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Albion


Albion 
By Mike Barlett

Directed by Rupert Goold
Design by Miriam Buether
Lighting Neil Austen

Almeida Theatre, Islington, London
Thursday 26th October 2017, 7.30 pm

CAST:
Nigel Betts – Edward
Edyta Budnik – Krystyna
Wil Coban – Weatherbury /James / Stanley
Christopher Fairbank – Matthew
Victoria Hamilton – Audrey Walters
Charlotte Hope – Zara, Audrey’s daughter
Margot Leicester – Cheryl
Vinette Robinson – Anna, Audrey’s dead son’s girlfriend
Nicholas Rowe – Paul Walters, Audrey’s husband
Helen Schlesinger – Katherine Sanchez, a writer friend
Luke Thallon – Gabriel

 

The buzz word about the play is Brexit allegory. Allegory is a strong word that suggests screamingly obvious Pilgrims Progress parallels be drawn, and though there are references and suggestions, I never found it to be that heavy handed. In fact, Audrey complains in the play about the allegorical names in her friend Katherine’s 597 page novel … You gave them names like, what was it, Patricia Smallmind and Gary Numb.

It doesn’t happen like that in this play. The title is Albion (the old name for Britain) which is also the name of the estate in the play, and it is about trying to create past glories.  It’s about the people from the city on their country estate, so with the plot and angst, the Chekhov references are strong. I guess Bartlett did cod-Shakespeare in King Charles III, so then this references the Russian.

The set is an elongated oval garden, a lawn surrounded by a border of earth. The audience surround about 90% of it. Each Act has two scenes, separated by the entire cast replanting the border in Act One, removing the border plants in Act Two. This is done with solemnity to a song in semi-darkness.

Audrey Walters (Victoria Hamilton) has inherited (I guess) the Weatherbury estate, with its important gardens created by Captain Weatherbury to commemorate his own rescue from a pile of bodies at the Battle of Ypres. Her own son, James, also a captain, has been killed by a roadside bomb. She wants to recreate the gardens which have fallen into decay as a memorial to James.

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Audrey (Victoria Hamilton) and Paul (Nicholas Rowe)

Audrey runs a successful company that sells all-white goods (The White Stuff? The White Company)… to white people, someone quips. Her second husband, Paul (Nicholas Rowe) is affectionate, amiable and basically a passenger along for the ride. According to the play text, he’s in his early 60s and she’s in her fifties. Actually, Nicholas Rowe is fifty, and looks younger.

With the estate, she has inherited Matthew the gardener and Cheryl the cleaner. Matthew is deeply loyal to the land, but is on part time and ageing. Cheryl is the classic cleaner, works for cash in hand only, and is slow and pretty useless. Both have Mummerset accents. I guess the rural areas were “Leavers” in Brexit. Towards the end, when Cheryl is recovering from cancer as Matthew is slipping into early dementia, they do get the best laugh of the play and a wave of warmth too. No plot spoiler. As a southerner of rural descent, I can’t stand generic Mummerset. Do Dorset. Do Norfolk, but not that theatrical blur.

Audrey’s daughter Zara is visiting. She is vaguely “in publishing” and hopes that mum will divvy out to pay for a London flat rental. Gabriel appears from next door, he is 19 and does a spot of window cleaning. I guess he represents youth. He wants to study creative writing  at “Brookes” (Oxford Brookes). I remember a careers teacher telling me that Oxford Brookes drew students because of the Oxford in the name, whereas Anglia University in Cambridge failed to exploit its own location in its name. Zara wisely says he should study English Literature first. He gets a job helping Matthew in the garden. That “Creative Writing” undergrad course struck a chord for me. I remember getting very angry about a new university advertising a course in “Film Direction” with 30 places. I have studied both film studies and creative writing BUT not at age 19 as a first degree. Film Studies is a fascinating and demanding study that embraces many disciplines. It’s no worse than any other subject, better than most. I’ve taught it part-time too. What made me angry was that kids embarking on the course might believe this was a vocational qualification which would lead to a career as a director. Call it Film Studies, fine. But Film Directing? With 30 places at an ex-poly? I didn’t believe anyone would offer a course in Creative Writing at BA level, so checked. Oxford Brookes do … English With Creative Writing BA. Mike Bartlett is accurate.

Gabriel at the end of the play is the closest to allegory … he gives up on university, destroys his novel (i.e. His future) and gets a MacJob in Costa making coffee. That is what has happened to our High Streets. I guess there IS choice of employment and consumption: Costa, Starbucks or Nero. The reason? He can’t afford the debt of a student loan and significantly, he has to look after his  mother. Mmm,  as he’s about 19 his mum can’t be THAT aged but it serves to show the problem of our ageing population; You could add that care homes are largely staffed by European immigrants, at least they are around our home. No EU? Then we’ll have to change those adult nappies ourselves. They missed that one.

The bunch of her dependents and employees is contrasted with her more liberal and open minded neighbour, Edward. Audrey won’t open the gardens to visitors, nor let the people of the village come in for their annual garden festival.  She’s closed her borders (but can hear the rock festival at Edward’s place next door). The important figure here is Krystyna. She is Polish, a hard worker, runs a domestic cleaning business efficiently, has proper business cards and can be paid legitimately by bank transfer rather than in cash. She takes over Cheryl’s job, and later ends up employing Cheryl on an agency basis.

tn-500_albionproductionshots.helenschlesinger(katherinesanchez)andcharlottehope(zara).photocreditmarcbrenner(13)

Katherine (Helen Schlesinger) and Zara (Charlotte Hope )  

Katherine Sanchez (Helen Schlesinger) is Audrey’s oldest friend, though it turns out that the blinkered Audrey knows little or nothing about her. She’s the only one who doesn’t know that Katherine is a famous and successful novelist. I can’t really work out what the allegory (if there is one) is here. OK, inexplicable Spanish surname, but never married, doesn’t like men. She has strong views, and Zara is attracted to her. They end up snogging passionately and Zara goes off to live with her. And when it doesn’t work out, partly due to Audrey putting pressure on Katherine,  Zara exacts revenge on Katherine very publicly. But it probably doesn’t affect Katherine’s career in the slightest. Is Katherine Europe? Dunno,

Then we have Anna (Vinette Robinson). She was the dead son’s partner for three months before the bomb. She is attracted magnetically to the house and garden in his memory. She wants to live there and be close to James. There is a huge row when without asking anyone, Audrey scatters James’ ashes in the garden. Anna ends Act One in the rain pulling up clods of earth (and ashes) and shoving them up her skirt. In Act Two she’s pregnant and while I thought magic realism had come into play, she reveals that James had some sperm frozen before setting off to the un-named place with the roadside bombs. I hope for the sake of the actors, that 2018 sees fewer rain machines in plays. Have rain machine, will use it.

It’s the first “non-colour blind” London play in a long time. Anna is Afro-Caribbean in appearance. The rest of the cast is white. I don’t think it could be played any other way, I fear. Anna wants to stay as part of the family, but Audrey doesn’t want her. I assume the ethnicity in casting is deliberate.

Albion3

Audrey & Katherine dressed in 1920s fancy dress

Act Two (which some would call Act One, Scene Two because it’s before the interval!) opens after some sort of murder mystery parlour game in 1920s costume – harking back to a golden age? It took me a while to work out why they were wearing evening dress … it was unclear. When Gabriel first appeared in evening dress at the start, I thought he might be a flashback to old Weatherbury and he (Luke Thallon) was playing a different character.  Anna complains that the 1920s was an awful time:

To dress up like this. The 1920s were awful. War across the world, women having to fight for the vote, racism, rape, murder, child abuse.

That was odd. The 1920s was more like an island of hope between the horrors of the Great War, and the depression of the 1930s leading to the rise of Fascism. It was a false island of hope, but that is not pointed out. Didn’t get it. Maybe it’s meant to show Anna as knee-jerk “right on.” On war and the vote, it’s “wrong decade.”

Act 2, scene 2. Audrey. Matthew on bench

The resolution is oblique and switched around. Audrey has to give up the estate for conversion into flats. Now they’re leaving the place … but she changes her mind and decides to stay. If that’s the loudest Brexit reference, let’s hope it comes true … the deciding to stay. Paul says if they change their mind on the (house) deal, they’ll have to pay a huge fine. That was odd … you might get sued, you might pay penalties, but why “fines”?

The cast is excellent. Victoria Hamilton in particular is first rate as Audrey. Set and direction is first rate. Producing it virtually in the round means that it has less chance of a profitable move to the West End, and that it will be very different indeed if re-directed for a proscenium space.

I do wonder about the reviews acclaiming it as a beautiful and moving masterpiece. I thought it good, mildly thought provoking, and it was moving in several moments. But five stars? For “Best Play of 2017” I think The Ferryman is leagues ahead of it, and if we bring in lighter fare, there are several better ones this year.  My companion says it’s a male writer and male director creating female characters who were inauthentic. She contrasts The Ferryman where she felt Jez Butterworth got it all right.

The last stage directions read:

The last pieces of the garden rot even more. The ground is returned to soil. The house is destroyed. Darkness. Soil. End of play.

Personally, I’d write that as “fade to black.”

The critical consensus is 4 or 5 star. I think 3 stars, BUT see below on the physical surroundings of my seat. However, I considered that, and stayed with 3 stars. On the other hand, we spent a long time discussing it the next day and bought the script … not at the Almeida on the day either. We went into the National Theatre bookshop to get it the next day.

***

MUSIC CREDITS

The set planting changes were done to powerful voice and acoustic guitar songs. I can’t find any credit anywhere in the programme! Why not? Who was it?

LENGTH

The critics are impatient. Several reviews say it’s a 3 hour play. That includes the interval, so compared to the classics, it’s only average or slightly shorter. The fact that so many mention the length though suggest them being less than totally enthralled. It felt long to me, but I think that was only because our seats were so appallingly uncomfortable.

SEATS

B22 and B23 in the circle. They are unacceptable, I think the worst ever seats in any British theatre, even the grubby old West End ones, and there are some awful ones. I have been to the Almeida several times, but never had seats like this. There is no leg room. At 6ft 2 inches my legs were actually bent back under me. There was a low wooden bar. If I put my feet on this to straighten my leg from the knee down, my knee was painfully trapped under the bar above. People’s heads inches away from my feet gave no room for adjusting.  The section to the right of us had a proper metal foot bar. This was just the edge of a plank of wood. The whole at £39.50 was an excruciating experience, and it is a tribute to the play that I did not leave at half time. I did think about it after 30 minutes. They configure the Almeida in different ways every time, but I’d guess these upstairs seats are pretty fixed, and they are not fit for six footers. My five foot companion even found she felt trapped. If I could only get similar seats again, no writer nor cast would attract me to the Almeida. My view of the play is therefore jaundiced. My view of the Almeida theatre even more so. Try putting the critics in our seats next time! Better, have the artistic director and management watching from those seats. Are any of them over 6 foot?

Other theatres put “RESTRICTED LEGROOM” and “RESTRICTED VIEW” on their seating plans. Bath Theatre Royal repeats it on the ticket. Essential information.

The problem I had in concentrating because of extreme discomfort probably knocked off a star in my perception of the play.

THE BREXIT ANGLE

Christopher Hart’s two-star Sunday Times review is way out of step with everyone else. While I just can’t understand those five star rapturous reviews, I also disagree with his take on it. In the words of today,”he goes off on one.”

Albion is an unimaginative small-minded piece playing safely to an approving audience of the North-London faithful … no one appeared to know the difference between a spade and a shovel … an exquisitely neat symbol for their lofty distance from the everyday world of work. The self-admiring metropolitan elite in all their glory.

I like fierce opinions, even when I disagree with them.  I feel it is Islington itself that angers him as much as, or even rather than, the play. Jeremy Corbyn is the local MP, and after walking through the lovely lanes of Camden Passage, having dinner in Ottolenghi (an essential part of an Almeida visit for us) and enjoying premium theatre at below West End prices (I expect he had a decent seat), I can see that someone could view it as the centre of a “liberal elite” and in the days when Tony Blair was a resident, the phrase “champagne socialism” was levied against the inhabitants. Mr Hart seethes at the confusion of ‘spade’ and ‘shovel’ in the text, indicating his distaste for us “townies.” I would have called the item in the play a spade too, as in the text. I thought a shovel had turned up sides. And you can use a spade for shovelling, though you can’t use a shovel for digging.

Mr Hart then quotes a survey at the National Theatre showing that 92% of the audience were ‘Remainers.’However, I started thinking about that 92% of National Theatregoers, who like us, are Remainers. If you look at the places that voted Remain … London, Kingston-on-Thames, central Manchester, Bath, Bristol, Brighton, Norwich, Oxford, Cambridge, Winchester, Edinburgh; it may be that having and supporting good theatres (a sign of an educated audience) and voting “Remain” have a direct relationship. The exceptions, pleasant towns with great theatres that apparently voted “leave,” are Chichester, Stratford-upon-Avon, Salisbury.  In all three cases, it was a narrow margin, and in all three cases they are smaller towns in rural surroundings, which are not at all reliant on a local audience. I go to all three, and the majority of the audience have travelled. To our eternal shame, our home town, Poole was pro-Leave, and it is the home of the Bournemouth Symphony Orchestra with adjoining theatres, but I have spoken to people in Stratford and in Bath who travel to Poole to see the orchestra.

PROGRAMME

Long  pointless essays on the British and gardening, but none of the stuff about intent or direction or Brexit that I wanted to read. A waste, really. A  poor programme with a nice cover, though as everything in the play is about a “red garden” commemorating bloodshed in World War One,  why is the cover image on programme and playscript “yellow flowers”? If you know the reason, please comment.

WHAT THE PAPERS SAID

5
Domenic Cavendish, Telegraph *****

In her psychological complexity and maternal solicitude lies Bartlett’s consummate even-handedness. We’re in, to quote the garden scene from Richard II, the “fearful’st time”. Albion makes those fears flower into something remarkable. Our country needs it.

Paul Taylor, The Independent *****

Albion is a work of deeply absorbing emotional richness and symphonic density, in the tradition of plays such as The Cherry Orchard that focus on a family in a country house during pivotal times

Felicity Peel, Everything Theatre, *****

4
Michael Billington, The Guardian ****

It all makes for a long evening, but a rich one: a modern equivalent of Shaw’s Heartbreak House.

Henry Hitchings, Evening Standard ****
Susannah Clapp, Observer ****

There is sketchiness and bulging: the attempt is to make this a truly expansive picture of Britain on the brink of Brexit. Some absurdity, too: no woman should be obliged to run around in the rain rubbing earth – and possibly cremated ashes – into her groin.

Andrzej Lukowski, Time Out, ****

It is, mostly, powerfully bittersweet stuff, in its own sighing way the first major Brexit play.

Sam Marlowe, The Stage ****

In fact, while the setting appears genteel, the drama goes for the gut. It’s gloriously rich, achingly sad, and quite beautiful.

Sarah Crompton, What’s On Stage ****
Sarah Hemming, Financial Times, ****

2
Christopher Hart, Sunday Times **

A heavy-handed Brexit allegory that panders to its Islington audience is a waste of a fine cast

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        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • A Fishy Story
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2107
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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