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Macbeth RSC 2018

Macbeth
by William Shakespeare

Untitled

Directed by Polly Findlay
Designer – Fly Davis
Music – Rupert Cross

Royal Shakespeare Company
Royal Shakespeare Theatre, Stratford-upon-Avon

Friday 16th March 2018, 19.15

CAST:
David Acton – Duncan
Afolabi Ali – Lord / Young Sieward / Murderer
Donna Banya – Donalblain / Lady
Stevie Basaula – Boody captain / murderer
Edward Bennett – Macduff
Katy Brittain – doctor / lady
Raif Clarke- Aide
Niamh Cusack – Lady Macbeth
Paul Dodds – Siward / Chamberlain
Christopher Eccleston – Macbeth
Josh Finan – Aide
Bally Gill – Ross
Mariam Haque – Lady Macduff
Michael Hodgson – porter
John Macaulay- Chamberlain / Lord / Murderer
Luke Newberry- Malcolm
Tom Padley- Security Guard / Murderer
Tim Samuels – Lennox
Raphael Sowole – Banquo

MUSIC LIVE:

Soprano- Alexandra Ferrari, Sara Jones
Tenor – Dale Harris, Matthew Sandy

with a recorded string quartet soundtrack

Donablain (Donna Banya) and Duncan (David Acton)

The major rebuilding of the RSC theatres finished in 2011, and the first major production was Macbeth (LINKED) It has taken seven years to come back round to the play, and it’s also this year’s RSC / National Theatre contest with both our major theatres running versions of Macbeth at the same time. The opera’s on too. Given the wide very negative response to the National Theatre production (which I haven’t seen yet) the RSC should be onto the winner. The cast list is immediately “different” to normal, with Donalblain becoming female and new roles such as Security Guard, plus Murderer x 4. There are eight witches listed, all children, so taking turns. Funny, last time we saw child witches was also at the RSC and in 2011.

Is modern dress even worth mentioning in Macbeth? It’s years since I saw a claymores, kilts and chainmail version of the play. This version is not a dystopia, more smart business suits, dinner jackets, office furniture and battledress.

The programme cites horror film as an inspiration, hence the three little girls in pink onesies / jim-jams with their dollies as the witches. They mention Carrie. I don’t watch any horror films post James Whale in black and white, or 60s Hammer horror. I have no idea of the references with children. I was reminded of the TV sitcom Mum earlier in the week, where a character boasts of going to the theatre, he explains that the audience were all old, but looked clever. Sadly it has truth in it, so not the audience to reference with modern horror films, I suspect.

The Witches, briefly in the gallery. They don’t look remotely scary down on the main stage.

Child witches worked in 2011 when the children were a major ghostly part of the theme, echoing the hints that the Macbeths have had children, but lost them, then becoming the murdered MacDuff children so a projection back from the future. All eerie. Here? They look about  as scary as my granddaughters.

I thought they were getting maximum effort from the kids who had to do much of the scene shifting too.  Why get little girls moving furniture? What was the point? Was there one? As ever when using kids, you need mics. They didn’t appear to be switched on for the opening lines spoken in unison, which they had to deliver under a loud screech of electronic music. The initial lines were totally lost, and we were in the second row from the front.

Later horror film bits are the ghosts of the slaughtered with zombie dust on them. I know people rewatch horror films, but isn’t the thrill supposed to be surprise and tension? Wouldn’t it be great to see Macbeth with fresh eyes (while still understanding all the language)? I’ve seen it so often on stage and on film since it was introduced as our first Shakespeare at age 14 at grammar school. My grandkids started simplified Shakespeare years earlier. For most of the audience there won’t be much surprise and the twist at the end will not come as a shock.

The thrust stage was the place for most of the solo work, with the ensemble of courtiers often wining and carousing behind a Perspex window in a gallery above. Result? Woe betide delivering any important lines from up there; the sound was amplified but muffled. There was a lot of music and SFX behind lines elsewhere. Overall, it is poor sound design. The messy music did not impress me, and while I guess the listed opera singers introduced the Coronation of Macbeth with the ensemble, it’s hard to see why they were there.

L to R: porter (seated), Macbeth (Christopher Ecclestone), Lady Macbeth (Niamh Cusack)

The good news is the principle actors. The play is after all called Macbeth, and the production put full focus on Christopher Ecclestone as Macbeth and Niamh Cusack as Lady Macbeth. Ecclestone is an ideal Macbeth, rough-hewn face, and he looks strong enough to cleave enemies from bottom to top. He also delivers the lines with absolute clarity and meaning, and the North-East accent helps. I can’t stand Macbeths who look wispy or mild-mannered. He is terrific throughout, and has so many looks of low cunning and plotting.

methode-times-prod-web-bin-d0661924-2c9d-11e8-908b-95a753c47952

He gave a wonderful performance, and we walked out worrying about his fall from the thrust diagonal walkway. Before the battle, a spotlight hits him frozen in various poses between blackouts. He has to move into positions in the dark, and he went right over the edge of the walkway next to me (I was at the end of row B) and fell onto the three steps, brushing into me. I was turning expecting to help, but he was straight back up and into the major fight scene with MacDuff. I’m sure he’ll feel it after the adrenaline  wears off. I’d been thinking “very clever lighting” initially, but I’ll withdraw that. “Daftly risky lighting plot given the theatre layout with diagonal walkways.”

Irritatingly, the production photos online haven’t any really good ones of Christopher Ecclestone as we recall him. Had he shaved or greatly reduced his beard between photos and production?

The coronation of Macbeth. Macbeth (Christopher Ecclestone), Lady Macbeth (Niamh Cusack)

Match Macbeth with his missus. Niamh Cusack was my choice for “Best actress of 2017” for My Brilliant Friend. She’s superb. Total line clarity, a tiny touch of Irish inflection to colour it.  Lots of physical ideas and movement to pressurize Macbeth into murder and clearing up. She looked great (she had the best costumes), and interacted with the audience in her mad scenes.

So two excellent star performances. Both Banquo (Raphael Sowole) and MacDuff (Edward Bennett) excelled in the next two major roles. In many ways we thought Edward Bennett under-employed for his talent outside a lead role, but then again I’ve never seen such a subtle, nuanced MacDuff reception of the news of his family’s murder either. Interestingly the RSC café has a towering photo of him as Benedick with the Globe’s new artistic director, Michelle Terry, as Beatrice. That’s his status for us.

MacDuff (Edward Bennett)

We wondered why they’d added a false stomach to Edward Bennett, but found out why in the final fight scene.What we never worked out was why he was dressed in a cardie and heavy spectacles while in England, to go with the paunch, making him look middle-aged and anything but a fierce man of action. When the MacDuffs leave Glamis, he is burdened with a baby in a front sling, and the bright blue outdoor babygro accentuated the weirdly sticking out arms on the doll. You can get very good model babies, used in schools to simulate child care issues for teenaged pupils. We’ve used them on film. This one looked ridiculous. In the photos online, he’s simply holding the baby, which looks better than the sling on this night. Was it meant to look funny? I wonder because the porter was later used for bits of comedy in serious scenes.  So, yes, I assume comic effect or at least incongruity was intended. Even odder was that the baby model would be 6-9 months old, but Lady MacDuff is about 8 months pregnant, or Up the Duff in vulgar terms (plum duff … pudding … in the pudding club). We both noticed the incongruity at once.

A word for Tim Samuels as a scarily-corporate Lennox. He looked uncannily like a friend of mine. King Duncan (David Acton) was very good, not that he lasts long, and has to work from a wheelchair.

The porter (Michael Hodgson) starts chalking. He will cover the entire wall.

Then there’s the porter. Michael Hodgson never leaves the stage. He’s on at the beginning too, when the auditorium doors open, nearly  20 minutes before the play starts. So is King Duncan, stretched out on a bed, plus the three little girl witches at corners of the stage and the (female) Donalblain. The porter is enigmatic, laconic, sarcastic, slow. He gets several odd lines throughout, walks about, shifts chairs, interacts with people, spends a long time putting chalk marks on the wall, whether marking time or deaths, I don’t know. He comically points out Banquo to the murderers and mimes killing him to prompt them. It’s an odd addition, perhaps Seaton, gatekeeper to the underworld rather than simply the porter. He’s very good at looking and sounding like James Bolam, whatever.

The omnipresent porter (Michael Hodgson)

There any accolades stop. That’s how the production is focused and most of the rest of the cast suffer between not noticeable, and in two or three cases, positively weak. I thought the concept failed, and the set with its flashing slogans didn’t turn me on either. The armies?  The Scots had black battledress. The English, yawn, had the inevitable Desert Storm camouflage gear. How often have we seen that in Shakespeare or Jacobean plays in the last decade? Macbeth’s armour was weirdly sci-fi, and that was OK.

There was however one impressive thing. The programme obsesses about “time.” The production is 2 hours 5 minutes plus a 20 minute interval. So 2 hours 25 overall. At 1 hour 50 minutes from the end, so 35 minutes in from the start, a clock appeared with hours minutes and seconds counting down. It reminded me of plays and pantomimes at Bournemouth Pavilion where you could always see the clocks either side of the stage. In the production photos online, the clock appears in earlier shots with one at 2m 23s. We didn’t see it on this show till it hit 1 hr 50 m 00s. I don’t think we had failed to notice it earlier.

Anyway, the countdown included the interval, and as I had guessed, 0.00.00 would arrive at Macbeth’s moment of death, and indeed it did. OK, I can see how they got it exact. They can extend or shorten the final fight with an eye on the clock, but that still gets them accurate otherwise to no more than a minute. We’ve seen many RSC productions 5 to 15 minutes longer than the time printed on the free cast lists and in the programmes, so this was extremely tight direction and performance. Pace was very good, no lagging at all. I guess that clock will constrain the play from expanding itself on business.

Lady Macbeth (Niamh Cusack) early on

Overall?  It reminds me of the Benedict Cumberbatch Hamlet, which the consensus had as a five star lead role in a 2 star production. That’s about right. I thought the four main actors all hit top ratings, and pace was excellent,  but overall? The concept failed for us. I was critical of aspects of costume, sound, lights, music and set. To be really picky, if you’re in the first few unraked rows, the added rim around the stage for this play (which I think allows for more than usual mist and fog) means you’re too low to see action on the floor, and the red carpet shown in the programme was never seen by us. Though we knew they were rolling something out. When you decide to raise the front of the stage 4- 6 inches, you should sit and look from the front. It must have been the same in the front rows at the sides.

But you really do have to see Ecclestone and Cusack as Mr & Mrs Macbeth. Both fabulous.

***

Macbeth will be broadcast live to cinemas on 11 April 2018.

MUSIC

Recorded backing is a bad way to go. It’s only a four piece after all. I hope it’s not a precedent.

We saw this before Press Night, though at a full price £60 a ticket, it can’t be described as a preview.  I’m posting this on press night itself.

I won’t amend the review after press night, and will stick with my 3 stars, but will note the ratings as they come in. Of course they could iron out some of the points I quibbled about. The drowned out witches voices at the start is a matter of two volume sliders. Down on music, up on voices.

WHAT THE CRITICS SAID
Several reviews note that the clock countdown begins with registering Duncan’s murder.

4
Fiona Mountford, Evening Standard ****
3
Michael Billington., The Guardian ***
Christopher Hart, Sunday Times ***
2
Domenic Cavendish, Telegraph, **
Ann Treneman, The Times **
Sarah Crompton, What’s On Stage, **

COMMENTS
Ian Hughes, Stratford Observer:

Michael Hodgson’s Porter equivocates well, but ‘stabbing’ motions behind backs and ‘he’s over there’ pointing are simply trite.

Domenic Cavendish, in the Telegraph has an interesting point:

… this lamentable Macbeth the second dismal account of the Scottish play from a major subsidised theatre we’ve had to suffer in a fortnight. What’s alarming is that both this revival by Polly Findlay for the RSC and Rufus Norris’s for the National did sell-out business at the box-office prior to opening night. By my reckoning, excluding the cinema screenings, the Barbican run and the NT’s autumn tour, that’s potentially around 130,000 underwhelmed punters.

LINKS ON THIS BLOG:

Macbeth, RSC 2011 Jonathan Slinger as Macbeth
Macbeth – McAvoy 2013, Trafalgar Studio, James McAvoy as Macbeth
Macbeth – Tara Arts 2015 (Shakespeare’s Macbeth) on tour, Poole Lighthouse
Macbeth, Young Vic, 2015
Macbeth – Globe 2016, Ray Fearon as Macbeth
Macbeth, National Theatre 2018, Rory Kinnear as Macbeth
Macbeth, Wanamaker Playhouse 2018, Paul Ready as Macbeth
Macbeth, Watermill Theatre, 2019. Billy Postlethwaite as Macbeth.
Macbeth, Chichester 2019, John Simm as Macbeth.

POLLY FINDLAY
The Alchemist, by Ben Jonson, RSC 2016
As You Like It, National Theatre, 2015
The Merchant of Venice, RSC 2015
Arden of Faversham, RSC 2014

EDWARD BENNETT
Love’s Labour’s Lost– RSC at Chichester, 2016
Much Ado About Nothing (Love’s Labour’s Won)– RSC at Chichester, 2016
Watership Down, 2016
Photograph 51
The Rehearsal, by Jean Anouilh, Chichester Minerva Theatre
Love’s Labour’s Lost– RSC 2014 (Berowne)
Love’s Labour’s Won RSC 2014 (Benedick)
The School for Scandal by Richard Brinsley Sheridan, Bath Theatre Royal

NIAMH CUSACK
My Brilliant Friend, by Elena Ferrante, Rose Kingston, 2017
(Best Play of 2017; Best actress 2017 on this blog)
The Winter’s Tale, Wanamaker Playhouse, 2016

MICHAEL HODGSON
Strife by John Galsworthy, Chichester 2016
The Shoemaker’s Holiday, by Thomas Dekker, RSC 2015

PAUL DODDS
Titus Andronicus, RSC 2017
Antony & Cleopatra, RSC 2017
Julius Caesar, RSC 2017
Timon of Athens, NT, 2012

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        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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