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Present Laughter – Old Vic 2019

Present Laughter
by Noel Coward

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Directed by Matthew Warchus
Set & Costume- Rod Howell

Old Vic Theatre, London

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Friday 12th July 2019, 19.30

CAST:

Andrew Scott- Garry Essendine, actor and musical star
Indira Varma – Liz Essendine, his separated wife
Sophie Thompson – Monica Reed, Garry’s secretary
Joshua Hill – Fred, Garry’s valet
Suzie Toase – Helen Lyppiat, his producer (normally Henry, male)
Enzo Cilenti- Joe Lyppiat, his producer’s husband (normally, Joanna, female)
Luke Thallon – Roland Maule, aspiring playwright
Kitty Archer- Daphne Stillington, a ‘pretty 23 year old’
Liza Sadovy- Miss Erikson, Garry’s housekeeper / Lasy Saltburn, Daphne’s aunt
Abdul Salis – Morris Dixon, Garry’s manager

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Andrew Scott as Garry Essendine

This is the third major Present Laughter production in recent years. It’s a gem of a leading role.

Present Laughter focusses on  the character of Garry Essendine, a famous musical comedy actor and personality. It takes place in his apartment in the days leading up to his departure for a tour of Africa (the most sinister continent, he calls it) to cash in on his own slightly fading name and fame. He is forty. Garry has an entourage which he depends upon – secretary, valet, producer, manager, ex-wife.

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Kitty Archer as Daphne, Andrew Scott as Garry Essendine

Garry is sexually incontinent. We open with Daphne, last night’s seduction waking up and looking for him. Later, the scene is repeated with his producer’s partner. Garry is constantly harassed, a prisoner of his own fame. Daphne wants to audition for him. A young playwright is stalking him. All sorts of shenanigans are taking place within his support team. Garry is supposed to be like Noel Coward who wrote and played the part which sends up the public perception of him.

Andrew-Scott-as-Garry-Essendine-and-Indira-Varma-as-Liz-Essendine-in-Present-Laughter.-Photo-Maneil-Harlan_2-e1561544683786

Andrew Scott as Garry, Indira Varma as ex-wife Liz

It follows that it works best when the actor playing the lead carries over some of his own charisma from real life into the role, so easily the best I had seen it done was by Rik Mayall. Since Sherlock and Fleabag (I won’t even count Hamlet – we’re talking supermarket recognizability), Andrew Scott is sufficiently famous to turn heads in any Tesco too, and it helps. After Fleabag, he’s also hot right now.  Then it’s directed by Matthew Warchus – I looked back on my reviews of his productions, all five star too.

Andrew Scott is on a roll. No trace of Irish accent here either. He played Garry large and theatrical, with flamboyant gestures,  which is as it should be. And he borrowed, or channeled his own ‘star’ status to bring it all out so wonderfully. Dazzling is the word.

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Garry with his secretary / PA, Monica (Sophie Thomson)

The discussion is over the fashionable switch of a major character from female to male – Joanna, the wife of his producer, Henry, has become “Joe” and Henry has become “Helen.” In the original, Joanna is described by Garry as a ‘stereotyped diamond-studded siren.’

On the whole, critics liked the switch. Natasha Tripney in The Stage felt that Joanna was normally played as a dangerous woman and an object of comedy, and liked Joe and approved of ‘genuine erotic tension between them.’  Really? Garry makes it abundantly clear that he loathes Joanna in the text, and considers her / him a disruptive influence. When the attempted seduction begins, Garry is not the one to look any kind of erotic gift horse in the mouth, and so goes along, but I don’t think he is supposed to be deeply moved.

rsz_andrew_scott_as_garry_essendine_and_enzo_cilenti_as_joe_lyppiatt_in_present_laughter_photo_manuel_harlan

Andrew Scott as Garry, Enzo Cilenti as “Joe”

Note that when Joe / Joanna slaps Garry’s face and stalks off at the end of the play, Garry pauses for a moment, and goes straight back into discussing the new theatre his producers have bought. Garry was emotionally untouched.

There are plenty of hints in the script that Garry is bisexual, such as the letters read out by Monica, his secretary. There’s the man with an invention that Garry fears might be “disgusting”, and there’s the young actor. Garry had convinced him that he had minded so passionately about his career.  There’s someone called Pickett from Brazil, and the actor playing Garry can react to point them, or glide over them. When Rik Mayall did the role, he pointed them all,  just the word Brazil becomes salacious. Later, there’s a letter from ‘Joe from Madras’ who Garry had met in a bar in Marseilles -who informs him that his sister’s pregnant. Garry should look guilty at mention of Joe AND then of the sister. Garry swore to get an Admiral’s son a job on stage:

MONICA: Apparently you met his son at a dance in Edinburgh when you were up there with ‘Laughter in Heaven’ and swore that if he ever left the Navy you’d give him a job on stage.
GARRY:  I never said any such thing.
MONICA (grimly): He has left the Navy.
GARRY: Well, give him letters of introduction, don’t just sit there.
MONICA: I don’t know anything about him, what does he look like?
GARRY: Absolutely marvellous, if it’s the one I think it is … vast, strapping shoulders and tiny, tiny hips like a wasp …

I have seen that played straight as a frank appraisal of physique by an actor-manager used to discussing casting, but normally that is played with at least enthusiasm or even a wistful smile. Hello, sailor, indeed.

Mayall’s Garry also made it clear that when he meets Roland, the aspiring playwright / groupie / fan, he can’t remember how they met – basically, had they ever slept together or had he just signed an autograph? Roland, the stalking obsessive is usually seen as gay in his adoration of Garry.

Garry’s promiscuous life is so full of such incidents, male or female, that they’re blurring to him.  It works well with the lines and was probably sufficient in itself. Then there were raised eyebrows at the Boy Scouts mention. The innuendo is throughout the text. But here, by making Joanna into Joe, they hit the theme with a sledgehammer rather than Coward’s feather. Enzo Cilenti’s accent didn’t help. A lot of Garry’s best lines were cut too.  As Joe was in standard evening dress, Garry couldn’t compliment him on having dressed up especially with a new dress, hair done today and nail polish as in the text. The whole seduction scene once turned around was heavy and ponderous where it should be light and sexy. Cilenti’s accent did not work with Coward’s lines, altering the rhythm and timing. The whole seduction scene fell dead flat. If Coward had lived to see an era when it was possible to play it that way on stage, he might well have gone with it, but crucially he would have written it completely differently. He would not have adapted the older text.   I thought Joe miscast, and the gender switch both unnecessary, and overdone.

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The morning after: Enzo Cilenti as “Joe”

If I had wanted a gay switch, I would have switched the young ingenue, Daphne, not Joanna. I reckon it would fit the lines better. On second thoughts, that might clash with Roland’s role, so you would just get Roland twice. So, yes, Noel Coward got it right in the first place.

One of the main losses was in the tension in the all-female scene between Monica, Liz and Joanna. It’s a sublime Coward scene, but doesn’t work with Joe replacing Joanna.

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Luke Thallon as Roland Maule

The two youngsters, Daphne (Kitty Archer) and Roland Maule (Luke Thallon) both came over extremely well. Daphne’s OTT audition scene was outstanding, the best I’ve seen it done. Garry was delightfully fazed by seeing someone else over-acting as much as he does. Roland was frantic and hyper and reminded us both of Rick Mayall – in general, rather than just as Garry Essendine.

Daphne and Roland are outside Garry’s team of ex-wife, manager, producer and secretary. The team depends on Garry for a living, and the various sexual machinations in the story threaten the team’s stability. A key speech from the original:

GARRY: Here we are, five people closely woven together by affection, and work and intimate knowledge of each other. It’s too important a set up to risk breaking for any outside emotional reason whatsoever. Joanna is alien to us. She doesn’t really belong to us and never could … But don’t you believe for one moment that Joanna isn’t a potential danger, because she is ! …. She’s a hundred per cent female, exceedingly attractive and ruthlessly implacable in the pursuit of anything she wants.

I can’t recall how they changed that speech, if they did. But it doesn’t work with Joe as played.

Maybe it was that Andrew Scott was so charismatic, but apart from Indira Varma as his ex-wife, Liz, they all seemed diminished compared to other productions we’ve seen. I compare reluctantly, but we have seen Phyllis Logan as Monica, and Lucy Briggs-Owen as Joanna. Both were powerful performances.  It is supposed to be a star-centered  play, but for me it works better with stronger performances surrounding the central role. They were Ok, but I wasn’t impressed by any of them.

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L toR: Roland Maule, Liz, Garry, Morris (seated), Helen, Liz

I’ve never thought of Lady Saltburn as an invalid in a wheel chair with a saline drip, but it was good physical comedy. Liza Sandoval doubled with the Swedish housekeeper, Miss Ericsson, but I didn’t realize until I read the programme afterwards.

The programme cover emphasizes the 1939 original title, Sweet Sorrow. They go for a low-key bittersweet ending with Liz and Garry, and they both carry it off with sympathetic performances. This Garry is also a victim of his own fame.

With  Peter Gynt (David Hare’s re-imagining of Peer Gynt)  running at the National Theatre, 10 minutes walk away, at the same time, which we had booked for the next day, Garry’s horror of Peer Gynt has extra humour. Roland’s awful play is, as Monica says, ‘half in verse.’  At which Garry can shudder. The play has a few more  theatrical asides:

GARRY: I will not play a light French comedy to an auditorium that looks like a Gothic edition of Wembley Stadium.

I feel the same way about much of the West End. He comments that with doors opening and shutting, it’s like a French farce, which at that point, indeed it is.

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L to R: Joe, Daphne, Fred the valet (standing), Garry, Lady Saltburn, Mr Maule, Liz, Monica

The set was stylish and stylized, and a strong statement. Early on, they missed the phone ringing sound effects when people picked up the phone which looked odd, though maybe it was sound issues at extreme side positions further back under the balcony  at the Old Vic, something we’ve noticed before. Later they were perfectly clear though, so I thought a fader had been left down.

The critics are largely united on 5 star, though Michael Billington had doubts on the gender switch, and Quentin Letts thought it ‘patchy’ as did we. Andrew Scott’s central performance is obviously 5 star at least, as is the set, and Liz, Daphne and Roland are all  in that category,  Scott is so good, that I’ll give it four overall, though the seduction scene was misguided veering on dull, and the support roles have usually been done more forcefully.

****

THE PROGRAMME

Dull cover! There’s a Noel Coward timeline, which is generic and recyclable and an essay by Russell Brand on “fame” from his own experience (he may mean notoriety) which he calls a ‘trauma, a toxic elixir’ which fits Garry’s dilemma well.

WHAT THE CRITICS SAID:

5 star
Domenic Cavendish, Telegraph *****

We knew – didn’t we – that Andrew Scott was very good indeed… But something remarkable has now happened at the Old Vic that will surely make even his expanding congregation of worshippers sit bolt upright in extra excitement – a revelatory performance that turns a good year into an annus mirabilis.’

Henry Hitchins, Standard *****

‘But this is Andrew Scott’s show, and he gives a virtuoso performance. It’s a fascinatingly detailed interpretation of a character who’s flirtatious, stroppy and acerbic yet also drowning in melancholy. Scott achieves something genuinely audacious in making him both odious and adorable.’

Ann Treneman, The Times, *****

The word “heyday” could have been invented by Noël Coward and that is the word that sprang to mind as I watched Andrew Scott here. He does not so much play the part of the vainglorious actor Garry Essendine as grasp it around the waist and do a hot-to-trot tango with it. His panache fills the entire theatre. The part feels made for him and he knows it.’

Daisy Bowie-Sell, What’s On Stage *****
Matt Wolf, The I, *****
Julian Eaves, British Theatre com *****
Alice Saville, Time Out *****

‘Scott plays Gary Essedine, a spoilt, petulant actor who gluts himself on the sex and intimacy his fans offer, then sits soggily in the mess he’s created. And he’s frighteningly good at it.’

Will Longman, London Theatre *****

4 star
Michael Billington, The Guardian ****
Quentin Letts, Sunday Times ****
Paul Taylor, The Independent, ****
Natasha Tripney, The Stage ****

LINKS ON THIS BLOG:

PLAYS BY NÖEL COWARD

  • Blithe Spirit by Noël Coward, Bath Theatre Royal 2010 (Alison Steadman)
  • Blithe Spirit, by Noël Coward, Bath Theatre Royal 2019 (Jennifer Saunders)
  • Blithe Spirit FILM 2021 (Judi Dench)
  • Fallen Angels, by Noël Coward, Salisbury Playhouse
  • Hay Fever by Noël Coward, Bath Theatre Royal
  • Relative Values by Noël Coward, Bath Theatre Royal
  • This Happy Breed by Noël Coward, Bath Theatre Royal
  • Present Laughter, by  Noël Coward, Bath Theatre Royal, 2003 Rik Mayall (retrospective)
  • Present Laughter by Noël Coward, Bath Theatre Royal 2106, Samuel West
  • Present Laughter by Noël Coward, Chichester 2018, Rufus Hound
  • Present Laughter by Noël Coward, Old Vic 2019, Andrew Scott
  • Private Lives by Noël Coward, Nigel Havers Theatre Company, 2021, Chichester

MATTHEW WARCHUS, DIRECTOR
The Caretaker, Old Vic, 2016
Future Conditional, Old Vic, 2015
La Bête, Comedy Theatre 2010

ANDREW SCOTT
Hamlet, Almeida & broadcast 2017

INDIRA VARMA
Man & Superman, National Theatre 2014
Titus Andronicus, Globe 2014
The Hot House, Trafalgar Studio, 2013
Hysteria, Bath 2012
Exodus: Gods & Kings (FILM)

SOPHIE THOMPSON
Importance of Being Earnest, Classic Spring 2018

SUZIE TOASE
One Man, Two Guv’nors, 2012

ENZO CILENTI
High Rise (FILM)

LUKE THALLON
Albion, Almeida, 2017

KITTY ARCHER
Othello, ETT 2018

LIZA SADOVY
Absolute Hell, National, 2018
Pygmalion, Headlong 2016

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        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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