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A Midsummer Night’s Dream – Young Vic

A Midsummer Night’s Dream
by William Shakespeare 

amnd-pre-visit-440x400

Directed by Joel Hill-Gibbons
Design & Light by Johannes Schutz
Dramaturgy by Zoe Svendsen

Young Vic Theatre, London 2017

Young Vic

CAST:

Oliver Alvin-Wilson
- Demetrius
Geoff Aymer – Tom Snout
Leo Bill
- Bottom
Sam Cox – Robin Starveling
John Dagleish
- Lysander
Michael Gould – Theseus / Oberon
Aaron Heffernan
- Flute
Anastasia Hille
- Hippolyta / Titania
Lloyd Hutchinson
- Puck / Egeus
Anna Madeley
- Helena
Douggie McMeekin – Snug
Melanie Pappenheim – Philostrate / Singing fairy
Jemima Rooper – Hermia
Matthew Steer – Peter Quince

After 2016, the year of the Dream, this one comes in 2017, and we’re seeing it so far near the end of its run that few may read this. It’ll be over, you’ve missed it, BUT … a new production of the Dream should be reviewed. There are fourteen other versions on this blog, after all. It’s my favourite play of all time.

I read the reviews. The main complaint about this version seems to be that it’s a comedy with precious few funny bits.

Joel Hill Gibbons says:

“It’s really quite a deep and dark play about how difficult it is to sustain relationships, and the way people manipulate and hurt each other, even torture each other, intentionally or otherwise.  Did Shakespeare believe in fairies? I’m not sure he did. I don’t know, but I’m not sure he was writing a play about our fairy friends. You’re in the forest at night and you hear a strange noise. Is that a fox having sex or a baby screaming as it is dragged away? Fairies are a product of our imaginations, something we project into the dark.”

Not necessarily a load of laughs, then. My other fear, on the reviews I read in advance was that the mud gets mentioned a lot.  The worst play I’ve seen since I started this blog (possibly ever), Forests by Calixto Bieto, took place with lots of mud. Here the set is mud, with mirrors behind.

AMND1

All done with mirrors: Jemima Rooper as Hermia

The mirrors meant we waved at ourselves waiting for the play to start. Sorry. Most people didn’t, but we did. Their function was to turn the semi-circular stage into an apparent complete circus ring, with low side barriers with a light round the inside illuminating the mud within, and it really is some kind of mud: the actors get progressively muddier. After the forest of Arden, when we go back to the court of Athens, two of the cast pick up paint rollers and paint the mirrors black to about outstretched fingertip height. The tiny Hermia, hilariously, can’t reach above it  it, though everyone else can.

I was afraid that for the first time it would not be enjoyable. Wrong. I don’t see where the “lack of humour” complaints come from. It was very funny. It was also original in many ways. The whole cast stayed on throughout the two hours. No entrances and exits, just freezing in position.

Lloyd Hutchinson was a pudgy red wigged Puck in a black string vest with a Northern Irish accent, as curmudgeonly as Van Morrison on a bad day … we both said “Puck was Van Morrison” as we came out. After two stellar Pucks at the RSC and Globe in 2016, both female, it was a good move to break away totally. He was a reluctant fairy, if ever you saw one one, hauling the lovers around, speaking with zero enthusiasm about encircling the globe. I’ve never seen a Puck remotely like this, but he continues the 2016 move of reinstating Puck to importance (something that was being lost a few years ago). Full marks for originality.

Midsummer-Nights-Dream-Young-Vic-153-700x455

Bottom (Leo Bill). Rude mechanicals in background. L to R Flute (Aaron Heffernan), Snout (Tom Aymer) and Snug (Dougie McMeekin)

Then Leo Bill as Bottom was thin, tall, with long ginger hair, almost Neil from The Young Ones, except he could break into excellent song (singing Maria McKee’s Show Me Heaven). He was also a hyperactive Bottom. Peasblossom, Mustardseed et al were imaginary, mimed with Titania’s hand … Oberon’s magic potions were also invisible. It works just as well.

Theseus (Michael Gould) and Hippolyta (Anastasia Hille) transform to Oberon and Titania in full view. He simply removes a black dressing gown to became bare chested, she removes her trousers to reveal a skirt. She has heeled shoes as Hippolyta, bare feet for Titania. Theseus delivers several lines with his back to the audience, but we see his face reflected in the mirror … all perfectly audible, no doubt the mirror helps sound. Anastasia Hille is a very sexy Titania with Bottom too ; they roll across the full width of the stage in embrace.

Midsummer-Nights-Dream-Young-Vic-37

Lysander (John Dagleish) and Hermia (Jemima Rooper)
mnd-11

Demetrius (Oliver Alvin-Wilson)

a-midsummer-nights-dream-at-the-young-vic-01-c-keith-pattison-58b973f4eaa87-58b975c3339bc

Helena (Anna Madeley)

All four lovers are good, as they always are … it’s all in the lines. The size casting was fine … Jemina Rooper as fierce as you expect, and Anna Madeley a first rate Helena. The lads, Oliver Alvin Wilson as Demetrius and John Dagleish as Lysander were highly physical with each other (and rough with the girls – but the mud cushions a lot). The mud came into its own, after being critical of stage falls in What The Butler Saw a few days ago, these were all total flat out falls, and lots of them. The mud really helped, but of course all four ended up totally covered.

A-Midsummer-Night_s-Dream-at-the-Young-Vic-08-©-Keith-Pattison

Peter Quince (Matthew Steer) with whole company and mirrors

Midsummer-Nights-Dream-Young-Vic-274

Flute (Aaron Heffernan) and Bottom (Leo Bill)

The Pyramus & Thisbe play was conducted with the cast behind a single white sheet which was simply held up, with characters popping up and around it. We’ve seen Sam Cox in so many serious roles at the Wanamaker … he was such a straight faced Lantern, clearly fuming at the comments of the court and ready to start a fight over them, that he was just about the funniest thing in the play. A great cowardly lion, a lovely Wall, and a a fabulous Thisbe from Aaron Heffernan, with just a white band round the nipples and black streaks of make up on his bare chest, “I (heart) P” on his belly, and black lipstick and eye shadow, chewing gum, posing, and far more muscular than poor Bottom.  One review described him as “escaped from an Irish boy band.” The innovation was that Hermia was lying in the mud at the front of the stage – they were all lying around, except Theseus –  and ended up clutching Thisbe’s scarf, so that Bottom does the speech to her prone body, then sees Hippolyta, and has a flashback to their earlier writhing in the mud when she was Titania, so directs the end to her with an embrace. Then in the final dance, the rude mechanicals and courtly pairs dissolve into one entity. Puck’s final lines are curt and dismissive.

It’s heavily cut, right down to two hours. The result is we wanted to see more development of some characters, particularly Flute / Thisbe who was so funny with the little he was left with. The Mechanicals suffered especially early on. It was taken fast, full of activity, so there was no boredom factor in two hours, BUT the teacher training rule was always 100 minutes is maximum attention time.   For contrast, the 100 minute What The Butler Saw on Wednesday this week had a break at 60 minutes. I know directors fear attention is lost and like to avoid an interval, and “no interval’ is especially a Young Vic thing. You cannot compare cinema with 2.5 to 3 hour films, because first the seats are way better, and second people do go in and out to the loo. As I waited for my companion outside the ladies at the end, I noticed how many had raced there urgently and were anxious in the line! A female should rule on length, I think.

A circus ring full of mud. No props at all. No music, except a choral introduction from the whole cast (an effective Gaudea) then Bottom’s unaccompanied songs, and the Singing fairy. Little dance. No fairy attendants. Modern dress. The only bit of costume was what looked like some tights stuffed to form the Ass’s ears, plus a plastic dangling donkey penis. So this was the Dream stripped to its bare bones, but it proved that the elements still work. It is an unmagical, unmusical Dream, and it did focus on the darker side, but this play can take almost anything directors throw at it. We thoroughly enjoyed it, and various bits of new light were cast.

Our joint verdict? As we had hoped, of the newspaper critics, Michael Billington was as so often closest to our rating.  Four stars.

****

WHAT THE PAPERS SAID
4
Michael Billington, The Guardian ****
Paul Taylor, The Independent ****
3
Ben Lawrence, The Telegraph ***
Susannah Clapp, The Observer ***
Fergus Morgan, The Stage ***
Andrzej Lukowski, Time Out ***
Sarah Hemming, Financial Times ***
2
Ann Treneman, The Times **
Connor Campbell, The Upcoming **
Alexandra Coghlan, The Arts Desk, **

LINKS ON THIS BLOG

A MIDSUMMER NIGHT’S DREAM
A Midsummer Night’s Dream – RSC 2011
A Midsummer Night’s Dream – Headlong 2011
A Midsummer Night’s Dream – Filter 2011
A Midsummer Night’s Dream – Selladoor 2013
A Midsummer Nights Dream – Handspring 2013, Bristol
A Midsummer Night’s Dream – Grandage 2013
A Midsummer Night’s Dream – Globe 2013
A Midsummer Night’s Dream – Propellor 2013
A Midsummer Night’s Dream RSC 2016, ‘A Play for the Nation’ at Stratford (February)
A Midsummer Night’s Dream RSC 2016 Revisited Stratford, (July)
A Midsummer Night’s Dream – Globe 2016
A Midsummer Night’s Dream – BBC TV SCREEN version 2016
A Midsummer Night’s Dream, Bristol Old Vic Theatre School, 2016
A Midsummer Night’s Dream, Bath, 2016
A Midsummer Night’s Dream, Watermill, Newbury 2018
A Midsummer Night’s Dream, Bridge Theatre 2019
A Midsummer Night’s Dream, Globe 2019
A Midsummer Night’s Dream, Watermill on Tour, Poole 2019
A Midsummer Night’s Dream, Sh!t-Faced Shakespeare, Wimborne 2019

JOEL HILL-GIBBONS
Measure for Measure, Young Vic, 2015

MICHAEL GOULD
A View From The Bridge, Young Vic, 2015, (Alfieri)

ANNA MADELEY
The Crucible, Old Vic, 2014 (Elizabeth Proctor)

LEO BILL
Hamlet (The Barbican) – Horatio

MATTHEW STEER
Hamlet (The Barbican) – Rosencrantz

ANASTASIA HILLE
Hamlet (The Barbican) – Gertrude

SAM COX
Macbeth, Globe 2016  – Duncan
The Winter’s Tale, Wanamaker 2016
Pericles, Wanamaker, 2015

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    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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