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Macbeth – National Theatre 2018

Macbeth
By William Shakespeare

Directed by Rufus Norris
Set Designed by Rae Smith
Music by Orlando Gough

Olivier Theatre at The National Theatre
Saturday 5thMay 2018 14.00

IMG_0383

The National Theatre on a May afternoon: so light outside, so dark within …

CAST

Rory Kinnear – Macbeth
Anne-Marie Duff – Lady Macbeth

With

Nadia Albina – Gentlewoman
Michael Balogun – Doctor (OFF SICK)
Stephen Boxer – Duncan
Trevor Fox – Porter
Andrew Frame – Siward / Murderer
Kevin Harvey – Banquo
Hannah Hutch – witch / boy
Nicholas Karimi – Lennox
Joshua Lacey – murderer
Penny Layden – Rosse
Anna-Maria Nabirye – witch
Patrick O’Kane – MacDuff
Amaka Okafor – Lady MacDuff
Hauk Pattison- ensemble
Alana Ramsey – murderer, doctor (understudy)
Beatrice Scirocchi – witch
Rakhee Sharma – Fleance
Parh Thakerar – Malcolm

+

Sarah Homer- bass clarinet, new wind instruments
Lacticia Scott – French horn, new wind instruments

Anne Marie Duff as Grungy Lady Macbeth, Rory Kinnear as Crusty Macbeth

Oh, bugger. The major reviews were pretty uniform, and negative. As Domenic Cavendish pointed out in his review of the rival Macbeth at the RSC:

… this (RSC) lamentable Macbeth (is) the second dismal account of the Scottish play from a major subsidised theatre we’ve had to suffer in a fortnight. What’s alarming is that both this revival by Polly Findlay for the RSC and Rufus Norris’s for the National did sell-out business at the box-office prior to opening night. By my reckoning, excluding the cinema screenings, the Barbican run and the NT’s autumn tour, that’s potentially around 130,000 underwhelmed punters.

Domenic Cavendish

Indeed. They did sell-out business and we bought tickets as soon as it was announced, and we couldn’t get to see it early in the run either. So here we are,  with low expectations. Good cast. Dystopian future (in the cast list it’s “SETTING: Now, after a Civil War) I’ve seen that one, for example in the Trafalgar Studios version. Maybe they’ve read the reviews and changed it? But it’s not commercial theatre. They’ve sold out the entire run. They don’t need to. As with Absolute Hell in the Lyttelton next door, it has changed length since previews. The programme states “About 3 hours including one 20 minute interval.” We were out at 4.30 from a 2 pm start, so 2 hours 10 minutes stage time rather than their predicted 2 hours 40 minutes.

The National tends to one HUGE Shakespeare every year or so in the Olivier Theatre. Twelfth Night 2017, As You Like It 2015, King Lear 2014, Othello 2013, Timon of Athens 2012, Hamlet 2010. It’s very hard to fill that vast stage, so productions tend to massive casts, major sets, use the revolve stage incessantly and absolutely no expense spared. Every time, I grudgingly admire these big productions, but think how many provincial playhouses could have their worries solved by spreading that money around more fairly. It is supposed to be the “National” Theatre NOT the “London Theatre” but from the provinces it’s far harder to justify membership for priority bookings (and if you don’t have it, you don’t get good seats, and we don’t have it, and we end up at the extreme sides) , and Londoners get a disproportionate amount of benefit from it.

Set design: Macbeth, National Theatre. Decapitated body in foreground. Macbeth did it.

I mention the basic problem with dystopian Macbeths in my review of Jamie Lloyd’s Trafalgar Studio production from 2013, set fifty years ahead:

Because the world of 2063 gives us a warring pack of savages, we lose the sense of the religious horror of regicide, murdering an anointed king … Duncan is merely an older and grizzlier pack member waiting to be pulled down if he hobbles slightly; nor the sense that Macbeth achieved great royal power. In such a band, top dog is always a temporary position and doesn’t come with robes or crowns.

The Elizabethan / Jacobean audience were well aware of the extreme horror of killing an anointed king. Generations of royals had combined and persuaded pliant churchmen to make regicide an unforgivable sin: hell was inevitable for the perpetrator. The Macbeths crime is the worst possible: killing a guest, killing a king.

This production is bookended by decapitations, and the whole sloping platform has been designed to facilitate that. Did no one think, “Hey, Macbeth opens the play by slowly sawing the head off an enemy. So how come he’s then horrified by a little bit of blood?”

Thinks: “To kill a King … ” Rory Kinnear as Macbeth, Patrick O’Kane as MacDuff, Stephen Boxer as King Duncan 

The costumes are crusty / summer solstice traveller. The royals are marked by red suits … Duncan wears one, Macbeth gets one, as does the parade of Banquo’s offspring at the start of the second part. In their favour, the play sticks closely to its crusty grungy ambience, while most high concept versions drift and lose their reference point. The Macbeth’s “castle” is one room of a concrete bunker or anti-tank pill-box. A later section has a molten hole burned out of the wall by an incendiary rocket.

Macbeth-Preview-26-02-18-Olivier-718

Macbeth’s pill-box castle (he now has the red suit of monarchy). “This castle has a pleasant seat. The air nimbly and sweetly recommends itself unto our gentle senses.” as Duncan says.

Unusually, we see Macbeth walk past the snoozing guards and sleeping Duncan in their half-wrecked portakabin before deciding on murder. Later, Malcolm gives his speech next to Duncan’s bloody corpse.  It looks consistently crusty BUT emphasises that these guys would never had had any reverence for kingship whatsoever. The poverty of the ennobled royal Macbeths, living in squalor, totally undermines the theme of the play. They have a feast on trestle tables with battered old chairs and billy cans. So what? Why are these savages agonising about knocking off another savage?

anne-marie_duff_as_lady_macbeth_in_macbeth_at_the_national_theatre_c_brinkhoff_mogenburg_1002-0733

Lady Macbeth near the end in royal sequinned tat.

The murder of the MacDuff family was embarrassingly bad. The tickling looked like child abuse. Please, please never put another actor in ironic Disney Jim-jams ever again. Not funny. Awful. No more heads in transparent plastic bags either. Zero tension nor horror. About the worst I’ve ever seen a crucial scene. A shame as Patrick O’Kane did MacDuff’s reaction to the murder so movingly. One has to assume he hadn’t watched that bit.

The lighting plot was extremely good. They used a mechanical follow-spot a lot (I date from manual follow spots) which cast light on individuals from above. It worked most of the time, but not in Lady Macbeth’s first scene in the concrete bunker /pill box because the follow spot was falling on the bunker wall, so the light on the wall was constantly moving as she moved. Irritating.  You’re supposed to avoid it dancing around on a vertical surface.That was “Lighting 101” in my day, but that was a very long time ago.

image

Malcolm & MacDuff in England, where they have a nice table AND (just out of shot) a carpet.

I’m sure every actor was boosted by mics. The Olivier Theatre is a huge space. With Banquo it was screamingly obvious, as his voice appeared to come from the speakers, not him. Was his projection lacking so that they over-boosted it? The central witch had added echo on her mic too. Banquo, once dead, had to spend much of the play lurching about, either drunkenly or brained by a head wound. Yes, he was dead, but the dead reappearing in later scenes is (a) in the text and (b) over- done in SO MANY Shakespeare productions.

It was an accent free for all. The porter (exactly as at the RSC) was Geordie. MacDuff was Belfast aggressive. Banquo was a Scouser. Lennox was Scots. Ross was Yorkshire. One witch seemed to be Spanish. Accent-blind is not to my taste. I’ve worked so much with accents on audio, so I seek a rationale.

Rory-Kinnear-as-Macbeth-Beatrice-Scirocchi-as-Witch-and-Anna-Maria-Nabirye-as-Witch-in-Macbeth-at-the-National-Theatre-c-Brinkhoff-Mögenburg-1002-1057

Macbeth with witches: the end is nigh

There are some visual highlights in a very dark and murky production. The parade of Banquo’s descendants is a major one, They have heads on back to front and the red kingly jackets on back to front … except for just one who had it on the right way round. My companion surmises that he/she was last out of the dressing room, so had no one left to button it up for him/her.

Later we see the witches grasping poles to watch the final scenes. Pole dancing? The moving ramp, and revolving stage with silvery backdrops looked spectacular, though deliberately under lit in busier scenes.

The two musicians did a stellar job on clarinet and new wind instruments, assisted by a beats rhythm track. It really enhanced moods (though I have doubts about music undrerlying essential dialogue.)

On casting, they chose two of my favourite actors, Joshua Lacey and Nadia Albina, and put them in tiny insignificant bit parts. These are two of the best actors in the cast  … I think of Joshua Lacey as Cloton in Imogen and Orsino in Twelfth Night at The Globe, and Nadia Albina at the RSC and Globe, who has such a beautiful voice. And they end up as First murderer (quickly killed) and “gentlewoman.” WTF? I’d have preferred them (and cast them) as the two leads.

The comparison with the concurrent RSC production is inevitable. That RSC one failed on set, costumes, lights and sound but Christopher Ecclestone and Sinead Cusack and Edward Bennett were superb. It’s all in Ecclestone’s profile, voice and intensity. Rory Kinnear is a fine actor, but he paced so much of his dialogue oddly and never has the necessary physical presence. She didn’t have any sense of pace. They did not fall into synch as they should.  Let’s be personal. He does not have “the look.”  His bald head with hair at the back makes him look middle-aged. He does not have Ecclestone’s hard man aura, and he would have looked far tougher if like Patrick O’Kane’s MacDuff (and me) he had shaved the lot off. It’s shorter in the photos than it was today. He was brilliant as Hamlet, Iago and Marx, but Macbeth is not his role. . I thought Ecclestone, Cusack and Bennett were far better. BUT this had a stronger concept, some great visual moments and lighting, but weaker principal actors.

Domenic Cavendish is right, neither the RSC nor the National justified their public money with Macbeth this year. Neither were in the same league as the recent Young Vic production. Nor the Globe one with Ray Fearon and brilliant witches. They cut this one heavily and as in Absolute Hell next door, cut it more after previews. How can you get the extent 30-40 minutes wrong after rehearsals twice in the same month? Aren’t these professionals?

In the words of Thomas Hobbes it was, “Nasty, Brutish and Short.” Mercifully short. Following Absolute Hell, that means two “two star” poor National Theatre productions in two days. That’s a real problem. It breaks the “must book the National” inclination. It certainly has for us.

Two stars.

**

NT LIVE BROADCAST 10thMAY 2018

WHAT THE CRITICS SAID

4 star
Scott Matthewman, Reviews Hub ****
3 star
Ian Shuttleworth, Financial Times ***

His revival retains the usually cut minor character Angus but excises King Duncan’s younger son Donalbain. Some of the most famous lines and even scenes are jettisoned. In more minor cuts and rewrites, metre counts for nothing

Holly Williams, The Independent ***
David Butcher, Radio Times ***
Mark Shenton, London Theatre ***
2 star
Michael Billington, The Guardian **

while the production is vigorously staged, it squeezes the play into a rigid concept and in the process sacrifices its tonal contrasts and mysterious poetry.

Domenic Cavendish, The Telegraph, **

On the evidence of this woeful Macbeth, the pressure is on the NT’s artistic director once again, undertaking his first Shakespeare in 25 years and seemingly restoring the curse to the Olivier that has blighted so many shows here of late … I’m not saying Norris’s head should roll, but dark and bloody thoughts may seize those, like me, left mightily unmoved and unharrowed

Ann Treneman, The Times **
Henry Hitchings, The Evening Standard **
Quentin Letts, Daily Mail **

“It is a low-lit mess engulfed by blunt grottiness … The artistic aim is dystopia but the grime is so overdone that it made some audience members chuckle. Hardly a night of tragedy.

Andrzej Lukowski, Time Out **

Toss in some baffling cuts to the text that don’t seem to serve much purpose beyond wrestling the running time down a bit and you’re stuck with a big, blasted mess of a show

Natasha Tripney, The Stage **
Marinka Swain, Broadway World **

1 star
Sarah Crompton, What’s On Stage  *

This production is a misjudged mess, a horror show in all the wrong ways, and a terrible waste of the acting talents of Rory Kinnear and Anne-Marie Duff.”

LINKS ON THIS BLOG:

MACBETH
Macbeth, RSC 2011 Jonathan Slinger as Macbeth
Macbeth – McAvoy 2013, Trafalgar Studio, James McAvoy as Macbeth
Macbeth – Tara Arts 2015 (Shakespeare’s Macbeth) on tour, Poole Lighthouse
Macbeth, Young Vic, 2015
Macbeth – Globe 2016, Ray Fearon as Macbeth
Macbeth, RSC, 2018   Christoper Ecclestone as Macbeth
Macbeth, Wanamaker Playhouse 2018, Paul Ready as Macbeth
Macbeth, Watermill Theatre, 2019. Billy Postlethwaite as Macbeth.
Macbeth, Chichester 2019, John Simm as Macbeth.

RUFUS NORRIS
wonder.land, national theatre 2016

RORY KINNEAR
Young Marx, Bridge Theatre 2017 (Marx)
Othello, National Theatre 2013 (Iago)
Hamlet, National Theatre, 2010 (Hamlet)

JOSHUA LACEY
Imogen (Cymbeline Renamed and Reclaimed) – Globe 2016
wonder.land by Damian Albarn, Moira Buffini, National Theatre 2016
Richard III – Trafalgar Studios, 2014
Twelfth Night, Globe 2017(Orsino)

NADIA ALBINA
Macbeth, Globe 2016 (porter)
Hecuba, RSC 2015 (Cassandra)
Othello, RSC 2015 (Duke of Venice)
Othello, Wanamaker 2017 (Bianca)
Quiz,Chichester 2017

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        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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