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Statues …

I’ve updated my rant on CIVIL WARS & STATUES to include the latest controversy over Colston’s statue in Bristol and also added a section on “Bomber” Harris. Then another bit on Baden-Powell and Poole.

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A further 1960s retrospective, SOME PEOPLE from 1962. Directed by Clive Donner, and featuring Kenneth More. The real stars are the five young Bristol kids, played by Ray Brooks, David Hemmings, Angela Douglas, Anneke Wills and David Andrews. It’s unusual for 1962, as it’s full colour, filmed on real Bristol locations and while it revolves around music, it uses actors rather than pop stars (and supplies music from The Eagles … the UK band … and Valerie Mountain, neither of them stars. Yet the soundtrack EP was a major hit. It was sponsored by the Duke of Edinburgh Award scheme to show how kids lives could be changed, but the didactic bit is subservient to the main story.

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Following “In the April Garden” a compendium of photos taken in May of flowers IN THE MAY GARDEN (linked) . It passes the lockdown time!

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This film is 1965 (well, 30 December 1964 premiere!). THE YELLOW ROLLS-ROYCE (linked) is a Terence Rattigan script, with three separate stories  all involving the same car, set between England in 1931, Italy a few years later, then Trieste and Yugoslavia in 1941. It’s most noted for its stellar cast … Rex Harrison, Jeanne Moreau,  Shirley MacLaine, George C. Scott, Alain Delon, Omar Sharif and Ingrid Bergman.

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I’m getting into these 1960s pop exploitation films. Next up is PLAY IT COOL from 1962. It was Michael Winner’s first feature film, and stars Billy Fury as a pop singer called Billy Universe. The plot is an excuse to visit a series of clubs and see Helen Shapiro, Bobby Vee, Shane Fenton & The Fentones, Jmmy Crawford and Danny Williams.  As ever, bit parts are by British comic actors. It is black and white. In reverse of normal practice, they colourized the lobby cards. In the end, it goes to show what a huge leap forward “A Hard Day’s Night” was, just eighteen months later.

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Review of 1963’s pop exploitation film WHAT A CRAZY WORLD (linked) starring Joe Brown, Susan Maughan, Marty Wilde, Freddie & The Dreamers and Harry H. Corbett (fresh from Steptoe & Son). The interest lies in the strong concept that writer ALAN Klein (NOT the Beatles manager ALLEN Klein)  had of “British Music Hall meets Rock ‘n’ Roll.” Rock and Roll gets a lesser share to me, but it has some great time capsule moments. And some really odd ones.

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Review of MEDIUM COOL from 1969. This is probably the most thorough review on the blog, and that’s because this film deserves it. When it came out, Michael Billington’s review said: “I can’t think of any film that tells you more about the texture of American life today.” It’s a film you have yo watch twice too. Even though my review is full of plot spoilers, I hope it gets readers to watch it again … or simply watch it.

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A shorter than usual review in the 1960s Retrospective series.LITTLE FAUSS AND BIG HALSY (linked) with Michael J,. Pollard, Robert Redford and Lauren Hutton. Notable for its Johnny Cash soundtrack, it’s the two guys on bikes / motorbikes / cars template from 1970, probably trying to cash in on Easy Rider.

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Another in the 60s retrospective series, THE SMALL WORLD OF SAMMY LEE from 1963. Starring Anthony Newley, Julia Foster & Robert Stephens. London’s Soho 1963 as it was. In was the typical “race against time before the gangsters get you” movie  but also far more than that. The B&W restored DVD is pristine too. A classic.

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Review of Nevada Smith (linked) in the 60s Retrospective series. Starring Steve McQueen, directed by Henry Hathaway. The film was a side project from The Carpetbaggers, filling in the back story. Westerns were not at their height of popularity in 1966, and this is a classic of the genre or a cliche, whichever. It was an interesting change, and a nod to readers who asked for some American movie reviews after such a run of 60s British ones.

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