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Archive for October, 2022

Supermarket check-outs, a rant

I’m in the mood for ranting. So to SUPERMARKET CHECK-OUTS (linked). We all go there. This explores what happens … obnoxious customers, the demise of check-out assistants, invisible customers. The lot. There’s a discussion box. Do add a rant of your own.

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BSO: Triumphal Elgar review

I don’t review classical concerts, because I don’t know enough to make sensible comments, but I had to review this Bournemouth Symphony Orchestra programme (FOLLOW LINK). We booked it for Respighi’s The Fountains of Rome, but Czech violinist Pavel Šporcl played Glazunov’s Violin Concerto, and the major piece was Elgar’s Symphony #1. There’s more on my memories and Respighi than erudition.

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Cycling in London (and elsewhere) – a rant

SEE CYCLING IN LONDON & ELSEWHERE (follow link)

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The Crucible, 2022 – review

The third review of our London visit, Arthur Miller’s THE CRUCIBLE (link to review) at the National Theatre. This is a major production of one of the greatest 20th century plays. It’s a detailed review,and I assume you know the story. Few plays get so many five star reviews, yet it failed to get the standing ovation that Blues For An Alabama Sky got the evening before. The play always fascinates.

Credit: Johan Persson

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Blues For An Alabama Sky – review

The second of the three reviews, this is BLUES FOR AN ALABAMA SKY (link to review) by Pearl Cleage. This 1995 play is set in ‘Haarlem Renaissance’ New York in 1930. As so often happens, the least known of the three plays in the trip got the best audience reception by a long way and was the most enjoyable too. It’s at the National Theatre, so catch it if you can. Like most National Theatre plays it’s sure to be streamed eventually.

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John Gabriel Borkman – review

This is the first review from our ‘Three plays in three days London trip.’ It’s JOHN GABRIEL BORKMAN, by Henrik Ibsen (SEE LINK), directed by Nicholas Hytner, and starring Simon Russell-Beale. London’s best and newest theatre (until SohoPlace opened the day afterwards), the director of the best Shakespeare production we’ve seen in years and Simon Russell-Beale in the title role. What could possibly go wrong? Read on …

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Outlander Season 6 comments

The current OUTLANDER SERIES 6 (LINK TO REVIEW) is one we’ve just completed on Blu-Ray. It’s online if you subscribe to Starzplay. It’s surprisingly addictive watching, if you like American history, historical romance, 18th century Scotland and Time Travel. . I’ve avoided extreme plot spoilers but have given the gist and tried to inject some humour.

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Othello, Watermill, review

Review of OTHELLO at the marvellous Watermill Theatre near Newbury. (Linked) Paul Hart co-directs this year’s Watermill Shakespeare, which is always a highlight with its mix of drama, music and dance, with all the music performed by the actors. It’s a significant take on Othello, too with a much younger and more vigorous lead role and a female Iago. It all works.

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Woman in Mind- review

Link to my review of WOMAN IN MIND by Alan Ayckbourn at the Chichester Festival Theatre. Yes, Ackybourn fills theatres and this 1985 play was considered innovative in 1985, and is often rated as one of his best. Any Chichester production is worth seeing for the cast, the set, the production. In this case, I’m much less sure about the intrinsic play.

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