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The White Devil – Globe

The White Devil

by John Webster
Directed by Annie Ryan

white-devil-flier

Text editor / Dramaturg – Michael West
Designer- Jamie Vartan
Composer – Tom Lane

A Shakespeare’s Globe Production
The Wanamaker Playhouse at The Globe

Saturday 4th February 2017, 14.30

CAST:

The plot is convoluted enough without insufficient information in the programme cast list. A cast list should include more than just names. It has ‘Monticelo’ rather than Cardinal Monticello. Later Pope Paul IV. I have corrected it below.

Jamie Ballard – Bracciano, a Duke, husband of Isabella, in love with Vittoria.
Paul Bazely – Francisco De Medici – Duke of Florence; in Act V he is disguised as the Moor, Mulinassar.
Garry Cooper – Cardinal Monticelo, later Pope Paul IV.
Anna Healey– Cornelia, Mother to Vittoria, Flamineo, and Marcello
Molly Lambert – Giovanni, Brachiano’s son by Isabella.
Fergal McElherron – Lodovico, an Italian Count in love with Isabella / Castillo, Vittoria’s husband, and nephew of Cardinal Monticelo.
Mercy Ojelade– Isabella, Francisco De Medici’s sister; first wife of Brachiano,
Shanya Rafaat – Zanche, Moor servant to Vittoria; in love with Flamineo, then Francisco
Kate Stanley-Brennan – Vittorio Corombona – a Venetian lady, sister of Flamineo. first married to Camillo – afterwards to Brachiano
Joseph Timms – Flamineo, Vittoria’s brother. Brachiano’s secretary.
Sarah Vevers – Hortensio, an officer / Lawyer / Servant
Jamael Westman– Marcello, Vittoria’s younger brother. / Ensemble

MUSIC
Stephen Bentley-Klein – MD / violin / hammered dulcimer / trumpet / guitar
Mark Bousie – accordion
Maddie Cutter- cello

The Wanamaker Playhouse production comes soon after the 2014 RSC version at The Swan, with its larger cast, disco, mirrors, lights, dance, gallons of gore and a gender switch so that Flaminio became Flaminea, Vittorio’s sister.

How briefly can you summarize the plot? Bracciano (an Orsino) and Francisco (a Medici) are dukes in the Italy of Machiavelli. Bracciano is married to Francisco’s sister, Isabella. However he lusts after the gorgeous Vittorio. Vittorio has a shady Venetian past … you didn’t need to say much more in 1609 … Venice was renowned for its number of courtesans and whores. A century earlier, in 1509, it was estimated that there were 11,000 whores in Venice, or 10% of the population. A Venice girl was the Essex girl in travellers’  tales of the time. As chance would have it, Vittorio’s cunning brother Flamineo is Bracciano’s secretary or PA or whatever. Flamineo plots to get Vittorio and Bracciano together.

Now I never really got who Marcello was on the night, but to twist it a bit more, he’s Francisco’s secretary as well as brother to Vittorio and Flamineo.

5094

Bracciano (Jamie Ballard) listens to Vittorio’s  (Kate Stanley-Brennan) dream

While pretending to be chaste (and white) the devil in Vittorio has her recount a dream in which her husband (Camillo) and Bracciano’s wife (Isabella) are killed, putting the thought into Bracciano’s head. So he has them killed, as you do if you’re a Renaissance ruler. Unfortunately, Camillo is the favourite nephew of the powerful Cardinal Monticelo. So Bracciano and Vittorio have made two powerful enemies … Francisco and the Cardinal. Hang on though, Count Ludovico, banished at the start, turns out to have been in love with Isabella too. So he’s after revenge. From then on we’re into poisoning, stabbing and shooting in another normal month in 16th century Rome and Padua.

the_white_devil_review__a_devilishly_funny_tragedy____

Vittorio (Kate Stanely-Brennan) and her brother Flamineo (Joseph Timms). Hmm, they seem very friendly

I was keen to see the play stripped back closer to its origins, which should be a given at the Wanamaker Playhouse with its small stage and intimate candlelit reproduction of a Jacobean indoor theatre. In fact, they didn’t go for Jacobean costume, but it didn’t matter. The costume was described as Victorian punk in one review – a reference mainly to Bracciano’s semi-Mohican, and Vittorio and Zanche’s costumes. Isabella was in an almost Georgian long dress. I was trying to place the intended era, and it came me in the murder scene, which was watched by Bracciano through a brass Victorian viewer of some kind, with a “brass projector” at the foot of the stage. It was Jules Verne. 20,000 Leagues Under The Sea. Fantasy 19th century. It worked.

There were virtually no props … just a balcony wheeled on. No seats. No tables. No beds … a bare stage. A coat of arms with flowers below was hung on the balcony to mark the transition from Rome to Padua where Bracciano and Vittorio have got married.  They’ve made the candelabra starker and made the stage black. The use of candles throughout was very good indeed … if you haven’t been to the Wanamaker, candle lighting and quaffing is a major element of productions.

Again, the Globe has a dramaturg. There are lots of cuts, some modern interventions of a word or two, and to my memory a very useful addition of names when addressing people early on.

I had issues with Webster’s play last time, and they haven’t been resolved. Webster has just three buttons: REVENGE – JEALOUSY – LUST. You want some other emotions to come in at some point. The only addition I saw was when Cornelia watches her son Flamino murder his brother, then covers up for him. I guess that extra button is MISGUIDED MOTHERLY LOVE.

The other issue, which is worse even in the Duchess of Malfi is that Webster failed to grasp a basic principle. One that Macbeth, Hamlet, King Lear, Romeo and Juliet might have taught him. it’s basic.:

Main character dead … go straight to the end. Play’s over. A final speech or two, but make them short.

OK, Shakespeare screwed that one up totally in Julius Caesar. Webster didn’t grasp it at all. Once Bracciano is gone, the audience is getting ready to go home. Vittorio holds our interest, but after her death, forget it. Curtain.

VIOLENCE

I was pleased to see restraint in stage blood. 2013 to 2015 was the OTT era on stage blood. In fact, when it’s down to a small stain on the shirt only visible as the character is dragged off, I can imagine the wardrobe department saying “Why bother?” I agree.

LUST

Lust is the main emotion, and played lustily rather than sexily. Flamineo (Joseph Timms) was given an array of genital pointing, hand miming and gesticulation that added humour, but also distracted. The last time I saw so much dick indicating and masturbation miming was in Headlong’s Romeo & Juliet where Mercutio couldn’t stop. That’ll be bad for his eyesight, I thought at the time. Both Vittorio and Zanche get a bit of gesturing downwards too, and as for Zanche kneeling down to undo her intended’s trousers at face level… well, I might take kids to Shakespeare, but wouldn’t have thought of taking them to Webster anyway.

COMEDY

Reviews mention the surprising amount of comedy in the production. A lot is in between lines … Jamie Ballard as Bracciano is an expert at interjecting sounds, or just a responsive thoughtful “Wow!” Joseph Timms as Flamineo works very hard to extract humour too. The wide boy Estuary accent helps.

The murder of Camillo, by throwing him from a balcony, is played for comedy. It’s set up with Bracciano watching from on high (the actual balcony) through a viewer. The gestures of the murderers are silent film, as well as propelling Camillo into the stage trap.

OK, the production gets plenty of dark and moody in the lighting. I liked the attempts to play the murders for laughs.

The important gun shots at the end sounded like ring caps. Very weedy for stage shots, and I was in two minds whether that was playing for comedy or not. I hope so.

CASTING

white-devil-1-0

Jamie Ballard as Bracciano

Regulars have bemoaned the break up of what seemed to be the “Globe’s repertory group of actors” in 2016 and 2017. The inspired casting here was importing RSC talent in the lead role, Bracciano. Jamie Ballard was the best Angelo I’ve seen in Measure for Measure (RSC 2012) and the first actor who made the title role, Antonio, in The Merchant of Venice (RSC 2015) the lead role in the play. Bracciano is the rich kid. Never lost his sense of entitlement. You want it, you take it.

Kate Stanley-Brennan was a perfect choice for Vittorio, excellent in seducing Bracciano to murder, as well as fiercely and convincingly defending her innocence (though we all know she’s as guilty as hell) in the court scene.

The programme’s interview with director Annie Ryan was the first in what will be a LONG line in 2017 of referencing Trump and Hilary. She says:

I was trying to achieve a 50/50 gender balance … which I’m happy to say we have. at one stage in the process  … the actress playing Cornelia was also going to double as Monticelo, the cardinal. The characters never meet so it’s technically possible. But after Trump was elected, I thought, No, we need that message to have no filter. It has to feel like those debates: Hilary standing there and this monster prowling behind her like a wolf.

4973

Vittorio (Kate Stanley Brennan) holds her own with Cardinal Monticelo (Garry Cooper). Francisco, Duke of Florence (Paul Bazely) looks on.

The scene Ms Ryan references is the most powerful scene in the play, where Vittorio is in court, accused of adultery and plotting murder, and faces the Duke of Florence and The Cardinal. Kate Stanley-Brennan’s performance as Vittorio here is outstanding, but it works so well because Garry Cooper as the aggressive, very male Cardinal is so menacing and wolf like. She gets packed off to the Home for Penitent Whores. Having the Cardinal played by a woman in a play where the oddity of such a gender switch was not written in, would have been a really dumb, awful idea. Period. We all have bad ideas. Thank goodness that one was rejected. Garry Cooper was made for the role.

white-devil-prod-386-jpg_captioned

Garry Cooper as the Cardinal, Mercy Ojelade as Isabella, Joseph Timms as Flamineo

Having the young son, Giovanni, played by a young woman (Molly Lambert) works … it’s the way we always did  boys’ voices on audio tapes. Giovanni has the closing speech in the play, necessarily as virtually everyone else is dead, and you need an adult actor, not a young boy, to deliver it. So that was the right choice.

white4

Isabella (Mercy Ojelade) pleads with Bracciano

Personally, I think having a black Isabella with a white brother does not help us through the tangled relationships of the plot … if I were going for ethnic balance, I’d have made both black. But when family ties are crucial to following the plot, I’m not colour-blind. In fact, Mercy Ojelade was inspired casting. Her long Isabella speech was very much in the mood of her Hermia role in the RSC’s A Midsummer Night’s Dream: A Play For The Nation last year. We saw her right at the start of that run, and then right at the end, and she really grew tremendously in stage authority during the run. Ideal casting for Isabella BUT then having made that decision, I’d have wanted to match her brother. Paul Bazely’s Francisco was very strong. Fabulous performance … but physical casting confused relationship when it could have been a useful indicator.

5128

Isabella and Francisco: both excellent, but they don’t look like siblings

Anna Healey, as Cornelia, is the mother of Vittorio, Flaminio and Marcello. She has a mountain to climb. Her performance is good in every way, but in such a confusing play, having a mother who from my seat looked younger than all three of her strapping offspring was bizarre. It may be a tribute to her youthful looks, but if she was twenty years older in real life than the actors playing her kids, I want some of whatever she’s taking. there is an Anna Healy online who graduated from RADA in 1989. It can’t be her … or can it? We have grown used to being gender blind and colour blind in the theatre, but being “age blind” is surely reserved for drama school productions.

Fergal McElherron brings much needed comic relief to the part of Camillo, the cuckolded husband of the gorgeous Vittorio. It’s helped by his short stature. The trouble is, it makes him so distinctive that we never have any doubt that he is doubling as the vicious and vengeful Count Ludovico. He does both parts so well, and Camillo, dying so early, is always going to double … but the contrast in roles was problematic.

THE PLAY

I’m going for three star. That’s my comment on Webster rather than on an interesting production and excellent performances. I don’t think any production could ever list the basic Webster material on the page any higher. It’s a long run and it utilises the darkness of the Wanamaker Playhouse superbly. Three means “go and see it.”

***

We had two empty seats next to us in a great position … Back row, Lower Gallery. After the interval there were four more vacant. It always happens at the Wanamaker. Is it sheer discomfort? The back rows have a wall to lean against so is as good as it gets. I cant think anyone could have objected to the play in any way. Though ticket agencies don’t access the Globe, I do wonder if it’s like the West End, corporate purchased tickets for foreign visitors?

PROGRAMME:

white-devil-programme-jpg

Three excellent essays. Good synopsis, so generally up to the Globe’s high standards,  but a good synopsis does not replace an explanatory cast list, especially in such a convoluted play.

WHAT THE PAPERS SAID

Michael Billington, The Guardian ****
Mark Shenton, The Stage ****
Paul Taylor, The Independent ****
Claire Albee, Daily Telegraph, ***
David Jays, Sunday Times, ***
Sarah Hemmings, Financial Times ***
Nick Wells, Radio Times ***
Andrez Lukowski, Time Out ***

LINKS TO REVIEWS ON THIS BLOG:

THE WHITE DEVIL
The White Devil by John Webster, Royal Shakespeare Company

JAMIE BALLARD
Measure for Measure, RSC 2012 (Angelo)
The Merchant of Venice, The RSC, 2015 (Antonio)
King John, Rose, Kingston (King John)
Macbeth, Trafalgar Studios, 2013 (MacDuff)

MERCY OJELADE
A Midsummer Night’s Dream RSC 2016, ‘A Play for the Nation’ at Stratford (Hermia)
A Midsummer Night’s Dream RSC 2016 Revisited Stratford, (July) (Hermia)

GARRY COOPER
Two Gentlemen of Verona – Globe, on tour 2016 (Duke of Milan / Antonio)
Henry VI: Three plays, Globe on tour (Bath ) (Gloucester + others)

FERGAL McELHERRON
The Winter’s Tale, Wanamaker  2016 (also as a Camillo)
Pericles, Wanamaker 2016 (Helicanus, Pandar)
A Midsummer Night’s Dream – Globe 2013 (Quince)

JOSEPH TIMMS
Privates on Parade, Grandage Season 2013 (Private Flowers)

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        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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