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Richard II – Globe

Richard II
By William Shakespeare
Directed by Simon Godwin

Designed by Paul Willis
Composer Stephen Warbeck

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Sunday 27th September 2015, 13.00

Cast:

King Richard II – Charles Edwards
Queen Isabel – Anneika Rose
Henry Bolingbroke, Duke of Hereford, later Henry IV – David Sturzaker
John of Gaunt, Duke of Lancaster, uncle to the king- William Gaunt
Duke of York, uncle to the king -William Chubb
Duchess of York – Sarah Woodward
Aumerle, son of Duke of York – Graham Butler
Duchess of Gloucester – Sasha Waddell
Mowbray + Welsh captain + Carlisle –  Oliver Boot
Duke of Northumberland – Jonny Glynn
Salisbury + keeper- Henry Everett
Ross – Ekow Quartey
Bushy + Abbot + servant – Greg Haiste
Green + gardener’s man + servant – Arthur Wilson
Exton + gardener+ archbishop – Richard Katz
Bagot + groom – Angus Imrie

Ensemble: Luke Dunford, Kate Malyon, Joshua Mason Wood, Anthony Pinnick

Richard II stage

The Globe has been transformed with additional staging in the shape of a cross, the pillars have been wrapped in gold, the back of the set is gold, the floor is gold. The ‘white hart’ banners of Richard II are flying … he was the first English king to get his followers wearing a badge, which the production follows. The cross shaped forestage really thrusts the action to the edge of the pit, and Richard uses that to stand isolated in scenes. It also leaves a line of groundlings either side, who look as if they’re in a World War One trench. Richard II is playing with Nell Gwynne and (until this week) Measure for Measure, which requires a great deal of stage changing rather than set changing too. That might account for the 1 p.m. start rather than 1.15 or 1.30, for which we’re grateful. It ended at 15.45 which got us through London traffic before the main rush hour.

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Richard II (Charles Edwards)

The play opens with an added coronation of the ten year old Richard with the Archbishop doing lines, presumably from the coronation ceremony. As the coronation ends, the boy king leaves the throne and walks off, and the adult Richard (Charles Edwards) walks on in the same white robes and takes his place. Magnificent. Even better was that gold metallic confetti showers the stage and audience and in an unprecedented piece of theatre, the real sun broke from behind a cloud right at that point and bathed the entire scene in bright September sunlight. Magic? Cloud seeding? Sadly, just happy coincidence. One review complains about the Globe custom of adding elaborate visual beginnings, but play texts would not have listed tableaux, popular in Elizabethan England, and I like these big beginnings. They suit the space and the large crowds at The Globe.

The same review criticized the amount of comedy. Again it suits the space, though there’s precious little intrinsic humour in Richard II, which normally relies on unusual line readings and weightings by King Richard himself The gardeners scene is the normal shoehorned in scene in a tragedy … the Macbeth porter, Hamlet gravediggers. I’ll note that the original title is The Tragedy of King Richard II not ‘the history.’ They do it very well with one gardener being sent up a ladder to trim the apricot tree in the middle gallery, right by us. He leaned in and whispered ‘It’s a metaphor’ to those of us right by it. The other laughs involve audience interaction … the other gardener threatening to cut a girl’s long hair. Richard reaching out a hand for comfort from an audience member. And they really go for comedy in the scene with the Duke of Aumery and his parents, the Duke and Duchess of York, chasing the Duke of York’s boots around the stage. It’s the right way to do it. The play was written for the public theatre. I’ve quoted this in my reviews before, but as my drama tutor used to say (almost as often as I do), if the ‘To be or not to be speech’ was making the groundlings restless, they’d have sent on a dancing bear to cheer things up.

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Richard II (Charles Edwards) and Bolingbroke (David Sturzaker)

Comparison is unavoidable, with David Tennant at the RSC in 2013, about to return to the Barbican as this ends, with the tetralogy (advertised in the programme), and Ben Whishaw on TV in The Hollow Crown. I’m not awarding points, and I liked Charles Edwards’ interpretation … less fey, less mad perhaps, less gay perhaps, but with excellent reactive looks. He looks more rugged than the others, and Bolingbroke is not beefy either, leaving the men physically matched rather than a physically-dominating Bolingbroke. You do miss David Tennant’s hairpieces and long nails though … this Richard’s hair is too conventional perhaps. He does get a scene looking at fabric patterns earlier, but there’s no kissing courtiers. Bolingbroke (David Sturzaker) is always a remote part, because Shakespeare never gives him speeches to explain his motivation and intent. Does he just want to be king? Probably from the outset.

Richard-II-Globe-2015-01

John of Gaunt (William Gaunt): “that” speech

John of Gaunt is played by William Gaunt, and it would be nice to think he was a descendant. It gives the line ‘This old Gaunt’ extra weight, and he is heavily aged for that speech. The most famous speech in the play. We have that speech in the RSC framed version with the words in the shape of Britain hanging in the loo. This royal throne of kings seemed appropriate to the location. William Gaunt weighted it differently, with superb interpretation and pausing.

richardii

The duel scene

The duel scene is outstanding in this production and here the cross stage helps, with Mowbray and Bolingbroke on the arms. Richard sometimes on the forward extension, sometimes back. They do a complete change into armour with lances for the actual duel which Richard stops, and then banishes them. This is the accurate part of Shakespeare’s telling of the story, and the duel was set for months after the quarrel.

The deaths of Bushey and Green are the main evidence that Richard was in a homosexual relationship with his sycophants, as Bolingbroke addresses them:

You have misled a prince, a royal king
A happy gentleman in blood and lineaments
By you unhappied and disfigured clean
You have in manner with your sinful hours
Made a divorce betwixt his queen and him
Broke the possession of a royal bed
And stained the beauty of a fair queen’s cheeks
With tears drawn from her eyes by your foul wrongs

The female roles are not great in the play, that’s intrinsic, though Anneika Rose was a fine Queen Isabel, she lacked regality because she looked s young. The only decent part is the Duchess of York which Sarah Woodward played, and she was very funny in the scene with the Duke of York (William Chubb) and Aumerle (Graham Butler).

38richard2

Richard’s final speeches were, I’m sure, heavily cut. He talks about his favourite horse carrying Bolingbroke on his coronation as Henry IV. The ten year old Richard II carries a toy horse at his coronation, and in a “Rosebud” moment (Citizen Kane) Richard holds the toy horse at the end. Incidentally, in reality it’s said Richard was starved to death, possibly in an oubliette, because no one wanted the sin of regicide by overt deed. Anyway, Aumery does it with a knife and in a welcome change from last year’s blood-drenched stages at the Globe there is only a little blood.

The ending and curtain call is another new way of doing it, with the five trombonists in a V-formation, holding the cast behind them. Rightly I think, the individual bows at the climax are John of Gaunt, then Bolingbroke then Richard.

PROGRAMME

Usual high standard. You must have family trees for history plays, and you get one.

IN DEFENCE OF THE GLOBE …

Dominic Cavendish on the Daily Telegraph heads his review as “A production for tourists” and ends:

But this production is more suited, I suspect, to postcard-scribbling tourists who want a rough feel for the space and the play than those who prefer every jewel in the play’s crown to be polished and perfectly set.

How snotty and up yourself is that? Blog writers know how many people actually look at reviews. The Globe gets far and away the largest number of hits here, followed by plays which the NT and RSC later broadcast live to cinemas. Why? Because they’re accessible. People can envisage actually seeing the play. When I review (say) the Menier Chocolate Factory, you get very few readers, because tickets are long sold out. You have no chance of seeing it. That never seems to be a consideration for national newspapers.

There is of course a tourism aspect at both The Globe and the RSC in Stratford. A few leave at the interval, as did the Indian gentleman at Measure for Measure (my second viewing) earlier in the same week. He also thought it acceptable to stand up in the front row of the gallery to video the performance on his Smartphone (he was told to sit and put it away). But there are also foreign students and foreign English teachers clutching well-thumbed heavily annotated copies of the play, or the Canadians we spoke to once who’d planned their trip to the UK to take in two at Stratford and two at the Globe. So they’re “tourists”? Great. I hope they enjoy it. I was really irritated at the review. Which other theatre has that many young people in the audience? Yes, it does mean you play larger in this space than you do in the (e.g.) Donmar Warehouse. And so would Shakespeare have done.

SEE ALSO

Richard II, Royal Shakespeare Company, Stratford with David Tennant as Richard II

Nell Gwynn, Globe – several of the cast are in  both Nell Gwynn and Richard II

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      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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