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Life of Galileo

Life of Galileo
by Bertolt Brecht
Translation by John Willett

Directed by Joe Wright

Designed by Lizzie Clachan
Music Tom Rowlands
Dramaturg Sarah Tipple

IMG_7732

Young Vic Theatre, London
Saturday 27th May 2017, 14.30

CAST:
Ayesha Antoine
– Mrs Sarti / Senator / Clavius / dancing girl / Vanni / Individual / 3rd boy
Jason Barnett  – 
Federzoni / Fat prelate / Cardinal Bellarmin / Ballad Singer / Clerk
Brendan Cowell
– Galileo
Billy Howle
– Andrea / A monk / Dancing girl / Pope’s attendant
Paul Hunter
 – Basket maker / Sagredo / Philosopher / Inquisitor / Frontier Guard
Joshua James –
 Ludovico / Chamberlain / Scholar / Pope’s attendant / Peasant
Bettrys Jones
– Senator / Cosimo di Medici / Very Old Cardinal / Dancing girl / Ballad Singer’s wife / Gaffone / First boy
Alex Murdoch
– The Doge / Court Lady / Little monk / Second clerk / Individual / Giuseppe
Brian Pettifer –
Procurator / Cardinal Barberini / The Pope / Mucius / A monk
Anjana Vasan
– Virginia, Galileo’s daughter / mathematician
Sarah Wright
– puppeteer / poet / court lady / first clerk / Ludovio’s servant / Official

“Brechtian” has never been a positive word in my theatrical vocabulary. I file it with “didactic”, “stilted” and “dull.”  Around the time of Sergeant Pepper I had to do a production design and notes on  Life of Galileo (which then had “The” at the front). I’ve seen it since too, and never liked the play.  I’ve never been fond of anything by Brecht. This is  a major new production. I have some sympathy for Christopher Hart in The Sunday Times, who (again) got sidetracked into arguing the historical facts and Brecht’s inaccuracies and political bias, rather than reviewing the play, well, he gave it two stars.  I read Brecht’s prologue notes and he addresses several of Christopher Hart’s complaints about historical accuracy, stating it should not be played as an attack on the church, and pointing out the church’s early role in education. It’s a bit like having the “Richard III Society” review a production of the Shakespeare play.

The main attraction for us was film director Joe Wright (Pride & Prejudice, Atonement, Anna Karenina, Hanna, Pan). Anna Karenina is one of the most popular pages on this blog. Another plus I hoped was a different translation.  I thought the Desmond I. Vesey translation (as in my 1965 edition) sterile. The Willets translation used here is of similar vintage. In 101 Greatest Plays (of which it is one) Michael Billington mentions three other versions, including one by David Hare.

The story is Galileo’s role in discovering planetary motion, the church’s opposition, and that in the end, when “shown the instruments”of the Inquisition, he recanted and denied his own discoveries. He managed to get his disciple, Andrea, to smuggle his Discorsi out of Italy for publication.

Every review mentions the three hour running time. Well, it started at 2.34 and finished at 5.22 with a 15 minute interval. We walked to Waterloo and caught the 17.35 train with five minutes to spare. I make that running time no more than 2 hours 35 minutes, so not abnormal at all, but I agree, it did seem far, far longer. Much of that was Scene 14, the house of exile in the country where Galileo speaks largely uninterrupted for ages. I just looked up my edition and found much underlining in red. My much younger self found lines significant back then.

“your cry of jubilation over some new achievement may be answered by a universal cry of horror”

It even adds an exclamation mark in the margin. I was very young. Brecht rewrote the play after Hiroshima. This would be one of the new bits.

I found the awful thumping mindless monotonous music in the fifteen minutes before the play started so boring, that anything afterwards was going to be light relief. In contrast the music during the heavenly projections was sublime and at the end(with the galaxies) quite magnificent. No doubt by the same hand too.

The stage was not so much in the round as in the doughnut. Tickets in the centre of the ring can be booked and you get cushions to lie on and look at the circular projection screen, a kind of planetarium above the whole acting area. I would have liked that, especially the lying down, as the seat in row D had a foot bar that was too high but a floor that was too low. Though lying down I might have drifted off in some of the longer monologues. And even the shorter ones are pretty long. It means the whole play is about rings, and moving around a centre, appropriately. In the few minutes before the start, the cast are mixing in with the groundlings.

Brendan Cowell as Galileo

The whirlwind at the center is the huge energy of Brendan Cowell as Galileo. He is an astonishingly powerful earthy presence, with bushy beard, T shirt, sagging scruffy jeans. The rest of the cast switch roles at speed. There is a mix of modern … an Inquisitor who looks like a Mafiosi, fascist guards, sexy gold spangled dancers, and full Catholic drag, though there are cheeky additions like a football scarf over Cardinal’s red robes.

Lighting changes and timing and projection had me gasping with admiration, and I truly believe that no one could do Brecht’s play better. That’s not the issue. The issue is the play which I still find at its heart dull, didactic, preachy, and in spite of all the well-choreographed  running around, intrinsically static. Brecht was almost a stranger to rapid dialogue interchange. The Willets translation was claimed to be more colloquial, but really not much more, if any.  The virtue is that it stays close to Brecht’s text, while the more modern versions are freer. I was not converted from my intrinsic dislike of the playwright. I saw a lot of Brecht in the late 60s / early 70s.

The direction is endlessly inventive. Advance publicity staes that 11 actors play 68 characters, I prefer “roles”. “Character” is too strong a word for Brecht.  I don’t think there any “characters” in the play with the possible exception of Andrea. Brecht writes “mouthpieces.” Look at the cast list. There are many names there that I don’t recognise from watching the play.

Brian Pettifer

Joe Wright has all sorts of devices to keep it interesting, so that in the long pope scene, we start with the pope in his underpants and watch him slowly and carefully robed with bizarre underpinnings and robe toppings. Brian Pettifer created a wonderful series of prelates, and always reminds me of his role as Biles in my favourite 60s film, If ….  And its sequels O, Lucky Man and Britannia Hospital.

Galileo (Brendan Cowell) explains gravity to Andrea (Billy Howle)

Brendan Cowell as Galileo and Billy Howle as Andrea made a good team, with Howle’s reactive acting deserving of special mention. He has to do a very great deal of listening, but also shone as he lost his temper, negotiated customs to get the discourses across the frontier, He moves from a child to a man as Galileo’s disciple. He even does a short gold-sequined cameo as a third dancing girl.

Joshua James as the fiancé, Anjana Vasan as Virginia

Ajana Vasan plays the daughter, Virginia, who loses her aristocratic fiancé (one of several excellent parts by Joshua James) because of her father’s intransigence, and touchingly stays in her unused wedding dress from then on in this production,  a touch of Miss Haversham. When we move on a decade, she’s added a cardigan to it. Some comment that Brecht underestimated her role in the actual history.

Jason Barnett as the singer

Jason Barnett played a plethora of roles with an easy naturalness, as well as leading the one song powerfully.

There are scenes I like, such as when the mathematicians refuse to look through the telescope. The projections of the moon, Jupiter, the fiery sun, and at the end galaxies to music were so good I wanted more projection and less talking.

Puppets were used for the rhymes at the start of each scene, and Brendan Cowell had “stepping outside the role” bits such as announcing that Sene 5 had been cut … it’s set in Florence during the plague. I fancy there were other cuts too.

There are many short appearances by new characters in various costumes to keep things moving, but you go back to the base story, and it has never excited me. Brecht believed he was creating theatre for the workers, but I find his “parables for the theatre” anything but popular work. The great reviews this has attracted are down to the life force of Brendan Cowell dragging the weight of the play into something better than the original.

Overall: ***

WHAT THE CRITICS SAID
The Guardian thought the kaleidescopic production detracted from the text. Whereas I thought the text detracted from the kaleidescopic production.

5
Debbie Gilpin, Broadway World *****
4
Dominic Cavendish, Telegraph ****
Paul Taylor, The Independent ****
Susannah Clapp, The Observer ****
Sarah Hemming, Financial Times ****
Natasha Tripney, The Stage, ****
Neil Norman, Daily Express ****
3
Michael Billington, The Guardian ***
2
Christopher Hart, Sunday Times **

JOE WRIGHT – ON THIS BLOG
Anna Karenina (film)
Hanna (film)

BRIAN PETTIFER
Platonov, by Anton Chekhov, version by David Hare, Chichester Festival Theatre
Ivanov, by Anton Chekhov, version by David Hare, Chichester Festival Theatre

ANJANA VASAN
A Midsummer Night’s Dream, The Globe 2016 (Hermia)

 

 

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      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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