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The Merry Wives – Northern Broadsides

The Merry Wives
by William Shakespeare

Northern Broadsides / New Vic production

Merry Wives NB flier
Directed by Barrie Rutter
Designed by Liz Evans
Musical Director Conrad Evans

Yvonne Arnaud Theatre, Guildford

Merry Wives sign

Thursday, 12th May 2016, 14.30

CAST:

Barrie Rutter as Falstaff
Adam Barlow as Corporal Nim / Fenton
Al Bollands as Sample
Ben Burman as Pistol / William
Andy Cryer as Doctor Caius, a Frenchman
Sarah Eve as Anne Page / Robin
John Gully as Sir Hugh Evans, a Welsh parson
Becky Hindley as Mistress Ford
Nicola Sanderson as Mistress Page
Thomas Dyer Blake as Shallow, a Justice
Josh Moran as Bardolph/ Rugby
Roy North as Page
Helen Sheals as Mistress Quickly, Dr Caius’s housekeeper
Mark Stratton as Host of The Garter Inn
Jos Vantyler as Slender, Shallow’s rich relative
Andrew Vincent as Ford, a jealous husband

 

Yvonne Arnaud theatre

Yvonne Arnaud Theatre, Guildford, Surrey

We like going to theatres we haven’t visited before. Guildford’s Yvonne Arnaud Theatre is celebrating its 50th Anniversary, so is an airy mid-60s arts theatre with a proscenium stage, but loosely bordered. It’s similar to Salisbury or Poole in size, but with better restaurant and bar facilities than either.

11

Barrie Rutter (Falstaff) and Becky Hindley (Mistress Ford)

On to The Merry Wives. They’ve dropped “Of Windsor” from the title, presumably because it’s not Northern. But no one drops “Of Verona” from the Two Gentlemen, or “of Venice” from The Merchant. Northern Broadsides? Northern over-sensitivity! What next? Two Gentlemen of Bridlington? The Merchant of Bradford? Timon of Accrington? Anyway, we saw it in Guildford, and Windsor’s definitely north of Guildford. This is Barry Rutter’s third bash at the play too, and it is done in Northern accents, with a 1920s setting.

The Northern accents are entirely vindicated. They reference the sit-com / farce elements of the play – any regional accent always helps comedy. It’s also sensibly consistent compared to the plethora of regional accents (do whatever comes naturally) in so many contemporary Shakespeare productions. It’s a coherent world. The addition of Funny Frenchman and Funny Welshman was always there. It helps.

Andy-Cryer

Andy Cryer as Doctor Caius, a funny Frenchman

Northern Broadsides is a genuine company rather than a brand name covering dissimilar productions. Look at their 2015 production of King Lear, and note how many of the cast play in both. That gives an air of rep (which also exists in RSC seasons … but only for a season), which has advantages, in that people are used to working together, though it also gives disadvantages.

Barrie Rutter with Northern Broadsides harks back to the 19th century Manager / Lead Actor / Director role, the Henry Irving position. Olivier did it. Branagh is reviving the role. Few can take the double role, which Rutter and Branagh can, of course, but there are limitations. Being close up, it shows when the lead actor / director is talking, and the listeners are indicating their attentive listening just a tad too hard, while being set statically in listening positions. If you’re going to direct from mid stage, you really need a strong assistant director standing out front. With the complexities of a modern production, you don’t see the RSC, National or Globe trying to do it.

6000-1

L to R: Mistress Ford, Mistress Page, Falstaff as the fat woman of Ilkely and the jealous Ford.

This is a heavily cut version and fluid and fast moving in its scene transferences. The clocks in the foyer put it at 2 hours 40 minutes with interval, though we were out at 2 hours 30 minutes. That’s beneficial, though the theme about a visiting German duke (I thought it was Count) got so lost that the quick, late reference to the Host of the Garter Inn being cheated by the Germans came from nowhere. That is the point of contrast with the RSC. In the RSC production of The Merry Wives of Windsor (LINKED), the Garter Inn was transformed into a beer cellar with barmaids in dirndls – a whole elaborate set just for the aside about the visit. The division between a medium sized touring company with minimal sets and the RSC is most marked by comparing the two productions. The RSC had a Citroen 2 CV on stage for Doctor Caius, billiard table, a rugby goal, an elaborate two storey house interior. This had white drapes, two cane chairs and a round wooden seat. Oh, they did have three funny bicycles at the end, including a tandem for Dr Caius and a small Penny Farthing for Slender. By no means a great, or even a good set, but it worked for the tour. As with King Lear in 2015, they are playing both proscenium and in-the-round theatres. It reminded me of football commentators saying that sometimes it was good to stop watching the Premier League and find the real essence of football in the lower divisions, or out in the provincial theatres on a restricted budget.

Merry-Wives-New-Vic-700x455

Andrew Vincent as Ford, the jealous husband. He is disguised here as “Brooks”. Falstaff right.

Sport is a running theme. The RSC had Page and Ford as rugger buddies and the Host as a referee. This picks up in the same style. Here Page and Ford are in cricket flannels with cricket pullovers and striped blazers. Mistress Page and Mistress Ford’s double act was accentuated by having them in matching 1920s pleated tennis skirts, and they first appear straight from the court with rackets, as do Page and Ford later. Swords get replaced by sporting implements … Caius has a practice javelin, and other weapons are a hockey stick and a croquet mallet. Ford, while posing as Brooks, switches to a golf short-sleeve jumper and golf clubs. At the end, when Falstaff is dressed up as Herne the Hunter, he uses cricket pads on his chest, and his horns are hockey and lacrosse sticks.

14

L to R Adam Barlow (Nim), Josh Moran (Bardolph), Ben Burman (Pistol)

The 1920s look had Bardolph, Pistol and Nim in working man’s suits with flat caps, looking very much like the gang in Peaky Blinders (set in 1919-1920 Birmingham) – a good reference for them. Ben Burman’s Pistol really channelled the Peaky Blinders effect … Burman was outstanding as Pistol, had a fine short cameo as the schoolboy William, and was also funny as a servant trying to shift the laundry basket full of Falstaff. All three parts worked well as a trio.

The play has three parts which are perfect for character actresses: Mistress Ford, Mistress Page and Dr Caius’s gossipy housekeeper Mistress Quickly. They were all played large, and all the better for it. Nicola Sanderson and Becky Hindley were perfect as the two plotting merry wives. Helen Sheals in pinny and headscarf was an early Coronation Street Mistress Quickly. We know that the great actor managers were as likely to cast themselves as Master Ford rather than Falstaff, and it is a fine role, with the added dimension of having to pretend to be Brooks to fool Falstaff into a joint plot to cuckold Ford, i.e. himself. Lots of chances to shine and Roy North did.

 

Northern Broadsides & New Vic Theatre  Feb 2016 The Merry Wives by William Shakespeare Directed by Barrie Rutter   Designer Lis Evans Lighting Adam Foley  Musical Director Conrad Nelson Barrie Rutter/ Falstaff   Adam Barlow/Nim  Al Bollands/Simple Ben Burman/Pistol  Andy Cryer/Ciaus   Sarah Eve/Anne Page Becky Hindley/Mistress Ford Nicola Sanderson/Mistress Page Helen Shields Mistress Quickly  Josh Morgan/Bardolf    John Gully/Evans  Roy North/Page   Andrew Vincent/Ford Gerald McDermott/Shallow  Jos Vantyler/Slender ©NOBBY CLARK +44(0)7941-515770 +44(0)20-7274-2105 nobby@nobbyclark.co.uk

L to R: Becky Hindley (Mistress Ford), Barry Rutter (Falstaff) and Nicola Sanderson (Mistress Page)

Rightly, reviews picked out the hamper scene, where Mistress Page and Mistress Ford conceal Falstaff below dirty laundry to hide him from the angry and jealous Master Ford. In the second seduction scene, where Falstaff has to disguise himself as the Fat Witch of Ilkely (a Yorkshire version of Shakespeare’s The Witch of Brentford), Ford furiously throws laundry items into the audience. A younger audience would have thrown them back.

New-Vic_The-Merry-Wives_l-r-Jos-Vantyler-Roy-North-Gerard-McDermott_image-by-Nobby-Clark-1170x780

L to R: Slender (Jos Vantyler) with Page and Justice Shallow

We picked out Slender (Jos Vantyler) for our “Man of The Match” award), in that he managed to convey languidness, stupidity, ambiguous sexuality and comedy at the droop of an eyelid. Very funny. As was Dr Caius (Andy Cryer). This has to be played over the top as a pantomime Frenchman, and he excelled. Every Gallic shrug and expression was there.

5242

Falstaff as Herne The Hunter

Barrie Rutter looks the part of Falstaff. He has played it many times. He’s clearly comfortable in the role, though there was nothing new about it. Still very clear, very funny. I liked the way they did the Herne the Hunter scene, with everyone in the cast who didn’t have a speaking role dressed up as girls. Much easier than twelve kids from the local dancing school!

©NOBBY CLARK +44(0)7941-515770 +44(0)20-7274-2105 nobby@nobbyclark.co.uk

The Faeries in the Forest

In all the comments, remember that this was the feared matinee audience from hell, a quarter to a third full, and almost all elderly. Seconds before the start, we moved forward to the empty Row B, driven forward by snotting and coughing next to us, plus the discordant buzzing of two sets of hearing aids in close proximity. We chose the two seats behind empty seats in Row A, thinking also it made it look a bit fuller for the cast … like those on stage, we work on our visible enthusiastic and attentive listening. It would hopefully sail on far better on a busy Friday night. Full marks for playing throughout with verve and gusto to this matinee audience. It must be depressing for younger cast members, and matinees of Shakespeare are usually OK because there’s a school party or three to enliven responses, but not in Guildford. Maybe it’s too close to that ever earlier exam season. Maybe the schools chose an evening. Maybe it’s just that it’s a highly unlikely set book, which is a pity. As a play it has “the common touch” i.e. a broad audience.

Music is a question. After the first half, with one unaccompanied song snippet, we wondered why a Musical Director was needed at all. The music is kept right to the end, with Shallow on double bass, and others taking turns on guitar and snare drum. Fenton plays banjo. They play well. The ending is a marvellous large all-cast Charleston (except for the live music). As they have four people who can play, we wondered why the first half was totally music free. A lost opportunity.

PROGRAMME

As before with Northern Broadsides, Mike Poulton’s programme notes with character notes rather than a synopsis, work very well indeed. It’s an excellent, advert-free programme too.

OTHER MERRY WIVES ON THIS BLOG:

  • The Merry Wives of Windsor – RSC 2012
  • The Merry Wives, Northern Broadsides 2016
  • The Merry Wives of Windsor – RSC 2018
  • The Merry Wives of Windsor, Globe 2019

BARRIE RUTTER, and many of the cast appear in:

King Lear- Barrie Rutter, Northern Broadsides tour, directed by Jonathan Miller, Bath Theatre Royal

 

 

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      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Pee’d off
      • Phones, concerts and copyright
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Tales of A & E
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • Tulips April 2023
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC 2016
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa- 2015
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Fran Lebowitz
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Guys and Dolls
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hamnet
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • How The Other Half Loves
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Julius Caesar – RSC 2023
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noël Coward’s Brief Encounter
      • Noises Off
      • Noughts and Crosses
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Pride and Prejudice * (*sort of)
      • Private Lives – 2021
      • Private Lives – Donmar 2023
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Julie
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Shirley Valentine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest – RSC 2023
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale – Wanamaker & Globe 2023
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • The Motive & The Cue
    • The Vortex – CFT 2023
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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