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Rosencrantz and Guildenstern Are Dead

Rosencrantz and Guildenstern Are Dead
by Tom Stoppard 

Scan-170313-0001

Directed by David Leveaux
Set Design by Anna Fleischle
Corin Buckridge composer

Daniel-Radcliffe-Rosencrantz-and-Joshua-McGuire-Joshua-McGuire-Guildenstern-in-Rosencrantz-Guildenstern-Are-Dead-700x455

Rehearsal photo: Daniel Radcliffe & Joshua McGuire

Starring Daniel Radcliffe, Joshua McGuire and David Haig

The Old Vic Theatre, London
Saturday 11th March 2017, 19.30

Old Vic R&G

The Old Vic Theatre 2017 (The National Theatre of 50 years ago)

CAST

Daniel Radcliffe – Rosencrantz
Joshua McGuire – Guildenstern
David Haig – The Player
with
Hermeilo Miguel Antonio – Courtier
Louisa Beadel – Player
William Chubb – Polonius
Josie Dunn – player
Matthew Durkan – Alfred
Tim Van Eyken – player
Wil Johnson – Claudius
Luke Mullins – Hamlet
Theo Ogundipe – Horatio
Marianne Oldham – Gertrude
Evlyne Oyedokun – Player
Alex Sawyer – Player
Helena Wilson – Ophelia

Rosencrantz scriot

My original Faber & Faber copy of the play text

It’s a play I’ve been wanting to see for much of the fifty years since its premiere at the same theatre. Then … as the publicity flyer does have “Starring …” … let’s add three of our favourite actors … Daniel Radcliffe (The Cripple of Inishman), Joshua McGuire (Amadeus) and David Haig, who in retrospect, was probably the most interesting and original King Lear I’ve seen. I bought my copy of the play text, I see, in 1969. I read it at the time with great admiration, but never saw it performed.

daniel_radcliffe_joshua_mcguirein_rosencrantz__guildenstern_are_dead__-_publicity_-_h_2017

Daniel Radcliffe & Joshua McGuire

Rosencrantz and Guildenstern are the two student colleagues of Hamlet from Wittenberg Uni who are drawn into help Claudius, first to distract, then to entrap the Prince in Hamlet. They’re not close. While Horatio, Marcellus, Barnardo, Francisco and Laertes are known by first names, these two just have surnames, and Germanic ones at that, not classical or Italianate ones. Foreigners, then. Classmates, but not pals. They were notoriously faceless parts, and when Tom Stoppard was writing this in the mid 60s he can’t have realised the possibilities afforded by a male / female couple (the female one had clearly had a relationship with Hamlet), or spliff smoking ex-university friends (who see Hamlet as the class nerd), or a gay couple, or any of the other recent ways directors have found of enlivening them.

the-players-in-rosencrantz-and-guildenstern-are-dead-2017-700wx457h-1488894319

The Players

In part one of this play, they’re mystified observers of the events in the play of Hamlet, meeting the Player (I.e. The chief player and his band) who are to perform the play within a play, The Murder of Gonzago, where Hamlet reveals to Claudius that he knows how he killed Hamlet’s father.

They’re sent to England with Hamlet (Part Two here) bearing a request to the King of England, a vassal of Denmark, to cut off Hamlet’s head. Hamlet switches the letter. The players turn up on the boat – they have stowed away to escape Claudius’s wrath. After all, in some productions, they’re led away in chains after the play. The boat is attacked by pirates, Hamlet escapes and the hapless duo arrive in England bearing the orders for their own execution.

We flash in and out of bits of the play of Hamlet. We’re never sure whether we’re seeing Rosencrantz and Guildenstern as the characters in the play, or as extras, I.e. Actors, not sure of what their role is to be. They’re hanging around a lot, which is what extras do on film sets, but so do summoned courtiers with a minor role. They stand on the sidelines, watching the cheerful players cavorting, copulating, playing at killing and dying. They can’t participate, being too into philosophical discussion (my companion describes it as “up their own arses”), then one day … they’re dead.

Daniel Radcliffe is Rosencrantz, the straighter one. Joshua McGuire is Guildenstern, the more volatile one. However they keep getting confused as to who is which, as do the other characters. The parts always were interchangeable. Radcliffe and McGuire are matched in height, both being very short, which helps create their bemused duo contrasted against the rest.

4836

Daniel Haig (centre) as The Player

David Haig is the Player. The best bits of the play for me all revolve around the players. Alfred is the boy playing a girl, of which much is made. The rest add guitar, sax, violin, clarinets. The mimed Murder of Gonzago is fun. In the second part, on the boat to England, the players all emerge from barrels on the stage … one after the other, while two manage to play clarinets. Best theatrical moment, I thought.

2362

David Haig is The Player

Haig brought the house down with his exquisitely timed deadpan explanation of them stowing away after the Murder of Gonzago:

PLAYER: Our play offended the King. Well, he’s a second husband himself. Tactless, really.

Hamlet, Claudius, Gertrude and Polonius all have to be played po-faced straight to make it work, and they are.

In the last act, Rosencrantz says, “I can’t think of anything original. I’m only good at support.” Thereby hangs a major issue in the play. In the programme, Stoppard is reported as having joked that he wanted Morecambe and Wise in the roles. Pete and Dud (Peter Cook & Dudley Moore) would be a slightly later, but better model for the duo. The trouble is, they’re scripted as tightly as Vladimir and Estragon in Waiting for Godot which is clearly the other model the play is pastiching? Emulating? Lampooning? Imitating? So like Vladimir and Estragon, absolutely exactly like Vladimir and Estragon in fact, they’re also scripted so tightly as to come across as somewhat stilted. Did the Stoppard of 1966 not realise that all these great comic duos improvise around a series of set lines? They corpse each other, surprise each other, change direction if they get a better idea. That’s why Rosencrantz and Guildenstern never came across to me as a great comic duo, in spite of the acting talent being expended. But maybe that’s how he intends them to come across. It is stated clearly. They can’t be original. They’re support.

This is why in comedy terms, Pozzo, sorry, The Player, steals every scene he appears in. Again, maybe that’s the theatrical intent. It’s a wildly meatier part in the writing, and David Haig brings enough of himself into it to tower over every second he’s on stage.

I was bored quite a bit of the time he was off stage with his motley band. I did lights on Waiting for Godot enough times for the feeling to be familiar. You can’t have so many patches of boredom and award it more than three stars.

ROSENCRANTZ: I feel like a spectator – an appalling prospect. The only thing that makes it bearable is the irrational belief that somebody interesting will come on in a minute …

That’s just how I felt too. Yes, like both Arcadia and Travesties, I admit that I found it pretentious. If you don’t have a passing knowledge of Hamlet, I can’t see it would make any sense at all. That is elitism. OK, nowadays all kids are exposed to some Shakespeare, but one of them might not be Hamlet. In 1966 when this was written, exposure to Shakespeare was grammar school, GCE top stream at a secondary school or private school. But I guess the oiks then, as in so many fields, we’re not considered relevant. I am fully aware that pointing out the elitism of theatre is akin to mentioning the Catholocism of popes.  The play is not as fascinating as the even more elitist Travesties either, but far better than Arcadia

The Daniel Radcliffe factor achieved a younger audience and rapturous applause, though snogging in front of you is almost as distracting as the snoring one suffers with an older audience. I guess it’s healthier, and it was just the one couple. Yes, Radcliffe is a fine and subtle actor, and very willing to submit to being the straight man to Joshua McGuire’s livelier and funnier role. However, the Old Vic is a big theatre, and we were in the Lower Circle, but just three rows back. McGuire was crystal clear, Haig boomed round the room, we could hear the characters in Hamlet, but Radcliffe might, er,  speak up a tad. Yes, the play made its name and Stoppard’s too, at the same large location fifty years ago, but all those duo scenes would work so much better in a more intimate space, like the Donmar or the Minerva or the Menier, or even the Wanamaker (it has Shakespeare connections after all).

Stoppard cartoon

H.D. Herneman cartoon, Private Eye #1438, 24 February – 9th March 2017 (Also reproduced in the Travesties review)

It figures that a play on the nature of theatrical reality, with its beautifully over the top Theatricals (The players) contrasted with the bemused supporting roles of Rosencrantz and Guildenstern will be well reviewed. It also has subjects like death … sorry Death … or DEATH … to give it meat. I found it well-directed, and organised. Excellent set and staging. I felt it creaked a little with age, and I reveal more about myself by awarding The Play That Goes Wrong five stars last week, and this a mere three. I fear Quentin Letts pins it in the Daily Mail:

It is highbrow dialogue, packed with philosophy and riffs on probability that reek of undergraduate look-at-me intellectualism.

Letts gives it an against-the-current three stars. I agree, but David Haig deserves a personal full five.

***

WHAT THE PAPERS SAID
4
Michael Billington, Guardian ****
Domenic Cavendish, Telegraph ****
Susannah Clap, Observer ****
Ian Shuttleworth, Financial Times, ****
Anne Treneman, The Times ****
Mark Shenton, The Stage ****
Sarah Crompton, What’s On Stage ****
Henry Hitchings, Evening Standard ****
3
Quentin Letts, Daily Mail ***
Andrzej Lukowski, Time Out ***

LINKS ON THIS BLOG

TOM STOPPARD
Arcadia by Tom Stoppard, 2015 Brighton Theatre Royal / ETT at Bath
Travesties, by Tom Stoppard, Menier Chocolate Factory, 2016

DANIEL RADCLIFFE
The Cripple of Inishmaan, Grandage Season, 2013

JOSHUA MCGUIRE
Amadeus, Chichester 2014
The Ruling Class, Trafalgar Studio, 2015
Future Conditional, Old Vic, 2015
The Magistrate, NT Live, 2013
Mr Turner (FILM)

DAVID HAIG
King Lear, Bath Theatre Royal, 2013

WILLIAM CHUBB
Richard II, Globe 2015

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      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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