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Archive for October, 2017

London’s first new commercial theatre in 80 years, The Bridge, opens with YOUNG MARX by Richard Bean & Chris Coleman, starring Rory Kinnear as Marx and Oliver Chris as Engels. And it’s very funny. Don’t look for debates on dialectical materialism! The review also has pictures of the new Bridge Theatre and its location.

l-r Rory Kinnear (Karl Marx) Oliver Chris (Friedrich Engels) Harriet & Rupert Turnbull (Marx Children) & Nancy Carroll (Jenny von Westphalen) photo by Manuel Harlan_preview

 

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Review of the musical Romantics Anonymous  (LINKED HERE) at the Sam Wanamaker Playhouse at The Globe. Wonderful, feel good stuff by artistic director Emma Rice. (Come back, all is forgiven?)

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Albion review

Review of Mike Bartlett’s “Albion” (FOLLOW LINK) at the Almeida Theatre:
This play has had ecstatic reviews and is seen as a Brexit allegory. I have a few doubts …

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Review of THE NORMAN CONQUESTS  (follow link) by Alan Ayckbourn at Chichester Festival Theatre. This was an opportunity to see these three linked plays … Table Manners, Living Together and Round & Round The Garden all in one day. It was always considered one of the great events of late 20th century theatre, and deservedly so.

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Richard Thompson review

Review of Richard Thompson at Poole Lighthouse, Friday 13th too. Excellent support from Josienne Clarke and Ben Walker. A great acoustic solo show from one of the greatest British songwriters. The tour continues through to the end of October.

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Link to the New Vic’s touring production of Around The World in 80 Days, seen at Salisbury Playhouse. This is vibrant, imaginative physical theatre with a cast of eight playing 125 characters. Michael Hugo as Passepartoute gives the comic performance of the year.

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A review added of the second King Lear in two and a bit weeks. This King Lear is with Ian McKellen at Chichester’s Minerva Theatre, (LINKED) one of the hottest theatre tickets of the year.

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Review added of a magnificent production of Christopher Marlowe’s early play, Dido, Queen of Carthage (LINKED) at the Royal Shakespeare Company’s Swan Theatre. It looks gorgeous. Beautifully performed too. More exciting than the Shakespeare on next door too.

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Review of the 2017 Royal Shakespeare Company production of Coriolanus (LINKED) added.  Sope Dirisu as Coriolanus in a modern dress production.

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