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Review of Terence Rattigan’s French Without Tears (linked) on its Autumn 2016 tour, by The English Touring Theatre. Rattigan’s first success on the stage in 1936, played in that era, it’s a light, frothy comedy played with enthusiasm and skill. It takes place at a language school in France where a group of young men are studying French, but are entranced by the lovely Diana.

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Review of Travesties by Tom Stoppard (LINKED) directed by Patrick Marber. A sell-out at the Menier Chocolate Factory BUT it is moving to the West End in February for 12 weeks. Stars Tom Hollander. It’s a play that gets into all those “Best play of the 20th Century” lists and is very funny indeed, but is it “too clever”?

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Comus review

Review of John Milton’s “Comus: A Masque in Honour of Chastity” at the Sam Wanamaker Playhouse. Director Lucy Bailey and writer Patrick Barlow have created  a frame play, based on its 1634 original production. The result is very funny and very lively.

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Review added of Thursday’s concert by Paul Simon (FOLLOW LINK) at the Bournemouth International Centre. Two hours twenty minutes. No support act. Fantastic band. Non-stop entertainment. A spectacular evening. Some old and beautiful. Some radically rearranged … and beautiful. By the encores the auditorium was full of lit  iPhone screens so I followed the crowd and took one distant shaky shot. Well, it’s “impressionistic.”

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Saddened by the news of Bap Kennedy’s passing. This link is to my Toppermost on Bap.

And this link is to my 2012 concert review. RIP.

Review of Ralph McTell at Poole Lighthouse (LINKED). Apparently he was living in Poole when he started out too. There is so much more to this singer-songwriter than “The Streets of London.” Excellent songs, first rate guitar playing and singing and engaging narration.

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FLIT review

Review of “folk supergroup” FLIT at Poole Lighthouse. (FOLLOW LINK) Features Martin Green (Lau), Becky Unthanks (The Unthanks), Adrian Utley (Portishead), Dominic Aitchinson (Mogwai) and singer-songwriter Adam Holmes. A show on the edge between concert and theatre, with animation projected, and a major lighting set up. These are tales of migration with folk tunes and electronic synth and accordion, guitar and bass. The picture s from Buxton, four days before Poole.

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Link to the article The Sound … and The Fury … at the Globe 2016. This is on the current early departure of the Artistic Director, with an overview of the arguments over the 2016 season with extracts from the relevant reviews here.

Much Ado About Nothing  (LINKED) is at Chichester, Manchester then London for a long run. This is a revival of the 2014 RSC production directed by Christopher Luscombe, and paired with Love’s Labour’s Lost under the title Love’s Labour’s Won. For the revival they have reverted to the better-known main title. One of the funniest plays you will ever see. A perfect introduction to Shakespeare too.

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The highly-acclaimed 2014-2015 RSC productions of Love’s Labour’s Lost (LINKED) and Much Ado About Nothing (aka Love’s Labour’s Won) have been revived, and they are running at Chichester before going to Manchester and London. Though I reviewed the 2014 version, the cast changes mean a new review. It’s even better now.

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