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The Fantastic Follies of Mrs Rich

The Fantastic Follies of Mrs Rich (or The Beau Defeated)
By Mary Pix

Directed by Jo Davies
Designed by Colin Richmond

Music & Songs: Grant Olding

Swan Theatre, Royal Shakespeare Company
Stratford-upon-Avon
Friday 27thApril 2018. 19.30

CAST

Jeff Alexander- Coachman
Areth Ayeh – Lucinda, niece to Mrs Rich
Daisy Badger- Lady Landsworth, a rich widow
Greg Barnett- Belvoir
Graem Brookes – Coachman
Will Brown – Jack, servant to Younger Clerimont
Hayley Considine – Governess
Laura Elsworthy – Betty, servant to Mrs Rich
Sandy Foster- Mrs Trickwell
Ashley Gayle- Footman
Amanda Hadingue – Toni, servant to Elder Clerimont
Richard Hurst- Footman
Solomon Israel – Younger Clerimont
Emily Johnstone – Maid
Tarek Merchant – Chris
Susan Salmon – Lady La Bassett
Sadie Shimmin – Mrs Fidget, landlady to Younger Clerimont
Michael Simkins – Mr Rich, brother in law to Mrs Rich
Sophie Stanton – Mrs Rich
Jessica Turner- Mrs Clerimont
Tam Williams – Sir John Roverhead
Leo Wringer – Elder Clerimont

Aphra Benn’s The Roverwas so successful at The Swan last year that they’ve followed up with another, but more obscure, late 17thcentury female playwright, Mary Pix (1666-1709). The Fantastic Follies of Mrs Rich is a retitling of her play The Beau Defeated or The Lucky Younger Brother, from 1700. Mary Pix’s plays often had eight or nine female roles, compared to an average for the period of two to three. With so many artistic directors campaigning for 50/50 gender splits in casting, Mary Pix has potential for exploring.

Mrs Rich (Sophie Stanton) is a rich widow of a banker, but she craves status. She’d love to be a countess, and was affronted to be addressed as “citizen” by a duchess in a shabby coach. This is the centre of the play and one that rang bells for me. I’ve met a political quota appointment to the House of Lords who insisted on being called “Lady X” and then I’ve spent twenty minutes at a British Embassy reception abroad talking to a young man who introduced himself by his first name. I discovered only afterwards that he was a prince.

L to R: Lady La Bassett (Susan Salmon), Sir John at rear (Tam Williams). Mrs Rich (Sophie Stanton), Mrs Trickwell (Sandy Foster)

Mrs Rich has two card playing cronies, Lady La Bassett and Mrs Trickwell, the latter a very funny visual performance by Sandy Foster. Mrs Rich has a house guest, Lady Landsworth, also a wealthy widow, but far younger than Mrs Rich. Betty is the household servant to both  (Laura Ellsworth) and it is a major linking role, with added narrative function.

Sir John Roverhead (Tam Williams)

In pursuit of social status, Mrs Rich has set her eyes upon Sir John Roverhead (Tam Williams) a beau, or fop. Sir John is obsessed with twiddling his elaborate kiss curl.

Betty (Laura Elsworthy) & Lady Landsworth (Daisy Badger)

Lady Landsworth fancies the younger Clerimont brother (Solomon Israel), who is disinherited and living in poverty in seedy lodgings, accompanied by his servant, Jack (Will Brown). You could maintain servants while in dire poverty in 1700. Their landlady, Mrs Fidget (Sadie Shimmin) is a major comic role.

Young Clerimont (Solomon Israel), Jack (Will Brown), the landlady (Sadie Shimmin)

The trouble is that Lady Landsworth tempts him with a dubious past” as mistress of a great man. He fancies her like mad, but is terrified that she is a prostitute. Jack decides that Lady Landsworth doesn’t fancy him because he’s too straight and narrow, and with the aid of MrsFidget and several glasses of sherry that he plies her with, invents a fictitious lewd and lecherous life for him.

 

Jack(Will Brown) and Mrs Fidget (Sadie Shimmin)

The subplots roll on… then we have the elder Clerimont brother (Leo Whirter), the one who got all the money. He’s a coarse country squire with two Irish wolfhounds (real) and a bucolic servant, Toni from … er, Mummerset (a gender switch to female here). Mrs Clerimont is the aunt trying to resolve the issues of inheritance.

Elder Clerimont (Leo Whirter) and his aunt (Jessica Turner)

So we add in Sir John’s pursuit of Lucinda (Areth Ayeh). She is Mrs Rich’s niece and ward. Her father, Mr Rich (Michael Simkins), is Mrs Rich’s uptight censorious brother-in-law and banker. They didn’t like bankers in 1700 any more than we do today.

Lucinda (Areth Ayeh)

They will all be neatly paired off. That’s the genre. Another given is “the duel”. Here  the classic scene (reluctant duellist v savage and belligerent duellist) gets turned around with Mrs Trickwell as the belligerent one, and Mrs Rich as the one who wants to avoid a fight especially when armed with a feather duster against Mrs Trickwell’s sword. Fabulous stuff throughout, and beautifully choreographed.

Mrs Rich (Sophie Stanton)

The production stands upon Sophie Stanton’s performance as Mrs Rich. She has that rare comic ability (I don’t think you can be taught it) of falling out of the play to make a (seemingly) impromptu aside (on chairs, or costume) while remaining in character. It requires total confidence. Sophie Stanton has it, together with an unmatchable rage of comic facial expressions.

The music is a highlight. The Swan has been known for its pre-shows, and here we came in to find the band seated on stage and playing classical “lollipops”. Air On A G String was being played as we took our seats. But the band was harpsichord, soprano sax, alto sax, tenor sax and baritone sax, with a little added percussion from the gallery. They backed set changes throughout. Apparently the original play had two songs, but more have been added. Sophie Stanton does most, in “Good Old Days” 1890s musical style, which I guess is an anachronism with 1700 costume, but then saxes are an anachronism too. It worked.

The brother-in-law: Mr Rich (Michael Simkins)

It’s very hard to rate it. Sophie Stanton’s lead role must be up for best comedy lead of the year. She has several stellar performances around her, certainly Solomon Israel’s Younger Clerimont, Sandy Foster’s Mrs Trickwell, Daisy Badger’s Lady Landsworth as well as both servants, Betty and Jack, and Younger Clerimont’s landlady, Mrs Fidget. The music is striking as are the costumes and back cloths. It garnered a lot of four star reviews. I’m not rating at that level, and I heard more laughs and titters than uncontrolled hilarity around me. Maybe a little sparkle has worn off since press night. Certainly it is four star, if you’re judging production, direction and performance. Sophie Stanton’s performance is an easy five star. But an evening in the theatre is more that, and the intrinsic quality of the play is part of it. It’s not anywhere near the quality of Aphra Benn’s The Rover, or one we saw so recently, Sheridan’s The Rivals. Great plays have an inevitability of the plot flow, as well as great lines. This play lacks both qualities. It’s wordy, and like most late 17th / 18th century plays switches between sections with just two or three characters talking (rather than “doing”) onstage. The era loved convoluted plots twists and turns. Domenic Cavendish said in his 4 star Telegraph review:

Confused? An otherwise informative RSC programme could do with a more detailed synopsis because what starts on a straightforward note rapidly twists and tangles – plotting was to this crowd what poetry was to Shakespeare.

He’s absolutely right. The art of the short useful synopsis was always an RSC strength. A better cast list would have helped. They just give the names, with no information on who they are. I’ve added information on the cast list above.

It felt long, and in spite of very funny stuff, the ending seemed a drawn out 20 minutes of plot resolution. We noted that the RSC online gives it as 2 hours 20 minutes plus interval, but the free cast lists in the theatre give it as 2 hours 40 minutes plus interval. Actually, it wasn’t quite that long, but nearer than 2 hours 20.

Sadly, we both agreed the actual Mary Pix play is obscure because it’s just not very good. It has been used here as the skeleton for a terrific production, but I’d credit the director for making it an entertaining evening rather than the writer. Three stars.

***

ADDENDUM. MRS RICH: THE COLOUR BLIND CONTROVERSY

Elder Clerimont (Leo Whirter) and Mrs Rich (Sophie Stanton)

Quentin Letts’ Daily Mail review of the play sparked a controversy. He said:

Poor Leo Wringer is miscast as the older Clerimont. There is no way he is a honking Hooray of the sort that has infested the muddier reaches of England’s shires for centuries. He is too cool, too mature, not chinless or daft or funny enough.

Was Mr Wringer cast because he is black? If so, the RSC’s clunking approach to politically correct casting has again weakened its stage product.

I suppose its managers are under pressure from the Arts Council to tick inclusiveness boxes, but at some point they are going to have to decide if their core business is drama or social engineering.

The Daily Mail invited a reply from RSC artistic director, Gregory Doran, and The Guardian invited Leo Wringer to reply too. Mr Doran rightly pointed out some great leads by black actors in recent years at the RSC, virtually all of which I saw. The Rivals had a black lead at the Waterside last month, as did The Recruiting Officer at Salisbury a couple of years ago. Both are set in the same time period in England too. It’s not actually colour blind either, as both Clerimont brothers are BAME actors.

Total colour blindness can work seamlessly … I had no problem in seeing Joan Iyiola and Alexander Cobb as twins in the RSC’s previous play, The Duchess of Malfi. I had no problem seeing Ncuti Gatwa as Michael Thomas’s son in The Rivals. Twins is the extreme end … generally colour blindness works fine if we see a child and one parent. As I have said before, if you cast black actors as Claudius and Hamlet, but white actors as Gertrude and Old Hamlet, then our natural tendency to say “He has his father’s face” leads us to whole new plot dimensions. This became apparent where the princes in the tower in a production of Richard III were both BAME kids, while we knew Edward IV and his queen were white. It leads you to think, ‘Ah, so Richard’s accusation must be right. They ARE illegitimate.”

Well, everybody’s right and nobody’s wrong. Mr Doran says that 40% of the London population is BAME. Correct. In the 2011 census 59.8% identified as “white”.  Move to the South Bank theatre district and 29.5% of children were identified as “non-white.” But it’s certainly not true of Warwickshire, nor Stratford-Upon-Avon where the RSC reside (does he keep his eye on the Barbican?), nor is it true of Chichester, Salisbury, Poole or Bath where I have counted and there have been more BAME faces on stage than in the entire audience. According to the 2011 census, 86% of the UK population was “White” (a decrease from 91% over ten years), so 14% non-white rather than London’s 40%. I do believe from recent years’ observation that a white male at drama school will have a statistically harder job getting a part than a BAME colleague, because so many theatre directors have called for more ethnic diversity in casting, as well as “50% gender balance,” which means there must indeed be boxes to tick, even if they’re invisible ones. We have to face the fact that Shakespeare often wrote with 16 or 17 male roles to 3 or 4 female ones. So that’s the history. For many years males (then mainly white) were in a tiny minority in applications to drama schools, but were more likely to get a place because they needed at least half males, and so they had by far the greatest chance of being cast. Female actors have noted for years that they faced greater competition to get a place. It’s being redressed, the wheel has spun full circle, though unfortunately sometimes at the expense of the play.

Mr Letts was getting at this point, though singling out Leo Wringer to represent it was unfair, and it was also wrong to suggest that black actors cannot play roles that were historically likely to have been white. In fact Leo Wringer plays it as an uncouth country squire,  and there seems nothing in the text to suggest the character is “chinless” in the slightest. Just untamed rural, an 18th century stereotype. Leo Wringer worked very well for us. Quentin Letts has some history on this, attacking the casting of Lucian Msamati at the National Theatre in Amadeus. 

However, there is a line. If you had a play about the US Civil War where the Confederate leaders were black, we’d assume a point was being made. We couldn’t be “blind” because the plot involves historical black / white roles.

WHAT THE CRITICS SAID:

5 star
Katy Roberts, The Reviews Hub *****

4 star
Michael Billington, The Guardian ****
Domenic Cavendish, The Telegraph ****
Ann Treneman, The Times ****
Ian Shuttleworth, Financial Times ****
Debbie Gilpin, Broadway World ****

3 star
Quentin Letts, The Daily Mail ***
Susannah Clapp, The Observer ***
Natasha Tripney, The Stage ***
Michael Davies, What’s On Stage ***

LINKS ON THIS BLOG:

Several of the cast are in THE DUCHESS OF MALFI, RSC 2018

JO DAVIES
The Roaring Girl, RSC 2014
The Country, Salisbury Salzburg 2011

MICHAEL SIMKINS
Fracked! Chichester Minerva 2016
Hay Fever, Bath, 2014

SANDY FOSTER
Fantastic Mr Fox, Nuffield, 2016
The Shoemaker’s Holiday, RSC 2015

SOLOMON ISRAEL
Duchess of Malfi, RSC 2108
The Tempest, RSC 2012
Twelfth Night, RSC 2012
Comedy of Errors, RSC 2012

LEO WRINGER
As You Like It, National Theatre 2015

LAURA ELSWORTHY
The Hypocrite, RSC 2017

GREG BARNETT
Duchess of Malfi, RSC 2108

WILL BROWN
Duchess of Malfi, RSC 2108

ARETH AYEH
Duchess of Malfi, RSC 2108

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        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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