, a man in a shift with no heavenly overseers.

Neil Norman, Daily Express, ****

3

Anne Cox, Stage Review ***

This Lear is all about Ian McKellen and his multi-layered performance is outstanding, whether he is castigating his daughters for their betrayal of him or wandering abroad, his mind addled with dementia, handing out herbs and flowers.

 

KING LEAR ON THIS BLOG

  • King Lear – David Haig Bath Theatre Royal
  • King Lear Frank Langella Chichester Minerva 2013
  • King Lear – Russell-Beale National Theatre 2014
  • King Lear- Barrie Rutter, Northern Broadsides tour, directed by Jonathan Miller, Bath Theatre Royal
  • King Lear – Antony Sher, RSC 2016
  • King Lear -Kevin R McNally, Globe 2017

LINKS:
DIRECTED BY JONATHAN MUNBY
First Light, Chichester  Minerva 2016
The Merchant of Venice, Globe 2015
Twelfth Night, English Touring Theatre, Brighton 2015
Thérèse Raquin, Bath Theatre Royal, 2014
Anthony & Cleopatra, Globe, 2014

IAN McKELLEN
No Man’s Land, by Harold Pinter West End 2016
The Syndicate by Eduardo de Filippo, adapted Mike Poulton, Chichester company at Bath Theatre Royal
FILM
An Unexpected Journey: The Hobbit Part 1
Mr. Holmes

KIRSTY BUSHELL
Romeo & Juliet, Globe 2017 (Juliet)
Hedda Gabler, Salisbury 2016 (Hedda)
The White Devil by John Webster, RSC 2014 (Vittoria)
The Tempest, RSC 2012 (Sebastian)
Twelfth Night, RSC 2012 (Olivia)
Comedy of Errors, RSC 2012 (Adriana)

DAMIEN MOLONY
No Man’s Land, by Harold Pinter West End 2016

TAMARA LAWRENCE
King Charles III, TV version 2017
Twelfth Night, National Theatre 2017 (Viola)

PHIL DANIELS
Knight of The Burning Pestle, Wanamaker 2104 (The Citizen)
Antony & Cleopatra, The Globe 2014 (Endobarbus)

JONATHAN BAILEY – FILM
Testament of Youth

 

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        • James Taylor 2014
        • James Taylor, Hyde Park 2018
        • Jimmy Cliff
        • Joan Baez
        • John Cale Paris 1919
        • John Cale, Brighton 2011
        • John Lydon
        • Johnny Flynn, Hyde Park 2018
        • Jon Boden & The Remnant Kings
        • Jonathan Wilson
        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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