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Archive for August, 2018

Review added of Michael Frayn’s Copenhagen (LINKED). It won awards in 1998, and this is the 20th Anniversary production. It is based on the meeting between the Danish physicist Bohr and the German physicist Heisenberg in Nazi-occupied Denmark in 1941, and the implications which led to the atomic bomb. Was I blinded by the science? Read it and see.

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The series of late 1960s films revisited continues with Deadfall (FOLLOW LINK) directed by Bryan Forbes, starring Michael Caine, Eric Portman and Giovanna Ralli. The John Barry soundtrack is the best thing of all.

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The next one in the series of late 60s film reviewed on DVD in an attempt to see how memory compares to present reality. Bullitt (LINK TO REVIEW) is from 1968. It’s one everyone must have seen. Steve McQueen, Robert Vaughan and Jacqueline Bisset.

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Switzerland – review

No, not the country, but the play Switzerland by Joanna Murray-Smith (SEE LINK) at Bath Ustinov Studio. This two person play is based on crime writer Patricia Highsmith. A fascinating and unsettling story.

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Review of a lesser-known Arthur Miller play, The Price (LINKED) at Bath Theatre Royal, with David Suchet and Brendan Coyle. It has been critically acclaimed. I have a somewhat contrary view.

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Thomas Crown Affair (1968) revisited

The 60s film retrospective series continues with 1968’s The Thomas Crowne Affair (LINK TO REVIEW) with Faye Dunaway and Steve McQueen.
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Review of The Winter’s Tale at Shakespeare’s Globe added (FOLLOW THE LINK). A lopsided production. The serious bits in Sicily are much better than the pastoral comic bits in Bohemia.

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Hamilton – review

Review of “Hamilton- An American Musical” added. FOLLOW LINK TO REVIEW: https://peterviney.wordpress.com/stage/hamilton/. In the London production. It took a long time to get tickets a long way ahead. It was worth it.
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Othello- Globe 2018 review

Review of Othello at Shakespeare’s Globe added SEE LINK. It features Mark Rylance as Iago, and American star André Holland as Othello. The main thing is Rylance’s very original portrayal of Iago as an apparently affable, bumbling trickster who is actually circling his prey like a shark.

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This is what the RSC does so superbly: the Royal Shakespeare Company’s The Merry Wives of Windsor (FOLLOW LINK TO REVIEW) With David Troughton as Falstaff, set in modern day Essex. Stunning design too. There’s a live broadcast on 12 September, then it travels to London for several months.

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