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Copenhagen

Copenhagen
By Michael Frayn

 

Directed by Michael Blakemore
Designed by Peter J Davison

Minerva Theatre, Chichester Festival Theatre

Tuesday 29th August 2018 19.30

CAST:
Charles Edwards – Werner Heisenberg
Paul Jesson – Niels Bohr
Patricia Hodge – Margrethe Bohr

CFT_Website_Images_447x792px_Copenhagen

Charles Edwards and Paul Jesson

Reviewer: Peter Viney: GCE “O” Level Physics (FAILED). I did get a Grade 7 … there were three fail grades, 7, 8 and 9, so I feel quite proud of that result.

Michael Frayn? Great writer. Great reception on its initial award-winning 1998 runs in London and New York, and this 20thAnniversary production has the original director, Michael Blakemore and the original designer. It’s also in Chichester’s Minerva Theatre which is three-quarters in the round, therefore suiting the circular design.

It’s one of Michael Billingtons 101 Greatest Plays of All Time, and I increasingly believe producers are trying to work through his list. I’ve seen about fifty of the ones he chooses, and can’t see myself (or producers) approaching the large German and Russian selection in the middle of the list. Michael Billington’s Guardian review gives this Chichester production four stars, not the five you might expect for one of his 101 Greatest selections. Strange, given that we have the same original production team. However, he criticizes Paul Jesson’s Bohr:

However, while conveying Bohr’s paternal authority and impatience, Paul Jesson gave a rather blurred first-night performance and even rushed though vital speeches explaining Schrödinger’s wave function and uranium 235. Michael Billington

What? Do we actually want to know those details? Personally I got dizzy trying to remember whether it was Uranium 235 or Uranium 238 that was relevant in creating Plutonium, but got through it by mentally changing it all to Kryptonite. I never worried about its place in the atomic table while watching or reading Superman.

Then we had read the synopsis and reviews (cerebral?), and have to admit that had it been raining heavily we would have not bothered to go. I highly recommend the extensive Wikipedia entry on the play which covers not only the play, but the historical background and more recent discussions. My younger son (2.1 degree in Physics) said they went to see the original run in the first year at university and maintains that the 1941 meeting between Heisenberg and Bohr IS incredibly important in the history of physics.

Charles-Edwards-Paul-Jesson-and-Patricia-Hodge-in-Michael-Frayn_s-COPENHAGEN-at-Chichester-Festival-Theatre-Photo-Conrad-Blakemore_IMG_0204-700x455

So what was it about? The play has Bohr (Paul Jesson), his wife (Patricia Hodge) and Heisenberg (Charles Edwards) all dressed in grey suits. They’re all dead and trying to remember the past, especially the events of September 1941 in Copenhagen. Bohr was the Danish physicist who was the “father” of nuclear physics. Heisenberg, who was German, had worked with him in Denmark from 1924 to 1927. Denmark was Nazi occupied in 1941, and as a (half) Jew, Bohr was in danger. Heisenberg went to great lengths to get permission to travel to see him. Their conversation caused a rupture in their relationship, and they have different memories. Memory shifts … it was September but Heisenberg remembers it as October with autumn leaves in a park under streetlights. But it was wartime. No streetlights, and the park was four kilometres away from the Bohr’s house. Margrethe is an observer, referee and later almost a judge, though the vital conversation occurred when the two men went out for a walk, assuming the Gestapo had microphones in the house.

It hinges on the potential for weaponizing atomic fission. Heisenberg’s guarded questions reveal he has already spent two years on a project, and while he claims it’s a reactor, Bohr knows that reactors lead to bombs. Bohr realizes the Germans are working on a bomb, and that also Heisenberg is letting him know that. Why is Heisenberg asking? Does he just want to know if the Americans are doing the same? The first half ranges over their subsequent lives. Bohr escaped when the Nazis started rounding up Danish Jews in 1943, got to Sweden, then Britain then Los Alamos. Denmark did more to assist Jews than any other country.  The ultimate point that Frayn presents is that Heisenberg either by chance, carelessness, inability, sub-concious or intent hindered the Nazi development of the atom bomb. While the moral Bohr got to Los Alamos (via Sweden in 1943) and helped perfect the A-bomb that hit Hiroshima and Nagasaki.

How much is afterthought or retouching history? The play for me was its strongest as they argued the moral dilemmas, and recounted what happened to them later. They quote various physicists, and far too many names are thrown in for the non-specialist playgoer. I noted them quoting Oppenheimer’s regret that the bomb was not ready in time to try it on Germany before Japan. They also note that Germany is weak on theoretical physics, because theoretical physics was disregarded in Germany, so all the great ones were Jews … and had been forced to flee.  A recurring theme is the death of Bohr’s son Christian by drowning. Bohr threw a lifebuoy, but didn’t jump in. Decisions.  The end is particularly moving where Heisenberg recounts the harrowing final stages of the war against a projection of German ruins … created by conventional bombs.

Michael Frayn has an extensive programme note on reactions to the initial play, which had led to the Bohr and Heisenberg families releasing correspondence that threw some new light on the events, which he notes. He says that he has corrected minor details for this production.

I depart strongly from Michael Billington’s comment on the explanations of Schrodinger’s wave function and Uranium 235 v Uranium 238. I think Paul Jesson was right to get them over with with alacrity, as he did. I’ll add other points discussed … Schrodinger’s cat, Heisenberg’s Uncertainty Principle, Quantum Mechanics, Bohr’s Complementarity Theory. It’s all Kryptonite to me, and I suspect to many (most?)  of those watching the play. I found the first part of Act Two an indigestible barrage of physics. Fortunately the last section of Act Two is very good.

Act Two has that long physics lecture … if I was judging it as a Physics 101 Lecture it was a brilliant demonstration, but this is a play. My mind wandered away to the meticulous lighting plot. The white circle on the stage has elliptical markings all over it. I watched as pin spots hit every actor’s head perfectly. I looked down. They were standing on elliptical intersections as their marks. It struck me that the play required extensive lighting rehearsals as actors had to hit their marks with precision at times.

I’m amazed at the “Best Play of 1998 Awards.” To me there has to be an Emperor’s New Clothes element there, either that or most theatregoers are far more scientifically oriented than I am  … and I have struggled through The Tao of Physics but I also have one of the tens of thousands of pristine, unread copies of A Brief History of Time. If I were choosing a Michael Frayn play as one of the all-time greats, it would be Noises Off. But then our reactions differ greatly- I can’t understand a 101 Greatest list which excludes Martin McDonagh and Peter Barnes.

I’ve had the A-bomb discussion at length – I’ve been to Hiroshima three times, I’ve been to Peace Park and the museum twice. The most harrowing thing is that people were not only destroyed, they were reduced to a faint shadow on the side of a building.  Visiting it is a bone-chilling experience. As the American colleague with me at the time pointed out, the conventional firebombing of Tokyo (where he lived) on 9th to 10th March 1945 killed 100,000 and injured 1,000,000 and destroyed 1,000,000 homes. The figures are argued in a range of 75,000 to 200,000 deaths. Tokyo was a deadlier raid than Dresden, Hamburg, Hiroshima or Nagasaki as single events. Yet the Japanese were not moved to surrender. Then about 70,000 were killed by the atomic bomb on Hiroshima, and 70,000 injured. There were many subsequent deaths. The war ended. It was the instantaneous nature of the attack with a single bomb that made the difference. Estimates are that a conventional invasion of Japan would have killed vast numbers on both sides. Of course, you can’t put atrocities in a scale and balance them. However, my father had his orders to ship out to the Far East from Germany at the time of Hiroshima for an invasion of Japan. He didn’t have to go. And so I was born after the war. I might owe my existence to Enola Gay. The cliché is that nuclear weapons have prevented a major world war for 73 years, though if you live in Syria, Iraq, Yemen, Afghanistan, the former Yugoslavia, Vietnam, Cambodia or areas of Africa, or lived in China during the cultural revolution, that will seem academic. Here in the privileged West it has worked. Now we fear minor powers run by mentally unstable leaders getting the bomb. I’d add that the two great powers now also have unstable leaders.

The play is very different. The cast all deliver accomplished, nuanced performances at the highest level. The direction and lighting are meticulous. At times the script was enthralling, but for the lay person, it really does go too far into the science. It was also our third “Small cast / all talking” play in a row and it’s not my favourite theatrical genre.

Domenic Cavendish’s review says:

One critic first time complained that Frayn had written a radio play, too static for the stage. While I don’t agree, I can’t help observing that a very fine BBC radio production starring Benedict Cumberbatch, Simon Russell Beale and Greta Scacchi is easily available at the touch of the (non-nuclear) button. Domenic Cavendish 26 August 2018

I think that original critic is absolutely right, in spite of the excellent body language and expressions from this cast. A great radio play.

***

WHAT THE CRITICS SAID:

5 stars
Maxwell Cooter, What’s On Stage *****
Anne Cox, Stage Review *****

 4 stars
Michael Billington, The Guadian ****
Bella Todd, The Stage ****
Holly Williams, Mail on Sunday ****

 3 stars
Domenic Cavendish, Telegraph ***
David Jays, Sunday Times ***

Frayn’s physics can be juicy theatrical metaphor, but this revival often feels more of a seminar. David Jays 2 Sept 2018

LINKS ON THIS BLOG:

MICHAEL FRAYN
Noises Off, Nuffield, Southampton, 2016

CHARLES EDWARDS
Absolute Hell, by Rodney Ackland, National Theatre 2018
Richard II, Globe 2015 (Richard II)

PATRICIA HODGE
Travels With My Aunt, Chichester 2016
Relative Values, Bath Theatre Royal, 2013

PAUL JESSON|
Coriolanus, RSC 2017
Wolf Hall, RSC
Mr Turner (FILM)

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      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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