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Bartholomew Fair

Bartholomew Fair
by Ben Jonson

Unknown

Directed by Blanche McIntyre

Designer Ty Green
Composer: Grant Olding

The Sam Wanamaker Playhouse
Shakespeare’s Globe, London

Tuesday 27th August 2019, 19.00

CAST

Jenna Augean – Zeal of the Land Busy / Ursula the pig woman
Heddyd Dylan – Ned Winwife / Bristle the security guard / Scrivener
Bryony Hannah – Grace Wellborn / Daniel ‘Jordan’ Knockern
Richard Katz – Lantern Leatherhed / Trouble-All
Joshua Lacey- Littlewit . Ezekiel Edgeworth / Officer
Forbes Masson – Humphrey Wasp aka Numps / Costermonger woman /Sharkwell
Anne Odoke – Mistress Alice Overdo / Joan Trash / Prompter
Jude Owesu – Tom Quarlous / Punk Alice
Anita Reynolds- Dame Pure craft / Whit / Corncutter
Boadicea Ricketts – Win Littlewit / Nightingale the busker
Dickon Tyrell – Adam Overdo JP / Technician
Zach Wyatt – Bartholomew Cokes / Mooncalf / Haggis the security guard

MUSIC

Richie Hart – Musical director, bass, tuba
Samantha Norman – violin
Phil Ward – guitar

My irritation about putting the WRITER Ben Jonson and the DIRECTOR (Blanche McIntyre – she is the reason we booked it)  in the middle of the cast and creative list has no bounds. It’s why, after missing not one major production since the Wanamaker opened, we have booked nothing this winter. Until they get rid of overbearing personal gender and equality politics (Hotspur and Falstaff played by women. Text consultants equal status with the writer and director) I can’t see us booking there often.

I’ve said before, the Sam Wanamaker Playhouse concept has been taken extremely seriously- i.e. a candlelit winter venue as in the private theatres when the main open air public theatre is closed, just as in Shakespeare’s time. Dark in summer. Having built it, it might as well be used for more than odd concerts or talks in the summer, and once you’re inside you can’t tell it’s summer. I used to think it would function like The Swan was originally intended to at the RSC: non-Shakespeare plays of the period. Its much smaller capacity is also ideal for the Shakespeare plays which don’t have bums rushing to seats like Pericles or Cymbeline – both have been done here in the winter.  Why not run them through the summer? So many of my non-UK readers express a desire to see the Wanamaker in action, but take their holidays in the summer so can’t. This production is a positive move, and they’ve taken over all of the cast here from The Merry Wives of Windsor at the main theatre, as kind of a summer break before Merry Wives resumes in September. That would have dominated the casting decisions.

IMG_3009

The stage as we came in … very different from usual

It’s modern day. They have dispensed with the Wanamaker candle lighting entirely, but have not introduced a dynamic lighting plot. It’s just well lit all over with electric globes replacing  the candelabra. Like a Globe daytime outdoor production the audience is also fully lit throughout, which affects acting styles. The wooden balustrades have been covered with mirrors on both levels, as have the rear and the inner doors. The stage is a modern pale grey, and all but the back row of the pit seating has gone. In Act One white curtains cover the rear and there is white leather furniture. The curtains pull back to reveal a row of pig carcasses representing the fair, and a hanging rack descends covered with modern fairground tat. A very positive point is a strong directorial concept at last. The Globe has sorely lacked that.

Ben Jonson’s play dates from 1614, the year after Shakespeare retired, and is being shown the actual Bartholomew Fair Week – St Bartholomew’s Day is 24th August. The fair ran from the 13th to 19th century at Smithfield. Of course, the Notting Hill Carnival is the same week, though it didn’t reference that.

The programme synopsis reveals the issue with the play. In 1614 it was highly experimental. It’s a City Comedy, i.e, urban, ordinary people not kings and queens, or mythical Italians, which Jonson excelled in writing. It starts with meta drama, with backstage personnel (allegedly) introducing and apologising for the play, then there is a dizzying array of characters, thirty two in the original, played in this production by just twelve actors with astonishingly fast costume changes. They use regional accents to distinguish their character changes and they play across their own genders. The play has picaresque comedy characters interacting in the wildness of the fair, so back to that synopsis. The Globe programmes used to take pride in how tight they could get synopses. Here they run to two pages with four columns of small text. I wish I hadn’t read it as it shed chaos and confusion with the vast number of names. If you want a synopsis, Wikipedia does it more clearly and far better in one third of the length. The thing is Ben Jonson was envisaging something like film high speed intercutting, incredible for 1614.

The original is a very long play, and in the programme the director, Blanche McIntyre, describes how hard it was to cut:

Blanche McIntyre: Some of it is easier to cut – Jonson repeats a lot of jokes – but some of it is much harder: it’s more tightly plotted than people think. It reads like a big, sprawling tale, but in fact it’s a tightly-plotted farce, so if you take out a scene, a piece of plot later on that is crucial will be lost. So I’ve had to be very careful and keep the bones of the plot as a whole.

However, given the added issue of twelve actors doing all those roles, it’s extremely difficult to follow any kind of plot or who anyone is. Yes,  it is a rapid series of events at the fair with pickpockets, hucksters, madams, pimps, puppeteers, buskers, whores, punters, disguised magistrate, security guards. A lot is very funny but it is also disjointed, scenes clashing rather than flowing.

It’s 21st century, so we have contactless payments by phone, wraps of cocaine for Littlewit and Quarlus in the first scene, spiked drinks to render Win Littlewit and Alice Overdo unconscious enough to be taken off and dressed as prostitutes.

BartholemewFair_Standard_Image_5

Zach Wyatt (not sure as who) with Dickon Tyrell as Justice Overdo

The cast all differentiate very well, as e.g. Dickon Tyrell does Geordie as a technician stagehand introducing the play, then rich RP as Justice Adam Overdo. His Justice Overdo is a particularly engaging performance … well-intentioned without having a clue what’s going on.

BartholemewFair_Standard_Image_10

Heddyd Dylan as Security Guard arrests Zeal of The Land Busy (Jenna Augean)

Jenna Augean is unrecognisable in switching between Ursula the madam, or pig woman, who seems to run everything, then as Zeal-of-the-Land Busy (the silliest name in a play full of silly names) the Puritan of the original. In this Busy becomes a Southern US bible thumper in a fat suit. According to my New Mermaids edition, the main themes of the play are defending the theatre against Puritan attack, and the iniquities of wardship, which meant people feeling they had been bought. The main attack on theatre and fun would be our Southern bible thumper. Justice Overdo complains about poetry too.

BartholemewFair_Standard_Image_4

Dickon Tyrell as Justice Overdo in disguise, Bryony Hannah as Knockern, the punky kid

Bryony Hannah was an Irish punky lad in the fair, but a Russian woman in black as Grace, Justice Overdo’s ward. She is a fine actress (we loved the film Cemetery Junction) and making the ward Russian sheds interesting light on the “wards being bought” theme. She looks downtrodden Russian, not Selfridges cosmetics department furs and gold Russian. However, I don’t think the (surviving) text brought that wardship issue out clearly (or at all) if you had no prior knowledge.

Heddyd Dylan channels Hugh Grant as a floppy haired Ned Winwife, is a stroppy Welsh security guard and a very funny Scrivener giving us the ‘audience contract’ before the play starts.

BartholemewFair_Standard_Image_3

Too long at the fair> Forbes Masson as Numps after a buying spree, with the musicians

Forbes Masson plays a permanently angry Scots Numps, though we never quite workedout what Numps was about.

While it is clear that Quarlus (Jude Owesu) is disadvantaged in wooing Dame Purecraft because she has been told she would marry a madman, I hadn’t realized for ages that the character in shorts with a row of pens in his pocket and a head mic after the interval was Quarlus pretending to be mad. I just saw it as a different and new character, some kind of security officer. I probably missed a line, but confused? I was. When everyone’s doubling, having someone not doubling, but in disguise instead is doomed to fail.

The trouble is, as ever with all this gender switching, is that mainly it forces actors to play ‘too large.’ Women playing men exaggerate male movements and voices. The 50% women rule at The Globe is destroying its credibility for Elizabethan and Jacobean drama for us. To repeat, it was never written for that. As Bartholomew Fair intrinsically has stereotypes rather than characters, it’s not as problematic as usual. Forbes Masson as a female costermonger is the only example of switching the other way, and is hilarious, but it is inevitably pantomime dame. Anita Reynolds goes from stately African Dame Purecraft to a rapper, but basically her breasts show strongly and we couldn’t grasp that it was a gender switch, as we could with the slighter women.

BartholemewFair_Standard_Image_1

Boadicua Rickets as a pregnant Win, Anita Reynolds as Dame Purecraft

Boadicea Ricketts came out very well as the pregnant Win Littlewit, then as the busker with a guitar case full of CDs, Nightingale. She is a first rate singer, and as Anne Page in the Merry Wives and here in the final dance, proved she is a great dancer too. Prediction is she will go far. And here she didn’t have to switch gender.

BartholemewFair_Standard_Image_2

Joshua Lacey as Edgeworth

Joshua Lacey is a major talent, here doubling Littlewit and the wheeling dealing ducking and diving Edgeworth in a smart suit. We thought he was under-employed in the Merry Wives, and I would have cast him instead as Master Ford without hesitation. Here at least he got a decent part. Coincidentally, before we went in, I bought the DVD of Emma Rice’s Twelfth Night at the Globe shop,  in which he played Orsino.

BartholemewFair_Standard_Image_9

Richard Katz does the puppet show

Full marks to Richard Katz for doing the puppet show so well, with new text, I think, from the balcony. I loved Zach Wyatt’s punter who distributed “loadsamoney” over everyone and everything.

BartholemewFair_Standard_Image_6

Zach Wyatt as Cokes loses loadsamoney. Jude Owesu as Quartus at rear

The songs by Grant Olding are very strong, with the three piece band coming down to the stage and Boadicea Ricketts taking lead vocal superbly. The final dance is the Globe’s trademark and as usual, leaves a great mood.

It is a given at the Wanamaker that some entrances will be climbing through the audience and jumping the balustrade. Most plays do it a few times, but here it happened so often and from so many angles that it as was eventually tiresome.

We were in the Lower Gallery, Row C, the best seats as they have the back wall to lean against- the Wanamaker’s benches without backs are excruciating and were always a really bad idea – but at the interval, we lost six or eight people just in our row, and two in front. More at the sides. This happens very often at the Wanamaker, and I blame discomfort rather than the play, they always lose some, but looking around they lost far more than usual at half time. Too hard to follow? Or too modern a treatment for the candle-lit fans? I don’t know. The detailed review on the Nottingham University blog indicates that it was only half full in the first few days, which must mean that the play lacks box office appeal. It’s a pity as I would like the Wanamaker to run plays all summer.

On the Wanamaker Playhouse as a concept. I always thought the strict insistence on candles and benches was somewhat over the top. We want to see what plays were like in a Jacobean private theatre, but seat backs and low electric light could have been used with the candles reserved as a special occasion. People in 1614 sat on benches a lot. We don’t and get backache and the richer audience members in 1614 may have had  chairs for all we know. However once you cover the fabric of the building with mirrors and light it brightly, and have modern dress and modern props,  it becomes simply a space in the right shape with uncomfortable seats. Other small theatres can reproduce the audience / stage shape with decent seats. While candles every time is too limiting, the concept was reproduction Jacobean private theatre. Maybe this moves too  far from it. The modern market photo on publicity is honest, but I suspect it may not have sold the play.

In theatre history, it’s an important play. It is early city comedy and points the way to Restoration drama frolics rather than Jacobean comedy. I was glad to have seen it with such an accomplished cast and they are to be applauded in presenting it. The character naming says it all. They are all 2D not 3D.

Just looking at that  half time audience decimation, part of which must be inability to follow the plot, (neither of us could at all) I can’t go over three star. Karen went for two star.

***

WHAT THE CRITICS SAID

I recommend Peter Kirwan’s review on the University of Nottingham blog linked here. He knows the play much better than I do and describes the production in greater detail.

I reviewed before press night. It didn’t do well. My favourite critics, Billington & Cavendish, both make the same point: that it would have worked better on the main stage. So do the others quoted below. Let me add, “and with a cast of at least 24 to play the 32 roles.” The main stage is a huge space. Employ more actors!

3 star
Sarah Hemming, Financial Times ***
Natasha Tripney, The Stage ***
Nick Curtis, The Standard ***
Alex Wood, What’s On Stage ***
Simon Parsons, Morning Star ***

Only performed a handful of times in living memory, Bartholomew Fair has once again proved difficult to stage successfully. But the decision to cram it into such a compact and confined space rather than use the much larger, open, Globe stage has not done it any favours.

2 star
Michael Billington, The Guardian **

Ben Jonson’s 1614 comedy is an unwieldy beast at the best of times. But a carnivalesque satire that cries out to occupy the Globe’s main, open-air theatre is instead done in its intimate, indoor playhouse. Although the space has been reconfigured and electricity has replaced the usual candles, Blanche McIntyre’s production sheds little light and resembles an attempt to cram the contents of a house into a single trunk.

Domenic Cavendish, Telegraph **

The Globe’s main stage would seem to be the ideal location, but it was unavailable to or shunned by director Blanche McIntyre. Instead, a company of 12 – doubling and tripling roles – deliver a textually pruned version at the Sam Wanamaker, where there’s barely enough room to swing a goldfish in a bag.

Clive Davis, The Times **

uncategorized
Vera Liber, British Theatre Guide

Any open-air theatre (Regent’s Park, where it was done in 1987) would better serve the play’s convoluted intersecting plots and give its thirty named characters, here played by twelve actors, room to breath.

LINKS ON THIS BLOG
All of the cast were in The Merry Wives of Windsor at The Globe this year.

BEN JONSON PLAYS
The Alchemist, by Ben Jonson, RSC 2016
Volpone, by Ben Jonson, RSC 2015

BLANCHE McINTYRE (director)
The Winter’s Tale, Globe 2018
The Norman Conquests, Ayckbourn, Chichester 2017
Titus Andronicus, RSC 2017
The Two Noble Kinsmen, RSC 2016
Noises Off, Nuffield, Southampton, 2016
As You Like It, Globe 2015
Arcadia by Tom Stoppard, Brighton, 2015
The Comedy of Errors, Globe 2014
The Seagull, Headlong / Nuffield 2013

JOSHUA LACEY
The Merry Wives of Windsor, Globe 2019
Macbeth, National Theatre, 2018
Imogen (Cymbeline Renamed and Reclaimed) – Globe 2016
wonder.land by Damian Albarn, Moira Buffini, National Theatre 2016
Richard III – Trafalgar Studios, 2014
Twelfth Night, Globe 2017(Orsino)

RICHARD KATZ
The Merry Wives of Windsor, Globe 2019
As You Like It, Globe 2018

DICKON TYRELL
The Merry Wives of Windsor, Globe 2019
Measure For Measure, Globe 2015
Knight of The Burning Pestle, Wanamaker, 2014
Duchess of Malfi, Wanamaker, 2014

JUDE OWUSU
The Merry Wives of Windsor, Globe 2019
Tamburlaine, RSC 2018
Julius Caesar, RSC 2012

FORBES MASSON
The Merry Wives of Windsor, Globe 2019
Boudica, Globe 2017
Travesties, Menier, 2016
A Midsummer Night’s Dream, Bath 2016
The Ruling Class, Trafalgar Studio, 2015
Richard III, Trafalgar Studio, 2014
Macbeth, Trafalgar Studio, 2013

BOADICEA RICKETTS
The Merry Wives of Windsor, Globe 2019

ZACH WYATT
The Merry Wives of Windsor, Globe 2019

ANITA REYNOLDS
The Merry Wives of Windsor, Globe 2019
Absolute Hell, National Theatre 2018

BRYONY HANNAH
The Merry Wives of Windsor, Globe 2019
Cemetery Junction (FILM)

 

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        • BSO: Triumphal Elgar
        • Carole King – Hyde Park
        • Chris Rea
        • Chuck Prophet & Stephanie Finch
        • Cliff Richard 2018
        • Crosby, Stills & Nash
        • Dave Kelly, Maggie Bell, BBQ
        • Don Henley – Hyde Park
        • Dr John
        • Eliza Carthy
        • Emma Swift
        • Emmylou Harris
        • Fay Hield 2013
        • Fay Hield 2014
        • Fay Hield 2016
        • Fleetwood Mac 2003
        • FLIT
        • Garth Hudson 1999
        • Garth Hudson 2007
        • Glen Campbell
        • Glenn Tilbrook
        • Gospel in West Helena
        • Grupo Lokito
        • Hal Wilner Leonard Cohen Project
        • Hall & Oates
        • Ian Felice 2018
        • James Taylor 2014
        • James Taylor, Hyde Park 2018
        • Jimmy Cliff
        • Joan Baez
        • John Cale Paris 1919
        • John Cale, Brighton 2011
        • John Lydon
        • Johnny Flynn, Hyde Park 2018
        • Jon Boden & The Remnant Kings
        • Jonathan Wilson
        • Joni Mitchell’s Hejira and Mingus
        • Joyce Cobb
        • Judy Collins – 2020
        • Judy Collins 2010
        • Judy Collins 2013
        • k.d. lang
        • Kiefer Sutherland
        • King Crimson – 2018
        • KT Tunstall
        • Legends: Joanna Lumley, Twiggy, Lulu
        • Leonard Cohen Aug 2013
        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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