Feeds:
Posts
Comments

The latest label added to AROUND AND AROUND is Capitol- Part Two (LINKED). This is the longest one so far. It covers so many major artists … Cannonball Adderley, The Beach Boys, The Beatles, The Band, Glen Campbell, Crowded House, Dr Hook, Bobbie Gentry, and that’s only A to G. Most of the record label articles are restricted because the label had a finite life. Capitol started in 1942 and is still active in 2024. Part one went to 1962. This part starts with rock and roll and moves on.

We continue with the BBC Noël Coward collection DVDs with DESIGN FOR LIVING (follow link), a 1932 play which the BBC produced more explicitly than any stage version had dared in 1979. It starred Rula Lenska (direct from Rock Follies) and has a cameo from Dandy Nicholls. This is one of the ‘old film’ style reviews here, which means with enough illustration to tell the whole story.

My annual personal awards. BEST OF 2023 THEATRE (linked) We missed several rated plays, but we saw a lot. I picked out the first in each category, but the others could be shifted around. Mainly, it is a visual overview of British Theatre NOW. Each play has a link to the full review rather than comments. For actors and directors, refer back to the entry for the play. The overall production with the most mentions is GUYS AND DOLLS, at the Bridge Theatre. Still running too.

It’s December and evenings of TV. We found the BBC Terence Rattigan collection pleasant viewing so are moving on to Noël Coward. starting with HAY FEVER from 1925 (follow link to review). This was an elaborate BBC Boxing Day comedy production in 1984, starring Penelope Keith and Paul Eddington (Ah! Margo & Jerry) with Patricia Hodge. HAY FEVER is such a theatrical play that it may be over-large for TV. Still, this is a highly illustrated review.

Review of Terence Rattigan’s THE DEEP BLUE SEA (linked) in BBC’s Performance series. This was a recast version of the highly-acclaimed Almeida Theatre production from 1993, retaining Penelope Wilton in the lead, but adding Ian Holm and Colin Firth. According to some, the best version of Rattigan’s best play. This is the sixth of the short BBC Rattigan Collection. It’s been enjoyable.

Review added of Terence Rattigan’s AFTER THE DANCE. Cast with Anton Rodgers, Gemma Jones, John Bird, Imogen Stubbs. This play was a flop in 1939 and this BBC 1992 production was the first major revival. Then in 2010 it was acclaimed as the ‘great lost play’ when The National Theatre did it.

Fourth in this Terence Rattigan series, what some consider his best play, THE BROWNING VERSION (linked). This is the 1985 BBC version featuring Ian Holm and Judi Dench. It has a fair few asides on the theme, including school memories of my own.

We soldier on. The third Terence Rattigan is THE WINSLOW BOY (follow link) from 1977 with Eric Porter, Alan Badel and Michelle Dotrice. It’s another BBC Play f Th Month and they were getting more elaborate with more outside sequences. Another superb BBC version. We got a major internet fault repaired yesterday enabling me to out even more pictures in than usual.

The Terence Rattigan viewing continues as as we work through the box set. It’s calming to watch, clear as crystal with superb casting. For FRENCH WITHOUT TEARS (follow link) they cast Michael Gambon, Nicola Pagett, Anthony Andrews and Nigel Havers. The cast were all on their way up too. These BBC Play of The Month productions were elaborate, and are very little noted online. It was a very popular play for years, though it fell out of favour. It’s good to revisit it.

Michael Gambon, Anthony Andrews, Nicola Pagett

SEPARATE TABLES was done as a BBC Play of The Month in 1970, (LINK to review) and is now in the Terence Rattigan Collection DVD set. I add it here because there is already a lot of Rattigan in the stage section, and because it was an extremely good production … and I add some thoughts on whether it might have inspired ‘Fawlty Towers’ and also some personal thoughts on the ‘Society’s added punishment’ aspect. It starred Geraldine McEwan and Eric Porter, with Annette Crosbie.