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Queen Anne

Queen Anne
by Helen Edmundson

Queen Anne prog

Directed by Natalie Abrahami
Designer Hannah Clark

Royal Shakespeare Company,
The Swan Theatre, Stratford-Upon-Avon
Saturday 28th November 2015, 1.30 pm

Queen Anne cast

Daisy Ashford – Lady Clarendon
Anna Tierney – Lady Somerset
Jenny Rainsford – Jezebel / Lady Russell
Jonathan Christie – Arthur Maynwaring
Emma Cunniffe – Queen Anne
Michael Fenton Stevens – Dr John Radcliffe
Carl Prekopp – King William III / Groom
Natasha McElhone – Sarah Churchill
Jonathan Broadbent – Robert Harley
Tom Turner – Jonathan Swift
Richard Hope – Sidney Godolphin
Hywel Morgan – Prince George of Denmark
Robert Cavanah – John Churchill
Beth Park – Abigail Hill
Carl Prekopp – Daniel Defoe
Daniel Easton – Inns of Court Singer / Colonel Masham
Elliot Ross – Jack Churchill
Ragevan Vasan – Groom

Linguistically, Queen Anne has something in common with New Zealand. Neither established an adjective version. So we have Australian lamb, Irish butter, but plain New Zealand lamb and New Zealand butter. We have Elizabethan, Jacobean, and Caroline drama, Georgian houses, Victorian ethics, but Queen Anne furniture, Queen Anne houses. Furniture (especially chair) is her main collocation. A Queen Anne chair is in catalogues today … a high-backed upright comfy chair with arms. The definition is that Queen Anne furniture is somewhat smaller, lighter and more comfortable than its predecessors with curving shapes. Her predecessors, William III & Mary II never earned an adjective either.

Anne was the last Stuart, the younger daughter of James II. She died childless (despite seventeen pregnancies, and three live births, one son surviving to eleven) ushering in the Hanoverians who put Georgian on everything … well, there were four of them called George in a row. They tried calling sons Frederick for the sake of change, but they died. Anne was married to Prince George of Denmark, and her best friend was Sarah Churchill. Sarah was considered the most powerful woman in the country, and her husband became the first Duke of Marlborough, and the victor in the Battle of Blenheim in 1704. The play is billed as Anne – The forgotten queen and started me looking up her details. She presided over the Act of Union between England and Scotland to form Great Britain (excellent topical jokes in the play), and Britain won the War of Spanish Succession under Marlborough’s generalship to establish itself as a major world power (more very good EU-related jokes about subsidizing allies). The party system as we know it also got under way during her reign (even more topical references to draw out). She was indeed the most successful member of the House of Stuart.

Queen Anne is playing in repertory with Love For Love at the Swan Theatre, so we looked forward to the same cast members. The two leading parts, Emma Cunniffe as Queen Anne and Natascha McElhone as Sarah Churchill are only in Queen Anne.

_86938852_queenanne2

The bawdy start: Swift seated on the front left, Harley on the right

The play opens with a bawdy satirical song, sung in the Inns of Court with most of the non-royal males present. Queen Anne is lampooned in drag, by a man wearing a primitive bulging breasted and tummied fat suit. This was the era of grotesque political satires and ballads. It’s a Men Only occasion (with whores) and they’re disturbed by the arrival of Abigail Hill (Beth Park), seeking employment. Abigail is poor, but related both to Speaker of The House of Commons, Robert Harley (Jonathan Broadbent) and to Sarah Churchill. She is teased by Jonathan Swift (Tom Turner) … I’m afraid that we do have Jonathan Swift, Daniel Defoe and John Radcliffe present, though they do avoid the Monty Python Mrs Mozart / Mrs Beethoven syndrome, but only just. This is a crucial setting scene as all the males are enjoying bawdy satire, and she is isolated and … well, “Harrassed.” Robert Harley agrees to get her to see Sarah Churchill, who will place her with the queen. There are four of these Inns of Court song sequences in the play … and they really enliven action, especially The Grand Old Duke of Marlborough sequence.

The central story is Anne, an invalid after seventeen pregnancies, and with gout as well, and her relationship with the Queen Bee Sarah Churchill, the 1702 version of the High School Movie bitch. It starts just before Anne becomes queen. Her brother-in-law William III has a perfect Dutch accent and is an aggressive so and so, while her cuddly sweet ineffectual husband (he first appears in a nightshirt and cap), Prince George of Denmark, has a perfect Danish accent. Jonathan Swift, once he’s finished taking the mickey by pretending to be Robert Harley, is Irish. Otherwise, they’re all RP. No “whatever accent you feel like.” Every accent has a purpose. Full marks.

It wasn’t just the War of Spanish Succession that had succession at the fore. Anne’s claim to the throne was weaker than that of her step-brother, James Stuart, the Old Pretender, a Catholic, waiting in France. The government was determined to ensure a Protestant succession by nominating Sophie of Hanover as next in line (and her son George became George I on Anne’s death). The politics revolves around this. The Churchills are Whigs, a mainly nonconformist grouping intent on ensuring Protestant succession. They’re led by Sydney Godolphin (Richard Hope), Sarah and John Churchill’s close friend. Their rivals, the Tories, are mainly Anglican. The Tories are led by Robert Harley, an outstandingly manipulative character played by Jonathan Broadbent. Harley gives us much of the humour in the play. They all vie to influence the Queen. This Queen Anne is physically ill, exhausted, gentle, put upon, easily persuaded and too trusting of Sarah Churchill.

_86938851_queenanne1

Queen Anne left, Sarah Churchill right

While the Churchills, Godolphin and Harley fight it out politically (manipulating the pamphleteers with their rude ballads), the real focus is on the three women. Sarah Churchill rules. It’s a third form pash that’s gone on too long, but still deeply hurtful to poor Anne. It’s in that “I’m your best friend not her” mode that even little girls can fall into as soon as they get to school. Sarah, while bullying Anne mercilessly, fears the influence of Abigail Hill, now Anne’s maid, empting the night soil pots. Because Anne is a such sweety, Abigail (pushed by her cousin, Robert Harley) can influence her towards peace settlement with tales of men wounded in war. Sarah wrongly suspects a full blown lesbian relationship and has Arthur Maynwearing write a ballad about it.

queen-anne-sitefinity-general_2015_photo-by-manuel-harlan-_c_-rsc_180022.tmb-gal-670

Abigail Hill (Beth Park)

The play ends, as people fall in and out of favour, with Sarah announcing “But I was the most important woman in England.” And she was. The genetic combination of her brains and manipulative prowess with Marlborough’s military prowess clearly popped up again in their descendant, Sir Winston Churchill.

_86938853_queenanne3

Sarah Churchill background, Anne foreground

Assessment time. It’s a modern play, costumed and set in 1702. The language tries mainly to reflect the era. It’s been given the accolade of presentation at the RSC with a hugely accomplished cast. Because it’s sitting in a Shakespearean space it runs to 2 hours 35 minutes, as most plays here do. It felt that long. I know three hour plays that fly by as if half the length, and I know 80 minute plays that plod along to feel much longer. This felt like the full 2 hours 35 minutes, and I think an astute 10 minute shaving would benefit it.  The use of high speed diagonal entrances and exits is a Swan Theatre given, and executed well. Coming out, we heard two people comparing it to the RSC’s Wolf Hall. Only to the degree that it’s a historical story in costume at Shakespearean length. I thought Queen Anne was considerably better than Wolf Hall as a play … I much preferred the book and the TV series to the play. Though we saw Wolf Hall in London on a proscenium stage in a theatre that was far, far too big for it. But Wolf Hall had a bitty disconnected quality, and Queen Anne flowed.

The construction has us hear about Anne well before we meet her. First there’s the crude lampoon on her pregnancies and illnesses, then we hear Sarah speak disparagingly about her. That works well. The script was clear, witty and had enough sly topical references to draw knowing laughs, but I winced at a few lines here and there, particularly Goldolphin (I don’t have the script) leaving Sarah and the General on the four poster bed (it’s central to the set throughout) and saying “You’re a lucky man, Marlborough” (or “Marlborough, you’re a lucky man!) I thought it a hearty cliché too far. Similarly the (brilliant) Jonathan Broadbent has been given a repeated sit com tag line, “Yes … no … perhaps.” Very funny, but it was getting forced … my immediate reaction was, when you get to the last one, do “Mmm (yes intonation) … Mmm (no intonation) … Mmm? (question intonation). There was at least one example too many.

_86938965_queenanne4

Anne in black after Prince George’s death. Robert Harley behind- recently promoted to chief minister.

The three women were perfectly cast physically, and all three gave wonderful performances. Emma Cunniffe is singled out for “person of the match” award because playing Anne, who is ill, wet, sweet, not too bright, and led by a sense of duty, is a major task, perfectly performed. She also has that magic “can’t take your eyes off her” charisma in the role.

As in all “rep” productions of two plays some people get only cameos here … I’m thinking of Tom Turner’s Tom Swift, delightfully taken. I’d say Robert Cavanah as John, Duke of Marlborough and Jonathan Broadbent as Robert Harley are the two largest male roles. Both impeccable.

Driving home in heavy rain, the Oxford ring road rang bells. A sign to Blenheim Palace here … the huge palace the Churchill family built, and a sign to the Radcliffe Infirmary there … named after Queen Anne’s physician in this play, charged with changing her gouty bandages.

queen-anne-sitefinity-general_2015_photo-by-manuel-harlan-_c_-rsc_179845.tmb-gal-670

Prince George of Denmark

The play got me interested in reading more about Queen Anne … her life is ripe for a prequel, as her part in the 1688 invasion that got rid of James II is fascinating, as is her lifelong attachment to Sarah Churchill.  It must have been a hard (but wise) decision to start with the drama of 1702. A prequel title? Princess Anne (which she was) is a bit risky considering the present lady with that title.

FOUR STARS ****

MAJOR REVIEWS

Michael Billington, Guardian – 4 stars
Domenic Cavendish, Daily Telegraph – 4 stars
Jane Edwards, Sunday Times … 4 stars

PROGRAMME

Usual high standard. The timeline renders a synopsis pointless, so there isn’t one. As there’s so much white space on the cast bios, I’d go up one point in size. The photos of actors months before the production are the front cover as usual. They have Sarah Churchill at the top, Anne below. Given the title, that’s the wrong way round.

SEE ALSO:

Love For Love by William Congreve, Swan Theatre 2015

NATALIE ABRAHAMI, director

A Midsummer Night’s Dream, Headlong, 2011

LINKS TO CAST MEMBERS ON THIS BLOG

Jonathan Broadbent
A Midsummer Night’s Dream (Theseus / Oberon)
My Night With Reg (Guy)
Love For Love by William Congreve, RSC

Robert Cavanah
Arcadia (as Bernard Nightingale)
Love For Love by William Congreve, RSC

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      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
    • Romeo and Juliet – NT, 2021
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2107
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- Wyndhams 2011
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Our Ladies of Perpetual Succour
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • Spring Awakening
      • Stepping Out
      • Strife
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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