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Much Ado About Nothing – Rose 2018

Much Ado About Nothing
By William Shakespeare

 A Rose Theatre Kingston, Granville & Parham Productions and Antic Face co-production

Directed by Simon Dormandy
Designed by Naomi Dawson
Composer & Sound Designer: Jon Nicholls

 Rose Theatre, Kingston-on-Thames
Thursday 19thApril 2018, 19.30

CAST
Mel Giedroyc as Beatrice
John Hopkins as Benedick

with

Peter Bray – Don John / House Clerk
Sam Dastor – Antonio / Verges
Peter Guinness – Don Pedro
Victoria Hamnett – Margaret / Watchman + violin / piano
Kate Lamb – Hero
Calum Lynch – Claudio
Caolan McCarthy – Conrad / Friar
Nicholas Prasad – Borachio + saxophone
David Rintoul – Leonato
Katherine Toy – Ursula / Jane Oatcake +accordion & piano
Stewart Wright – Dogberry
Silas Wyatt-Barke – Balthazar / George Seacole + guitar & mandolin

Community chorus:
Natalie Abbott
Vanessa Owen
Christian Search
Shiv Sharma
Callum Stewart
Charli Weston

My companion wanted to see this as soon as we got the advert. “Mel Giedroyc!” she exclaimed, ‘We have to see it.’ I felt a bit like the elderly high court judge who needs to be told, “Sir Paul McCartney is a popular musical entertainer who participates in gramophone recordings, M’lud.” Then she explained, “Mel & Sue? Great British Bake Off!” and I wasn’t much wiser. But I’ll always go and see Much Ado and The Rose, Kingston is one of the most pleasant theatres we visit.

As we set off in the car for Kingston, I broke the shrink wrap on the audiobook of Munich by Robert Harris which we got for Christmas. Reader? David Rintoul. Today’s Leonato, and the Old King / Player King in the recent Almeida / BBC2 Hamlet. A good sign.

The play works easily out of Shakespearean costume. Recent versions have focussed on the end of wars: The Old Vic did 1944, the RSC did Christmas 1918, the Globe took us into the Mexican Civil War in 1914. I was surprised that Joss Whedon’s 2013 American-accented black and white film, set in suburban California, failed to make a Sopranos / Mafia connection given the play’s original location in Messina, Sicily. This makes up for it, and we are in Sicily in modern times with Mafia trappings.

From the publicity:

Don Pedro is victorious. The turf war in the city is won and the Mafia overlord brings his entourage to Messina, a luxury spa hotel deep in the Sicilian hills, to hide out, recover and party. While Leonato, the hotel owner, fawns over his clan boss, his daughter, Hero, wins the heart of the Don’s young protégé. Meanwhile, Beatrice, the no-nonsense, customer-experience manager, has unfinished business to see to with Benedick, Pedro’s commitment-phobic consigliere. But when Hero is disgraced, the party is over, love turns to hatred and new battle lines are drawn.

Easier to quote than repeat!

Beatrice (Mel Giedroyc) at reception desk

The set design by Naomi Dawson is a modern hotel reception area, with Hero’s bedroom in the balcony. It looks very good. We start with the obligatory mobile phone announcement, but here it’s in Italian, then the play starts with a recorded message describing the delights of the spa hotel (and no, Shakespeare didn’t write that bit). A minor criticism, it was echoey to the point of distort down in the Pit. I suspected the speakers were high above us and the conical roof doesn’t help clarity.

The first rate programme notes by Richard Wilson point out that the opening line Don Pedro of Aragon comes this night … would have alarmed Protestant audiences just ten years after the Spanish Armada … Aragon was the Spanish royal house, plus the villainous brother Don John was the name of the illegitimate brother of the King of Spain, just as Don John is the bastard here. Sicily, the setting for the play, and Naples, were part of the Spanish Mediterranean Empire. It’s also pointed out that at the time of the Armada threat, there were local watches along the coast, very much the originals of Dad’s Army: old men and beardless youths. So Dogberry and the Watch, so often portrayed nowadays as a Dads Army group, are actually the originals. Here they become security guards in hi-res waistcoats.

David Rintoul is in white trousers and pink jacket as Leonato, the hotel boss, and surely the Basil Fawlty moustache isn’t a coincidence. Mel Giedroyc as Beatrice is dressed in a tight straight dress (for added hip wiggle). Don Pedro’s arrival makes full effective use of the “community chorus” of six … the whole play does. They enter as an armed group, surrounding the Don (Peter Guinness), checking everything out before Leonato comes over to kiss hands. Claudio (Calum Lynch) is a pugnacious young thug with an MLE accent (Multicultural London English, aka “Jafaican” … or fake Jamaican). It’s an accent of great interest to Applied Linguists, combining Jamaican, Greek, Pakistani elements into Cockney and the “yoof” accent of London 2018. That’s a crude and simplistic definition, so please don’t pick it apart.  They contrasted it with Don John (Peter Bray) who went for a straight Estuary accent, being older.  As Peter Bray also played the court clerk he needed a strong difference, as his physical appearance is striking.  He used clear RP for the court clerk. Benedick is John Hopkins, sporting a rich beard (the plot calls for its removal later).

It starts very well. Beatrice plays up the sexy wiggle and extreme funny facial expressions, but that’s her thing. Throughout, careful use was made of Hero’s bedroom above the stage, with lots of added silent scenes (which help with the plot considerably) enacted there. The silent bits worked especially well. The balcony is dictated by the three tier design of the building, and is at the level of the circle seats. That is, it’s also much higher than (say) the balcony at the Globe or RSC , or seems so. Again, sound from up there echoed down where we were.

Masked ball: Claudio (Calum Lynch) & Hero (Kate Lamb)

The masked ball is, as in Romeo & Juliet, an early important plot point. You can either do it minimalist, assuming the eye and nose masks were an accepted fiction … an obviously false attempt at disguise …  back then. Or you can say, ‘No, they really were completely masked.’ As so often in masked balls, they went for the full Fancy Dress Shop 2018 costumes with funny animals and superhero suits, with Hero (Kate Lamb) facially visible in her Minnie Mouse dress, and with Claudio as Batman. The balcony helped here, because they added a bit with Leonato and Antonio getting dressed up. Leonato as a lion … only in typing this did the penny drop … Leo … lion. So even though fully disguised we knew who they were. Just as in The Globe’s Romeo & Juliet in 2017, they went way over the top. Beatrice was in a huge cow suit. Too much so, I thought. It detracted from Don John (Peter Bray) who you want to look sinister, not in a slightly silly green and purple muscle suit. There was also blue smoke and live music, and I feel the intercut dialogues lost coherence here. The masked ball looked fine, but ended up staccato and incoherent. It’s supposed to lead to suggestions of seduction and villainy which you can’t pull off when you’re looking daft.

This production has a very short run … April 13th to 6th May. I was reading the Globe blog on their current extended rehearsals for the summer, and they are rehearsing for virtually a six month run, as do the RSC. Clearly you can’t devote such long rehearsals to a three week run, and in the complex busy masked ball scene, we both thought it showed. Not tight enough on action.

L to R: Benedick (John Hopkins), Leonato (David Rintoul), Claudio (Calum Lynch), Don Pedro (Peter Guinness)

The overhearing scenes were both very funny. When Benedick listens, the three plotters (Pedro, Leonato, Claudio) have emerged from the sauna. Benedick works from a chair down in the Pit, then scrambles to the other side … he tore the knee of his trousers too, but probably only tonight.

L to R: Beatrice (Mel Giedroyc), Ursula (Katherine Toy), Hero (Kate Lamb)

Beatrice’s overhearing sene often suffers because the “overhearing” jokes have all been done in the previous Benedick scene. However, this was terrific stuff. She finally managed to hide behind the reception desk, and got tangled up with the electronic control board, setting off sounds and lights which the female plotters had to pretend to ignore.

_100931776_muchadoaboutnothing.melgiedroyc-beatrice-johnhopkins-benedick.c-markdouet

Beatrice calls Benedick in to dinner

That bedroom was used to great effect for seduction scenes with Borachio (Nichlas Prasad) and Margaret (Victoria Hamnett). That scene never actually takes place in the play, though several directors have added it (and I definitely would). Here it was sexier and more elaborate than usual and segued into the Romeo & Juliet balcony scene, with lines from Romeo & Juliet too. Very well done … but hang on, what about chronology? We see that scene before we see Don John telling Don Pedro and Claudio to come and watch Hero’s window. If you’re adding the whole visual aspect, surely you then put the bedroom scene in AFTER that. OK, we can assume Borachio & Margaret were doing it every night, but even so, wrong place.

Stewart Right was very good as Constable Dogberry, but what was the tai-chi costume and moves about? It seemed to come from nowhere.

Conrad (Caolan MCarthy) & Borachio (Nicholas Prased) confront the Watch

They cut to the interval on the Watch arresting Borachio and Conrad. At this point, Conrad (Caolan McCarthy) was rolling a joint with a kingsize Rizla packet which we could see had half its top torn off. They did a very good funny tying up scene, but I would have had someone put Conrad’s makings into a plastic evidence bag to point the joke.

Wisely, they amended Dogberry’s mistaken lines and updated them. They added a whole routine of getting Don Pedro’s name wrong differently every time – I’ll only spoil one of four or five examples: Don Pedalo.

At the interval we were agreeing with other reviews … a motley collection of good inventive ideas, but a lack of flow and rhythm. Like all high concept productions, there are points where it becomes hard to marry the concept wth the lines.

Claudio (Calum Lynch) accuses Hero (Kate Lamb). Priest centre(Calan McCarthy)

The production picked up pace and power in the wedding scene. It’s always a difficult switch to serious stuff. It worked so well because Don Pedro, Leonato and Claudio were so strong in it. David Rintoul’s Leonato was incensed at full power. Claudio mixed pugnacity and furious petulance brilliantly … it was hard to believe this was Calum Lynch’s professional debut. Kate Lamb’s Hero reflected all this (very good faint too) and made something powerful of a traditionally insipid role. Caolan McCarthy’s Friar was very good with an Irish accent.

Beatrice (Mel Giedroyc), Hero (Kate Lamb), Ursula (Katherine Toy)

So, the serious side took over and played well.

The names above the title are Mel Giedroyc and John Hopkins (though only Mel on the main flyers; both online). They were a strong Beatrice and Benedick. I never envy a major TV star or film star in Shakespeare because with critics you’re on a hiding to nothing. John Hopkins is a highly accomplished and experienced Shakespearean actor and shows it. Very funny, strong, and also able to show the contrasting emotions. Mel Giedroyc acquitted herself well. She is naturally very funny, and also was suitably angered and distraught at Hero’s problems.  Mind you, “Kill Claudio.” is one of the great dramatic moments. I’ve seen it better done.

Beatrice and Benedick are the template for every Hollywood love / hate relationship on film (perhaps hate / love is more apt). There has to be a magnetic intimacy … first repelling then attracting as the poles reverse,. but you have to be aware of that sexual tension. We didn’t feel it was there. However, at the end, the scene where they’re holding each others love poems was stellar. They didn’t read them aloud – just pointed to bits and grimaced. One of the best I’ve seen it done.

B&B

Benedick (John Hop[kins) & Beatrice (Mel Giedroyc)

The “alternative bride” scene was well set up with seven women masked in black dancing around Claudio. He couldn’t guess which was Hero’s alleged cousin, though we’d guessed that it was the only one with gold wedding shoes below the robes. We loved the way Claudio was spoiling for a fight at all times, even after the supposed resolution. A stroppy bastard indeed. That’s a good interpretation, as it made sense of his behaviour.

There was a good Globe style dance ending. As mentioned, the play’s on until May 6th. You would have walked in easily last night and got good seats. The few sitting in the pit flat area abandoned it for front row pit seats at the side after the interval. The Broadway World review says “The Rose turns to Shakespeare to give it a needed boost.” Given Shakespeare and a major name, audience size was disappointing. Maybe that’s why the theatre needs a boost. Nice to see a younger audience though, but I’d guess that was Sixth Formers.

With all the fuss going on about Mrs Rich at the RSC and the controversy over colour blind casting, the Rose continues immune, apart from Don John. They’d argue that it’s supposed to be Italy and the Mafia. They had a very good chorus and also musician actors doubling. It’s quite surprising that they are definitely not in the RSC/ Globe ethnic counting area.

We both agreed that it didn’t feel particularly “Italian.” Perhaps it was a contemporary setting, where the most successful Italian modern settings have been 1950s and 1960s when the world was fascinated by all things Italian from espresso to Lambrettas to Sophia Loren. The RSC’s Taming of The Shrew was set in late 40s / early 50s Cinema Paradiso territory. Branagh’s Romeo & Juliet was high 60s fashion Italy. Both had a sense of place that this lacked.

Overall? Lots of fun, highly entertaining. Flops on the fancy dress party, coherence in Act One and lack of Beatrice / Benedick magnetism. The run is far too short. Given a couple more weeks and a tour it would tighten up and flow better.

***

WHAT THE CRITICS SAID

5 star
Sally Knipe, London Theatre com *****
4 star
Alice Saville, Time Out ****
3 star
Michael Billington, The Guardian ***
Domenic Cavendish, Telegraph ***
Ann Treneman, The Times ***
Jane Edwardes, Sunday Times ***
Sarah Crompton, What’s On Stage ***
Paul Vale, TheStage ***
Aliya Al-Hassan, Broadway World ***
2 star
Fiona Mountford, Evening Standard **

LINKS ON THIS BLOG:

  • Much Ado About Nothing- Wyndhams, 2011 David Tennant, Catherine Tate
  • Much Ado About Nothing – Old Vic 2013 James Earl Jones, Vanessa Redgrave
  • Much Ado About Nothing – Globe 2014
  • Much Ado About Nothing – RSC 2014 (aka Love’s Labour’s Won)
  • Much Ado About Nothing – RSC 2016 revival
  • Much Ado About Nothing – Globe 2017
  • Much Ado About Nothing – Rose, Kingston 2018, Mel Giedroyc
  • Much Ado About Nothing, Northern Broadsides, on tour, Salisbury 2019
  • Much Ado About Nothing, RSC 2022
  • Much Ado About Nothing, National Theatre 2022
  • Much Ado About Nothing – FILM – Joss Whedon, 2013

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        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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