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Murder, Margaret and Me

Murder, Margaret & Me

by Philip Meeks 

Directed by Damian Cruden

94

Salisbury Playhouse with York Theatre Royal production
Salisbury Playhouse
Friday, 2nd February 2018 19.30

CAST:

Kate Brown – Agatha
Tina Gray – Spinster
Sarah Parks – Margaret

The play originated as a one-woman show at the Edinburgh Fringe in 2012 as Murder, Marple and Me, was repeated in 2013, and went on to London and New York,  then to tour. Along the way, Philip Meeks re-wote it (twice apparently) going back to his original concept of a cast of three, and renamed it Murder, Margaret & Me. The new version was produced in 2017, and again is here in another production in a 2018 Salisbury-York co-production , a combination which sounds somewhat episcopate.

The story centres on the actress, Margaret Rutherford, the amateur sleuth Miss Marple in five early 1960s films, and her relationship with Miss Marple’s creator, Agatha Christie. Rutherford wanted nothing to do with Christie’s whodunits which she considered sordid, not that she’d ever read one. We find out why in this play.

Christie had envisaged Miss Marple as a tiny bird-like woman (based on her grandmother) and was horrified at the casting of the lumbering Rutherford. Rutherford had established herself in comedy in the theatre and films, and Noel Coward had written the part of Madame Arcati in Blithe Spirit with her in mind. She had also been a definitive Miss Prism in The Importance of Being Earnest. Christie was not pleased at some Miss Marple scenes played broadly for laughs. The play defends that aspect … it was the director and producer’s choice, and Margaret Rutherford’s face intrinsically got laughs … in the play she says that if her face was placed among church gargoyles, then the gargoyles look like Audrey Hepburn in comparison.

I was never a fan of Agatha Christie, and have never placed my bum on the ludicrously overpriced tour seats for The Mousetrap, so still don’t know whodunit. However, the amount of money the BBC spent on Miss Marple, and ITV on Poirot, together with other one-off Agatha Christie novels at Christmas, meant that they became (almost) required viewing, though the tedious explanation scene at the end always irritated me.

rutherford-marple

Margaret Rutherford as Miss Marple

Miss-Marple-joan-Hickson-1

Joan Hickson as Miss Marple

Conceptually, I’m interested in this take on a 1960s offscreen drama. While for years Margaret Rutherford might have defined Miss Marple, she has long been totally eclipsed in the current imagination by Joan Hickson (fitting Christie’s original mental picture) who was Miss Marple in the BBC TV screenings of all twelve Miss Marple stories between 1984 and 1992. They were lavish productions, way more so than the films, and are still being repeated. Joan Hickson had once appeared with Margaret Rutherford in Murder, She Said. In 1946, she appeared on stage in Appointment With Death after which Agatha Christie wrote to her:

I hope one day you will play my dear Miss Marple. Agatha Christie.

The interest in early 60s Rutherford-era Miss Marple is somewhat arcane as a reference to me. I saw them, but don’t remember them. What next? The story behind those Edgar Lustgarten police B-movies we had to endure while waiting to see The Young Ones or Blue Hawaii? They were known among teens as the one you snogged through. Then you stopped to watch Cliff or Elvis. Is an early 60s story playing to the perceived age and interests of provincial theatre audiences? Having been involved with a series of late 60s novels, I certainly hope so. As Salisbury is following this in short order with touring productions of Quartet and The Importance of Being Earnest it looks as if they are predicting (or realising) audience age!

So to Salisbury, on the second day of its full month’s run. The stage is curtained right out to the platform with film spools decorating the edge. The play-in music is hits of 1961 … Connie Francis, Brian Hyland, after the interval Wanda Jackson. When the curtains open we see a film set with lights, and props are covered in dust sheets. There’s a tamarind tree (bare stage … a tree … where have I seen that, I thought). During the play the two stagehands gradually assemble Rutherford’s home, Nine Elms.

The opening scene

The story is that Agatha Christie herself turns detective to investigate a dark secret in Margaret Rutherford’s past. No plot spoilers, but I just looked on Wikipedia where the whole dark Rutherford secret … and it really is very dark …  is presented as known facts. If you’re going to see it, I suggest holding off on checking Wikipedia until afterwards. Then Christie’s real mystery disappearance in 1926 also has a suggested reason in the play.

Margaret’s house. L to R Margaret (Sarah Parks), Agatha (Kate Brown), Spinster (Tina Gray).

The cast of three has a fascinating third character: the Spinster. “The Spinster” narrates and is mainly Miss Marple as Christie had originally envisaged her, and with her basket, Tina Gray looks just like Joan Hickson. Joan Hickson gets referenced in the play text … picking up on her having worked with Rutherford, and the Christie character says she wanted Miss Marple ‘diminutive and birdlike’ and casts a disparaging eye on Rutherford. The Spinster also has to take two other roles without any costume change: Miss Rutherford’s dresser, and a typist fan of Christie at a publisher’s reception. As authors we loved the collective noun introduced here “a defecation of publishers.”

Monologue to audience: Tina Gray as Spinster.

I also liked the very early 60s meal that Rutherford served to Christie using “condensed tomato soup.” I remember my mum using that in both tomato and mushroom varieties – it was advertised as Campbell’s Condensed Recipe Soup. Dilute it? Soup. Don’t dilute it? Recipe sauce. The mushroom one with chicken, sweetcorn and rice was considered haute cuisine in our house.

Some of the comedy is in reference to the unseen Rutherford husband, Stringer Davis, a real person who played bit parts in most of her films. He was always described here as off around Soho with “Johnny Gielgud” doing “what boys do.” The implication is that he was gay. There are some excellent moments, and they all happen when the three are interacting rather than giving a monologue (or rather two, with The Spinster as a hovering observer). I thought “tea at Claridges” was the highlight of the play and the point where Sarah Parks got easily the loudest laugh of the evening. I wanted much more interaction.

Tea at Claridges: L to R Agatha (Kate Brown), The Spinster (Tina Gray), Margaret (Sarah Parks)

The plot is how Christie and Rutherford came to finally appreciate each other’s talents.

Philip Meeks theatrical career once involved playing pantomime dames. This play has a lot of older women doing long monologues directly to the audience, which is what dames do. Rutherford’s final admission is done in verse, another pantomime dame tradition. Margaret Rutherford is played LARGE by Sarah Parks with constant facial contortions and gurning, but that is exactly what the original Rutherford did … she was a pastiche of herself. It’s hard to know how you could play it less … um, pantomime-like.

Sarah Parks as Margaret Rutherford

I thought Kate Brown was a superb, tall and headmistress-like Agatha Christie … solid laughter came from a couple of tiny arch looks at the audience by Agatha. There’s also a lovely little piece where she peruses Margaret Rutherford’s bookshelf, finding none of her books there. As she says, authors can spot their own name at a distance. When I did author tours local publisher’s reps always held up one of my books at the airport … as they all said, authors recognise their own covers at a hundred yards. In the play Agatha presents her own books to Margaret, who we realise is not going to read them. The props department will have been greatly aided here by the recent facsimile hardback editions of Agatha Christie novels.

The cast have to go from comedy-played-large roles to a serious, sad bitter-sweet end, and they accomplish that transition very well. As an advertised comedy, a nearly full house did not laugh very much at all on this evening. Odd quiet chuckles at most. It was only the second night, but as the play has little sharp dialogue interaction (which improves with time), so it should be about as it will be.

The second Act begins with Christie and Rutherford emerging through the gap in the curtains to address the audience in front of the curtain … a very pantomime thing to do. With the very tall Kate Brown as Agatha Christie, Hinge and Brackett came into my mind!

I have doubts about the basic dramatic concept. It reminded me of Peter & Alice by John Logan, also based on literary figures (Peter Pan, Alice Liddell), also debuting in 2013. In spite of that play having Judi Dench and Ben Whishaw in the lead roles, it was to my mind an abject failure. Again, it narrated more than interacted. I thought Murder, Margaret & Me a far better play than Peter & Alice. However, for a comedy thriller, it wasn’t very funny nor very thrilling, but we did find the story intriguing and that works whether you’re a crime fiction fan or not. Or whether you remember the 60s or not. It certainly has made a popular impact for a play of the last five years, and apparently is an AmDram favourite already.

So we were fascinated by the story, thought the cast excellent, and found ourselves discussing the story and theme at length afterwards. As a play though, we found it lacking in drama and too reliant on face to audience monologue.

**

LINKS:

SARAH PARKS
Death of A Salesman, RSC 2015
Henry IV Parts 1 & II, RSC 2014
Henry V, RSC 2015 (Mistress Quickly)

 

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      • Hail, hail, the first of May
      • Howards End is a blur
      • In the April Garden …
      • In The Days of Covid-21
      • In the May Garden
      • Jangle Bells: shopping for Christmas
      • Jumble Sales
      • Land Of My Mother’s
      • London-centric theatre
      • Mail v Guardian
      • Major Brylcreem or My adventures in the CCF
      • Matinees
      • Not an amazing grace
      • On The Road: Information overkill
      • Parent and child spaces
      • Poppies
      • Princely Names
      • Quaint hotels
      • Remember, remember …
      • Secondhand Christmas
      • Shrink wrapping albums
      • Sloppy fiction?
      • Someone will call you back …
      • Sound … and Fury… at The Globe
      • SS-GB – Mumbling soundtracks
      • Supermarket check-outs
      • Surveys
      • Testing in schools
      • The “Poldark” Effect
      • The 2019 watershed?
      • The 70s were crap
      • The Building Behind Me …
      • The Cheerful e-bay seller
      • The Curse of The Crawleys: Downton Abbey Series 10
      • The Decline of Bournemouth
      • The End of Deference …
      • The Famous Five – by Paul F. Newman
      • The four day week?
      • The Great War
      • The Hacking Cough
      • The Long & The Short Of It
      • The March of The Halloumi Fries
      • The Shakespeare Cod-Piece
      • The Stitch Up
      • View From The Queue
      • What happened to car CD players?
      • What’s happened to air travel?
    • stage
      • ‘Tis Pity She’s A Whore – Cheek by Jowl
      • ‘Tis Pity She’s A Whore – Wanamaker
      • 8 Hotels
      • A Damsel in Distress
      • A Little Hotel On The Side
      • A Mad World My Masters
      • A Midsummer Night’s Dream – BBC TV 2016
      • A Midsummer Night’s Dream – Bridge 2019
      • A Midsummer Night’s Dream – Filter 2011
      • A Midsummer Night’s Dream – Globe 2013
      • A Midsummer Night’s Dream – Globe 2016
      • A Midsummer Night’s Dream – Grandage 2013
      • A Midsummer Night’s Dream – Propellor 2013
      • A Midsummer Night’s Dream – RSC 2011
      • A Midsummer Night’s Dream – RSC 2016
      • A Midsummer Night’s Dream – Selladoor 2013
      • A Midsummer Night’s Dream – Watermill 2018
      • A Midsummer Night’s Dream – Watermill Tour 2019
      • A Midsummer Night’s Dream – Young Vic
      • A Midsummer Night’s Dream, Bath 2016
      • A Midsummer Night’s Dream, Globe 2019
      • A Midsummer Night’s Dream- Bristol Old Vic Theatre School
      • A Midsummer Night’s Dream- Headlong
      • A Midsummer Night’s Dream- Sh!t-Faced Shakespeare
      • A Midsummer Nights Dream – Handspring 2013
      • A Midsummer Night’s Dream RSC 2016 Revisited
      • A Number
      • A Streetcar Named Desire NT Live
      • A Taste of Honey
      • A Very Very Very Dark Matter
      • A View From The Bridge
      • A Woman of No Importance
      • Abigail’s Party 2013
      • Absolute Hell
      • Ah, Wilderness!
      • Albion
      • All My Sons
      • All New People
      • All’s Well That Ends Well – RSC 2013
      • All’s Well That Ends Well- 2018
      • All’s Well That Ends Well- RSC 2022
      • Amadeus – 2014
      • Amadeus – NT 2017
      • American Buffalo
      • An Enemy of The People
      • An Ideal Husband 2018
      • An Ideal Husband- 2014
      • Antony & Cleopatra – RSC 2013
      • Antony & Cleopatra – RSC 2017
      • Antony and Cleopatra – Globe
      • Antony and Cleopatra 2012
      • Arcadia
      • Arden of Faversham
      • Around The World in 80 Days
      • As You Like It – Globe 2015
      • As You Like It – Globe 2018
      • As You Like It – National 2015
      • As You Like It – RSC 2019
      • As You Like It RSC 2013
      • Awful Auntie
      • Bakkhai
      • Balletboyz: The Talent
      • Barber Shop Chronicles
      • Bartholomew Fair
      • Beauty & The Beast (Ballet Theatre UK)
      • Before The Party
      • Birthday
      • Bitter Wheat
      • Black Comedy
      • Blithe Spirit
      • Blithe Spirit – Bath 2019
      • Blood Wedding
      • Blues For An Alabama Sky
      • Boudica
      • Bring Up The Bodies
      • Broken
      • Candida
      • Cardenio
      • Carmen Disruption
      • Caroline or Change
      • Comedy of Errors – Globe
      • Comedy of Errors – RSC, 2021
      • Comedy of Errors NT 2012
      • Comedy of Errors RSC ’12
      • Communicating Doors
      • Comus
      • Copenhagen
      • Coriolanus – NT Live
      • Coriolanus – RSC
      • Crazy For You
      • Curiosity Shop
      • Cymbeline – RSC
      • Cymbeline – Wanamaker
      • Dancing At Lughnasa
      • Death Of A Salesman
      • Deathtrap
      • Dedication
      • Dido, Queen of Carthage
      • Dinner With Saddam
      • Doctor Faustus
      • Don Carlos
      • Don Juan in Soho
      • Don Quixote
      • Doubt – a parable
      • Dream
      • Dunsinane
      • Echo’s End
      • Educating Rita
      • Edward II
      • Electro Kif
      • Endgame / Rough for Theatre II
      • Eyam
      • Fallen Angels
      • Fantastic Mr Fox
      • Far
      • Farinelli and The King
      • Fences
      • First Light
      • Flare Path
      • Follies
      • For Services Rendered
      • Forests
      • Fortune’s Fool
      • Forty Years On
      • Fracked! Or Please Don’t Use The F-Word.
      • Frankenstein – NT Encore
      • French Without Tears
      • Funny Girl
      • Future Conditional
      • George’s Marvellous Medicine
      • Girl From The North Country
      • God of Carnage
      • Gypsy
      • Hairspray, The Musical
      • Half A Sixpence
      • Hamilton
      • Hamlet – Cumberbatch
      • Hamlet – Globe 2014
      • Hamlet – Maxine Peake
      • Hamlet – NT 2010
      • Hamlet – RSC 2016
      • Hamlet RSC 2013
      • Hamlet- Almeida / BBC 2017
      • Hamlet- Young Vic 2011
      • Hangmen
      • Harlequinade / All On Her Own
      • Harlequinade / All On Her Own – review
      • Hay Fever
      • Hecuba
      • Hedda Gabler
      • Hedda Tesman
      • Henry IV Parts 1 & 2 RSC
      • Henry V – 2018
      • Henry V – Jude Law
      • Henry V – RSC 2015
      • Henry VI – Rebellion
      • Henry VI – Wars of The Roses
      • Henry VI: Three plays
      • Hobson’s Choice
      • Hogarth’s Progress
      • Home
      • Home, I’m Darling
      • Hysteria
      • Imogen (Cymbeline) – Globe 2016
      • Importance of Being Earnest 2010
      • Importance of Being Earnest – Suchet, 2015
      • Importance of Being Earnest – Watermill
      • Importance of Being Earnest 2014
      • Importance of Being Earnest- 2018
      • Inala
      • Institute
      • Into The Hoods – Remixed
      • Ivanov
      • Jack Absolute Flies Again
      • Jeeves and Wooster
      • Jerusalem
      • Jerusalem – 2018
      • Jitney
      • John Gabriel Borkman
      • Julius Caesar – Globe 2014
      • Julius Caesar – RSC 2012
      • Julius Caesar – RSC 2017
      • Ka
      • King Charles III
      • King John – Globe 2015
      • King John – Rose, 2016
      • King John – RSC 2019
      • King Lear Frank Langella
      • King Lear – Antony Sher, RSC 2016
      • King Lear – Barrie Rutter
      • King Lear – David Haig
      • King Lear – Globe 2017
      • King Lear – McKellen 2017
      • King Lear – Russell-Beale
      • Kiss Me Kate
      • Kunene and The King
      • La Bête
      • Lady Windermere’s Fan
      • Leopoldstadt
      • Life of Galileo
      • Little Shop of Horrors
      • Local Hero
      • Long Day’s Journey Into Night
      • Love
      • Love For Love
      • Love’s Labour’s Lost
      • Love’s Labour’s Lost – 2018
      • Love’s Labour’s Lost- 2016
      • Love’s Labour’s Won
      • Love’s Sacrifice
      • Love, Love, Love
      • Macbeth – Globe 2016
      • Macbeth – McAvoy 2013
      • Macbeth – National Theatre 2018
      • Macbeth – Tara Arts
      • Macbeth – Young Vic
      • Macbeth RSC 2018
      • Macbeth, RSC 2011
      • Macbeth, Watermill 2019
      • Macbeth- Chichester 2019
      • Macbeth- Wanamaker 2018
      • Mack & Mabel
      • Malory Towers
      • Man and Superman
      • Mary Poppins
      • Me and My Girl
      • Measure for Measure – Globe 2015
      • Measure for Measure – Young Vic
      • Measure for Measure RSC 2012
      • Measure For Measure- RSC 2019
      • Medea NT live
      • Miss Julie / Black Comedy
      • Miss Littlewood
      • Mojo
      • Monsieur Popular
      • Mrs Warren’s Profession
      • Much Ado About Nothing – Globe 2014
      • Much Ado About Nothing – Globe 2017
      • Much Ado About Nothing – NT 2022
      • Much Ado About Nothing – Old Vic 2013
      • Much Ado About Nothing – Rose 2018
      • Much Ado About Nothing – RSC 2014
      • Much Ado About Nothing- Northern Broadsides
      • Much Ado About Nothing- RSC 2016
      • Much Ado About Nothing- RSC 2022
      • Much Ado About Nothing- Wyndhams 2011
      • Murder On The Orient Express (stage)
      • Murder, Margaret and Me
      • My Brilliant Friend (play)
      • My Night With Reg
      • Neighbourhood Watch
      • Nell Gwynn
      • Nice Fish
      • No Man’s Land
      • Noises Off
      • Obsession
      • Oklahoma! – Chichester
      • Once
      • One Man, Two Guvnors
      • Othello – Globe 2018
      • Othello – RSC 2015
      • Othello NT 2013
      • Othello- ETT 2018
      • Othello- Wanamaker 2017
      • Othello- Watermill 2022
      • Our Ladies of Perpetual Succour
      • Our Man in Havana (musical)
      • People
      • People Like Us
      • Pericles
      • Peter & The Starcatcher
      • Peter and Alice
      • Peter Gynt
      • Peter Pan (pantomime)
      • Peter Pan Goes Wrong
      • Photograph 51
      • Pitcairn
      • Plastic
      • Platonov
      • Playing Cards 1: Spades
      • Plenty
      • POSH
      • Present Laughter – Chichester 2018
      • Present Laughter – Old Vic 2019
      • Present Laughter- Bath 2003
      • Present Laughter- Bath 2016
      • Pressure
      • Private Lives
      • Privates On Parade
      • Punishment Without Revenge
      • Punk Rock
      • Pygmalion
      • Quatermaine’s Terms
      • Queen Anne
      • Quiz – James Graham
      • Racing Demon
      • Ralegh: The Treason Trial
      • Relative Values
      • Richard II – Globe
      • Richard II – RSC
      • Richard III – Almeida
      • Richard III – Apollo 2012
      • Richard III – Freeman
      • Richard III – RSC 2012
      • Richard III – RSC 2022
      • Richard III – Spacey, 2011
      • Robin Hood (panto)
      • Romantics Anonymous
      • Romeo & Juliet – Globe 2017
      • Romeo & Juliet – RSC 2018
      • Romeo & Juliet 2014 – Box Clever
      • Romeo & Juliet, Headlong 2012
      • Romeo & Juliet- Branagh 2016
      • Romeo and Juliet – NT, 2021
      • Romeo and Juliet- Globe 2015
      • Romeo and Juliet: Tobacco Factory
      • Rosencrantz and Guildenstern Are Dead
      • Ross
      • Rules for Living
      • Salomé – RSC
      • Same Time, Next Year
      • School nativities
      • Secondary Cause of Death
      • Separate Tables
      • Shakespeare in Love
      • She Stoops To Conquer – Bath 2015
      • She Stoops to Conquer – Rain or Shine
      • Sing Yer Heart Out For The Lads
      • Skylight
      • Slava’s Snowshow
      • Snow in Midsummer
      • South Pacific
      • Spring Awakening
      • Stepping Out
      • Strife
      • Swan Lake
      • Sweet Bird of Youth
      • Switzerland
      • Tamburlaine
      • Tangomotion
      • Tartuffe- RSC
      • The Alchemist – RSC
      • The Argument
      • The Beauty Queen of Leenane
      • The Beauty Queen of Leenane – 2021
      • The Beaux Stratagem
      • The Birthday Party
      • The Book of Mormon
      • The Broken Heart
      • The Canterbury Tales
      • The Captive Queen
      • The Caretaker
      • The Chalk Garden
      • The Changeling
      • The City Madam
      • The Constant Wife
      • The Country
      • The Country Girls
      • The Country Wife
      • The Cripple of Inishmaan
      • The Crucible, NT 2022
      • The Crucible, Old Vic 2014
      • The Deep Blue Sea – 2019
      • The Deep Blue Sea-NT live, 2016
      • The Doctor
      • The Dresser
      • The Duchess of Malfi – 2012
      • The Duchess of Malfi – 2014
      • The Duchess of Malfi – RSC 2108
      • The Entertainer
      • The Famous Five: A New Musical
      • The Fantastic Follies of Mrs Rich
      • The Ferryman (Acts 2 & 3)
      • The Flying Lovers of Vitebsk
      • The Four Seasons: A Reimagining
      • The Game of Love and Chance
      • The Ghost Train
      • The Height of The Storm
      • The Homecoming
      • The Hot House
      • The Hypochondriac
      • The Hypocrite
      • The Jew of Malta
      • The Knight of The Burning Pestle
      • The Ladykillers
      • The Lie
      • The Lieutenant of Inishmore- 2018
      • The Lieutenant of Inishmore-2001
      • The Lock In
      • The Lock In Christmas Carol
      • The Magistrate – NT Live
      • The Magna Carta Plays
      • The Man In The White Suit
      • The Merchant of Venice – Almeida
      • The Merchant of Venice – Globe
      • The Merchant of Venice – RSC
      • The Merry Wives – Northern Broadsides
      • The Merry Wives of Windsor – Globe 2019
      • The Merry Wives of Windsor – RSC 2012
      • The Merry Wives of Windsor- RSC 2018
      • The Misanthrope ETT
      • The Miser
      • The Narcissist
      • The Nightingales
      • The Norman Conquests
        • Living Together
        • Round & Round The Garden
        • Table Manners
      • The Odyssey
      • The Painkiller (2016)
      • The Play That Goes Wrong
      • The Play What I Wrote
      • The Price
      • The Provoked Wife
      • The Recruiting Officer
      • The Rehearsal
      • The Resistible Rise of Arturo Ui
      • The Rivals
      • The Roaring Girl
      • The Rover
      • The Ruling Class
      • The School for Scandal
      • The Seagull
      • The Seagull- Chichester
      • The Seven Year Itch
      • The Shoemaker’s Holiday
      • The Silver Tassie
      • The Southbury Child
      • The Spire
      • The Storm
      • The Syndicate
      • The Taming of The Shrew – RSC 2012
      • The Taming of The Shrew – RSC 2019
      • The Taming of The Shrew- Globe 2016
      • The Taxidermist’s Daughter
      • The Tempest – Bath Ustinov
      • The Tempest RSC 2012
      • The Tempest RSC 2016
      • The Tempest- Wanamaker
      • The Truth
      • The Two Noble Kinsmen- 2018
      • The Two Noble Kinsmen- RSC
      • The Unfriend
      • The Upstart Crow
      • The Wars of The Roses
        • Edward IV
        • Henry VI
        • Richard III
      • The Watsons
      • The Way of The World
      • The Weir
      • The Whale
      • The White Devil – Globe
      • The White Devil – RSC
      • The Winter’s Tale – Branagh
      • The Winter’s Tale – Cheek by Jowl
      • The Winter’s Tale – Globe 2018
      • The Winter’s Tale – RSC 2013
      • The Winter’s Tale – RSC 2021
      • The Winter’s Tale- Wanamaker
      • The Witch of Edmonton
      • There and Back Again – An Odyssey
      • Thérèse Raquin
      • This Happy Breed
      • This Is My Family
      • Timon of Athens
      • Timon of Athens – RSC
      • Titus Andronicus – RSC 2017
      • Titus Andronicus- Globe 2014
      • Totem
      • Travels With My Aunt (musical)
      • Travesties
      • Tristan and Yseult 2017
      • Troilus & Cressida RSC 2018
      • True West
      • Twelfth Night – Apollo 2012
      • Twelfth Night – Globe 2017
      • Twelfth Night – Globe, 2021
      • Twelfth Night – NT 2017
      • Twelfth Night – RSC 2017
      • Twelfth Night – Watermill
      • Twelfth Night – Young Vic
      • Twelfth Night RSC 2012
      • Twelfth Night- ETT 2014
      • Two Gentlemen of Verona – 2016
      • Two Gentlemen of Verona – RSC
      • Two Gentlemen of Verona- 2013
      • Uncle Vanya (Hare)
      • Uncle Vanya (McPherson)
      • Venice Preserved
      • Vice Versa
      • Volpone
      • Vulcan 7
      • Watership Down
      • Way Upstream
      • What The Butler Saw
      • While The Sun Shines
      • Wolf Hall
      • Woman in Mind
      • Women On The Verge of A Nervous Breakdown
      • wonder.land
      • Worst Wedding Ever
      • Woyzeck
      • Yerma (2017)
      • Young Chekhov Season
      • Young Marx
    • video
      • A Weekend Away, A Week By The Sea
        • Sections: Weekend Away / By the Sea
      • Dennis Cook: A history
      • Drama, dialogue and video
      • Teaching with video: techniques
      • Video: non-authentic
      • Video: on location
      • Video: Peter Viney Interview
      • Video: What happened?

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