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Boudica

Boudica
By Tristan Bernays

 Shakespeare’s Globe
Saturday 23rd September 2017, 14.00

Directed by Eleanor Rhode
Designer Tom Piper
Composer Jules Maxwell

CAST

Bethan Clark – ensemble
Samuel Collings – Catus Deciamus, Roman procurator
Owen Findlay- ensemble
Jenny Fitzpatrick – Lucius, a Roman soldier
Kate Handford – Silvia, a captive Roman woman
Joan Iyiola – Alonna, younger daughter of Boudica
Brian Martin – Sejanus, a Roman official / Sestus, a Roman soldier
Forbes Masson – Cunobeline, King of The Trinovantes
Gina McKee – Boudica, Queen of the Icon
Anna-Maria Nabiyre – Andraste, Goddess of Victory / Roman woman
Abraham Popoola – Badvoc, King of The Belgics
Clifford Samuel – Suetonius, a Roman general
Natalie Simpson – Blodwyn, older daughter of Boudica
Tok Stephen – Clothen, son of Cunobeline / Cato, a Roman soldier

IMG_8759

The stage at the beginning. Lots of wooden cladding this year

I like the tag line on web adverts “Although set in 50 AD, this is a story for all time.’ Aren’t they all? Especially as history books date Boudica’s revolt to ten years later in 60 to 61 AD (as does the programme, I hasten to add). There are characters in this from Shakespeare’s Cymbeline. Cunobeline is Cymbeline and Clothen is … well, Clothen. Then there’s Badvoc. That takes me straight to the sitcom, Cheltenham 123, where Rory McGrath plays the hairy British chieftain, Badvoc, in the year 123 AD as the original Essex man. Badvoc was leader of the Trinovantes in that one, an historical tribe which participated in Boudica’s campaign. According to researchers for Cheltenham 123 there was no such person as Badvoc, but “it was a case of choosing the most ancient-sounding names possible.” They say their fictional Badvoc resembles Cunobeline. In this play, Badvoc is King of the Belgics.

When did the Boadicea of my children’s encylopedias become Boudica? It probably wasn’t her name anyway. All the sources are Roman and the word ‘boudika’ in  Celtic languages was the feminine form of ‘victorious.’ Whatever, my WordPress spellchecker is insistent it has two c’s: Boudicca. The play is timely in pre-Brexit (I fear) Britain. At times, it appears to beat the Brexit drum, but it cleverly undermines that through the character of Alonna. Boudica has an important role in British mythology as the warrior rebel queen. There’s a resonance down through the years. Eleanor of Aquitaine effectively ruled England through her sons. Then we have Queen Elizabeth I, Queen Victoria, Queen Elizabeth II. Margaret Thatcher was lampooned as a Boadicea figure. A tiny point we both noticed, at times in this play Gina McKee as Boudica shaped her mouth uncannily like Theresa May (who is no Boudica.) In other words, the British have no problem in having a female ruler, and so we were perplexed to hear so many Americans say at the last election ‘I couldn’t vote for a woman as commander-in-chief.’

A few weeks back, the Globe announced that the production would not be suitable for children and offered refunds to any who had booked for kids. It pays to advertise. In fact, it was nothing like as gory as Titus Andronicus a few years ago, and nothing like as potentially offensive as Romeo & Juliet this year. Boudica is the sort of thing The Globe does so well. It is, like Nell Gwynne, purpose made for the theatre. Lively, full of action, great use made of the whole space including the pit, here adding abseiling down from the roof either side. We’d watched a tepid King Lear the day before, and the audience enthusiasm for this was so much greater.

Gina McKee as Boudicca

To the plot. History first. Boudica’s husband, Prasutagus was King of the Iceni, a Celtic tribe in East Anglia. When he died, he named the Roman Emperor as his heir along with his daughters. Unfortunately, the emperor was Nero. On Prasutagus’s demise, the Romans pillaged his kingdom, flogged Boudica and raped the daughters. Boudica rallied the tribes, and sacked both Camulodunum (Colchester), killing 80% of the Ninth Legion, and Londinium (London). Boudica’s far larger army was defeated in battle on the old Roman Road, Watling Street, though the precise location of the battle is unknown.

The Romans torture a Druid before sending him off for crucifixion. A religious mix up there, I think.

Tristan Bernays play continues from those facts. The Romans have called in Prasutagus’ debts and taken the lot. They also only recognised male heirs and refused to let women inherit. Catus Deciamus (Samuel Collings) is a hilariously smooth talking slime of a Roman procurator and passes the sentence: flog Boudicca, give her daughters to his army. The rape scene was off stage, but when the daughters returned they really gave the feeling of having been gang-raped, and still shaking and fearful of any male. Boudicca (Gina McKee) was strapped to a board and flogged. She sets off with Blodwyn (Natalie Simpson) and Allona (Joan Iyiola) to form an alliance with King Cunobeline (Forbes Masson). They then set off to convince Badvoc, King of The Belgics. Badvoc is played by Abraham Popoola who is one of the theatrical finds of the year. He can act, and has a wonderful voice, but more so, he is a giant of a man which gives him huge stage presence. One day he’ll be a fabulous Macbeth … you need a mighty warrior for me. He looks like one.

Abraham Popoola as King Badvoc (right)

The Romans are a nasty bunch from the effete smooth talking procurator to the swearing soldiers. Just to add to their villainy they torture a Druid … the Druids appear to be part of the coalition which I fancy is historically inaccurate.

The British tribes successfully attack and destroy Camulodunum at the end of the first part. The battle scene has the audience cheering along with our bold Brits knocking the shit out of the sleazy Romans. Forgive the choice of words, but that’s how it would be put in the play. It is genuinely exciting. At this point we’re slaughtering the invader and beating the Brexit drum. But …

IMG_8761

The stage before the beginning of Part Two.

The second part opens with the British celebrating their victory. Londinium’s next. The song in the text is:

We came to fight
To fight the bastards well
We came to fight, we came to kill

We came to send them straight to hell!

The truly brilliant move here is to set it within the punk rock anthem London Calling by The Clash, sung into a mic by Forbes Masson as Cunobeline with the whole cast singing flat out behind him. Yes, it’s a Globe 2016-2017 rock music moment, sung live to massive twin drumming by our two resident female drummers on high. Sometimes it works and this was one. I was reminded that Peter Brooks’ A Midsummer Night’s Dream was propelled by twinned drummers.

Joan Iyiola as Alonna

So full of vainglory we come to a changed viewpoint. Badvoc’s Belgics have captured a Roman woman, Silvia, and he gives her to his men to rape. Enter Blodwyn and Allona. Allona instantly moves to protect the girl from suffering the fate she did, and attacks the Belgics. Right. A rift in the coalition. Cunobeline and Boudica arrives. Badvoc is furious at the attack on his men. Boudicca offers to buy the girl with gold to calm things down, but Blodwyn, “for the sake of the coalition” is prepared to let the Belgics have her. Allona does rescue Silvia, who is terrified of her. This is the interesting bit. Allona sees her as the “immigrant” and invader. Silvia points out that she too was born here. The Romans have been in Britain for a century. So a second or third generation from an “immigrant family” (like many of the cast, I assume). She too is British. I was reminded of a political meeting in the 60s when African students were arguing that white South Africans should be expelled. An impassioned white South African (a very left wing guy) spoke and pointed out that his family had been in South Africa since the early 1700s, and added that was far longer than those of Zulu descent, who had arrived in his home area in the early 19th century. It’s the same point. You’re here. You were born here, regardless of race.

Natalie Simpson as Blodwyn slaughtering an unarmed Roman,

As the coalition falls apart, Blodwyn becomes more warlike, Allona is spreading the message of peace. After Boudica dies at her own hand, the final confrontation between the sisters (labelled Epilogue in the text) is marked by costume. As warriors both had worn a skirt hitched up over trousers. At the end, Blodwyn has dispensed with the skirt and is in trousers. Allona has dispensed with the trousers and is now in a dress. The male / female attitude  is reflected in costume. The final dialogue has a lot to say:

ALLONA  What is it that you’re actually fighting for?
When all is said and done, what do you want?
BLODWYN To have this island as it once was – for those
Born and bred in it.
ALLONA And what of they
The Romans born and bred here?

By this point, the bloodthirsty Blodwyn is about as sympathetic a character as Nigel Farage at an Anglo-French Friendship Society’s dinner. :

ALLONA  Time is a tide that we cannot turn back
We must swim with it or we shall be drowned.
BLODWYN And would you let this tide of filth come in
And drown our people?

Gina McKee is a Boudica you wouldn’t mess with. Stern, strong, striding into action. Both daughters are superbly played … and Allona has quite a few touchy-feely sentiments to express too, always hard to carry off, but she succeeds. There is a trio of Roman soldiers for comedy … having said that, most of the cast have to double, treble or quadruple in various action roles.

image-1

Badvoc again.

In the programme, Tristan Bernays explains that they wanted a gender-blind, colour blind production with 50% male / female actors and 50% with / BAME actors. While we agree that male and female represent a 50 / 50 split of the population, the second figure adds to the woes of white male actors, now heavily disadvantaged in finding work. 50/50 isn’t the white / BAME population split. It has to be totally colour blind because the amount of abuse about the savage British by Romans would get horribly pointed if the sides had been colour coded in either direction. Bernays points out that the size of the Roman Empire made it credible that the Roman army had African troops, Better unsaid, I think, as you can’t carry on the same rationale to the ancient Brits. In fact, the legion that Boudica destroyed was known as the Hispanic, so presumably drawn from Spain.

The 50/50 gender split policy is taken as read now at The Globe and The National. Michele Terry as incoming artistic director has repeated it. As Bernays says, it gives the women a chance to do the fun things like sword fighting. OK, if you’re doing Shakespeare this will mean switching roles to female, as King Lear does at The Globe with Kent and The Fool, or women dressing up as men as often happens in ensemble roles. However, surely if you’re commissioning a brand new play, and you want a 50/50 gender split, logic would be to write the parts that way in the first place.

On the script, Tristan Bernays explains that he wanted the contrast of iambic pentameter with soldiers effing and blinding. I had no problem with that. It gives the Roman trio some very good comedy lines, most of which include fuck or shit. It works. The opening line after the prologue is Sweet Pluto’s arsehole – this fucking island! It’s amusing that the allegedly civilised Romans are represented by foul-mouthed squaddies. The comic Roman squaddies in this cold and miserable island was another reminder of Cheltenham 123. 

Sometimes the cod-Shakespearean text works … as in the beautifully declaimed opening speech by Andraste, Goddess of Victory. Other times I thought it had fallen over too far to sound 1600. The one that got me was needs must and must needs. When the British National Corpus (a record of English as it is actually used) gets to Boudica play text, I’ll bet they’ll find it has the greatest occurrence of must needs / needs must in the last century. (I used a King Lear quote in my review of that play the day before, and that includes must needs !) There must be six or seven instances, culminating in:

BOUDICA No, you needs must fly.
BLODWYN  We needs must fight.

A lot of lines sounded convoluted to my ear, and they had the running stage text at the side for the deaf. The play text says it went to press before rehearsals ended, so it might differ. Either they revised it, or some of the actors were naturally smoothing out the lumps because what they said was less forced than what was on the screen. There was a lot of odd word order to sound as if written 400 years ago.

I found the play text a little odd in being divided into five acts. It’s 2017. Number the scenes of course, but wherever it’s going to played it’s going to be Part One and Part Two, and you might as well avoid the Shakespearean conceit, and call them Act One (acts 1,2,3) and Act Two (acts 4,5).

The ending? A great Globe curtain call … they sang the reprised anti-Roman words interspersed with I Fought The Law by The Bobby Fuller Four (I fought the law and the law won …) a hit in 1965-66. It was sung by Forbes Masson on lead vocal, and as the famous cover was by The Clash in 1979, I assume they were pairing it with London Calling. It leapt out for me because one of my most played songs this year is ‘Bobby Fuller Died For Your Sins’ by Chuck Prophet … on the theme of fighting the law in modern America, and the law winning. As with the Romans. Boudicca fought the law and the law won.

Oh, and I’m the first review not to make a Game of Thrones connection. Damn! I just did.

I’m sorry that there are no wide pictures online to show the exuberance of the thing.

Overall: ****

MUSIC CREDITS

The Globe are still doing it. In two tightly spaced pages of credits, they can’t find room to mention the songwriters who provided two of the best moments in the play.

London Calling was written by Joe Strummer and Mick Jones and was the title track of the iconic album by The Clash.

I Fought The Law was written by Sonny Curtis of The Crickets in 1958 and was a hit for The Bobby Fuller Four in 1966. It was covered by The Clash.

WHAT THE PAPERS SAID

4
Michael Billington, TheGuardian ****
Henry Hitchings, Evening Standard ****
Quentin Letts, Daily Mail ****
Paul Taylor, The Independent ****
3
Susannah Clapp, The Observer ***
Claire Allfree, TheTelegraph ***
Alice Saville, Time Out ***
Natasha Tripney, The Stage ***
2
Patricia Nicol, Sunday Times **
Anne Treneman, The Times **

LINKS ON THIS BLOG

GINA McKEE
Richard III, Trafalgar Studio, 2014 (Queen Elizabeth)

NATALIE SIMPSON
King Lear, RSC, 2016 (Cordelia)
Hamlet, RSC 2016  Stratford, (Ophelia)
Cymbeline – RSC 2016 (Guideria)
Measure for Measure, Young Vic, 2015

SAMUEL COLLINGS
Antony & Cleopatra, RSC 2013 (Octavius)

JOAN IYIOLA
The White Devil, RSC 2014
The Roaring Girl,  RSC 2014
Arden of Faversham, RSC 2014
The Duchess of Malfi, RSC 2018

FORBES MASSON
Boudica, Globe 2017
Travesties, Menier, 2016
A Midsummer Night’s Dream, Bath 2016
The Ruling Class, Trafalgar Studio, 2015
Richard III, Trafalgar Studio, 2014
Macbeth, Trafalgar Studio, 2013

 

 

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        • Leonard Cohen July 2009
        • Leonard Cohen Nov. 2008
        • Leonard Cohen O2 2008
        • Loudon Wainwright III
        • Louise Goffin – Hyde Park
        • Lulu
        • Margo Price
        • Martha Reeves & The Vandellas
        • Martin Carthy & Dave Swarbrick
        • Michael Kiwanuka – Hyde Park
        • Michelle Shocked 2001
        • Natalie Merchant
        • NKOTB
        • P.P. Arnold 2019
        • Paul Simon & Sting 2015
        • Paul Simon – Hyde Park 2018
        • Paul Simon 2016
        • Paul Simon Nov. 2006
        • Paul Simon Oct. 2000
        • Preston Shannon
        • Raghu Dixit
        • Raghu Dixit
        • Ralph McTell 2016
        • Richard Thompson 2017
        • Rita Coolidge
        • Rodriguez
        • Roger Chapman
        • Roger McGuinn
        • Rufus Wainwright
        • Sam Lee & Friends
        • Sandy Denny Tribute
        • Saving Grace
        • Seth Lakeman 2014
        • Shawn Colvin, Hyde Park Review
        • Simi Stone
        • Simon & Garfunkel 2004
        • Simone Felice – Oct 2015
        • Simone Felice 2011
        • Simone Felice April 2012
        • Simone Felice April 2014
        • Simone Felice July 2013
        • Simone Felice November 2014
        • Simone Felice Sept 2012
        • Simone Felice- Oct 2016
        • Sly & The Family Stone
        • Spiers & Boden 5.13
        • Spiers & Boden, 6.13
        • Spiers and Boden 2014
        • Steeleye Span
        • Suzanne Vega
        • Symphonic Pink Floyd
        • Taj Mahal
        • The Australian Pink Floyd
        • The Band
        • The Bleedin Noses
        • The Bootleg Beatles 2018
        • The Bootleg Beatles 2022
        • The Cactus Blossoms
        • The Civil Wars
        • The Decemberists
        • The Delines
        • The Demon Barbers
        • The Foundations
        • The Full English
        • The Grand Ole Opry
        • The Imagined Village
        • The Manfreds – 2016
        • The Manfreds 2011
        • The Manfreds, P.P. Arnold 2003
        • The Manfreds, P.P. Arnold, Zoot Money, Nov 2016
        • The Mastersons, Hymn For Her
        • The Mavericks
        • The palmer james group
        • The Platters
        • The Searchers
        • The Transports
        • The Unthanks 03.11
        • The Unthanks 04.2012
        • The Unthanks 10.2012
        • The Unthanks 12.11
        • The Unthanks 2.2015
        • The Unthanks 2019
        • The Unthanks 2022
        • The Unthanks 5.2017
        • The Waterboys
        • Thea Gilmore
        • Tom Jones
        • Van Morrison
          • Van Morrison 1998
          • Van Morrison 1999
          • Van Morrison 2000
          • Van Morrison 2001
          • Van Morrison 2002 Jan.
          • Van Morrison 2002 Oct.
          • Van Morrison 2003 Jul.
          • Van Morrison 2003 Sep.
          • Van Morrison 2005 Mar.
          • Van Morrison 2005 Nov.
          • Van Morrison 2007
          • Van Morrison 2012
          • Van Morrison 2013
          • Van Morrison 2019
        • Ward Thomas, Hyde Park
        • Zawinul Syndicate
        • Zoot Money
      • Gigs, venues and prices
      • HMV. His Master’s Voice silenced?
      • Lost Notebooks of Hank Williams
      • Music From Big Pink – 50th anniversary
      • Names, Scribble & Numbers
      • Nancy Sinatra
      • Note of Hope (Woody Guthrie)
      • Phil Everly RIP
      • Rock pictures
      • RoseAnn Fino
      • Shadows In The Night
      • Thank You For The Muzac
      • The Band reviews & pictures
      • The Beautiful Old
      • The Village Green Preservation Society
      • The Weight – covers
      • Twelve Songs For Christmas 2013
    • rants
      • 100 Days Plus and Counting …
      • Driving Me Mad …
      • A Fishy Story
      • A Legal Matter
      • A Post-Brexit Vision
      • Agatha Christie: Deduction in a dell’arte mask
      • Allergies … and lawyers
      • Baby Boomer v Wokeperson
      • Barcodes
      • Beaujolais Nouveau …
      • Best of 2011
      • Best of 2012
      • Best of 2013
      • Best of 2014
      • Best of 2015 – music
      • Best of 2015 – Theatre
      • Best of 2016 – Music
      • Best of 2016 – Theatre
      • Best of 2017 – Music
      • Best of 2017 – Screen
      • Best of 2017- Theatre
      • Best of 2018 – Music
      • Best of 2018 – theatre
      • Best of 2019 – Concerts
      • Best of 2019 – Theatre
      • Best of 2019- Music
      • Best of 2020
      • Best of 2020- Music
      • Best of 2022 – Music
      • Best of 2022- Theatre
      • Cars are cars
      • Chorizo is Vile
      • Christmas Markets
      • Christmases long past …
      • Civil Wars & Statues
      • Climate Change: my rant
      • Communication skills: Leaders TV debate 2015
        • Opposition Leader’s Debate, 16 April 2015
      • Crisis at the Cash Register
      • Culture Shock Bourbon Street
      • Cycling in London (and elsewhere)
      • Encounter: Saul Bellow
      • Eurovision 2022
      • Fawlty Towers and Tall Poppies
      • Flags and anthems
      • Football nicknames
      • Free Broadband in Every Packet!
      • Guilt and innocence
      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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